Fish offers a full Editorial Consultancy Service, providing writers with feedback on their current work in progress or completed manuscript. We offer consultancy on all genres and forms including the novel or novella, chapbooks, short story and poetry collections and narrative non-fiction manuscripts such as memoir and biography.
This service provides a flexible one-to-one opportunity to work with an experienced editor in order to get the very best out of your writing. The same editor will remain with an author throughout the entire editing process providing guidance on specific or general aspects of the work as required.
We also offer assistance for authors and poets who are intending to submit their work to an agent or publisher i.e. help with compiling a cover/query letter and accompanying synopsis.
N. B. If you require feedback on a shorter piece of work e.g. a Short Story (5,000 words or less), a Memoir (4,000 words or less), a Flash Fiction (500 words or less), or Poem (400 words or less), please see Critique Service.
For guidance through the process of writing a body of work e.g a novel or collection, please see Mentoring Service.
Our general submission guidelines are:-
Contact email@example.com to discuss you particular requirements.
Submissions to the Editorial Consultancy Service is usually via email.
Submissions should include the following:
A synopsis of the entire project (350 words max) including whether the manuscript is complete or if only sample chapters are being submitted. The synopsis should include:
If you are submitting a collection of short stories or poems, a synopsis is not necessary however mention of any overarching theme or subject matter would be helpful.
Personal cheques in your own currency should be made payable to ‘Fish Publishing’. Postal Orders are accepted from Ireland and the UK.
For more information please email firstname.lastname@example.org
*Above 100,000 words, Authors are invited to discuss the level of editorial support they require, so that a price based on total word count and editorial service level can be agreed.
Please note that prices are in sterling.
For all initial enquiries and for a price quotation on the work you require, contact the Editorial Consultancy Service via email: email@example.com.
NOVEL, MEMOIR, SHORT STORY: Mary-Jane Holmes, an experienced editor and writing teacher, joined the Fish team in 2009. She has taught contemporary poetry at Hull University (Continuing Education Department) and designed creative English curriculum programs in Aurich, Germany and Niort, France.
Her own work has been published in a variety of reviews including The Journal of Compressed Creative Arts, Prole, JMWW, The Tishman Review, Firewords, The Lonely Crowd and the Incubator. In 2014 she won the Dromineer Flash Fiction Prize and was shortlisted for the Bridport Prize. Her work has been nominated for the Best Small Fictions 2016 and she was longlisted for the 2016 Kathy Fish Fellowship. She is an article contributor at Flash Fiction Chronicles and The Lonely Crowd and she is currently studying for a Master of Studies in Creative Writing at Kellogg College, Oxford.
Mary-Jane has been part of the Editorial Consultancy team since 2009.
POETRY: Adam Wyeth was born in Sussex, England, in 1978 and has lived in County Cork, Ireland, since 2000. His critically acclaimed debut collection of poetry, Silent Music (Salmon Poetry, 2011) was highly commended by the Forward Poetry Prize. His collection of essays, The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry, which includes many poems by leading Irish poets, was published by Salmon in 2013.
Adam was a runner-up in the 2006 Arvon International Poetry Competition, a prize-winner in the 2009 Fish International Poetry Competition, commended in the 2012 Ballymaloe International Poetry Competition, and shortlisted for the Bridport Prize, 2013. His work appears in The Forward Book of Poetry 2012 (Faber, 2011), The Best of Irish Poetry 2010 (Southword, 2010), Landing Places: Immigrant Poets in Ireland(Dedalus Press, 2010) and Something Beginning with P (2004).
He has made two films on poetry, A Life in the Day of Desmond O’Grady, first screened at The Cork Film Festival, 2004; and a full length feature, Soundeye: Cork International Poetry Festival, 2005. Wyeth’s debut play Hang Up, produced by Broken Crow, has been staged at many festivals, including the Electric Picnic and the Galway Theatre festival. A member of Poetry Ireland’s Writers in Schools Scheme, Wyeth has been a creative writing workshop facilitator for ten years and has held workshops at many literary festivals all over Ireland.
SCREENWRITING: Rory Kilalea has worked in many parts of the world in education, radio, feature film, theatre, and television since 1970. He has taught television and film internationally, including at – Goldsmith Hall, London; University of San Francisco; Johannesburg; Dubai; Bahrain; Ireland and in Harare where he taught film as a course at the University of Zimbabwe to Honours level. He has taught at the University of Zimbabwe as lecturer in theatre skills. Full CV
Rory has been an editor with the Fish Editorial Consultancy Service since 2009.
. . . you were encouraging and helpful over recent years and I wanted to tell you that at last I’ve had a novel accepted.
Christine Holmes, UK
The Critique was excellent. It was positive and affirming with plenty of very perceptive advice. What gave me most satisfaction was that the editor really understood what I was trying to do. Even if no one else ever reads this particular work, your editor’s sympathetic and constructive response has made the effort so far very worthwhile. I look forward to further contact with Fish Publishing.
Jim O’Leary, Ireland
I deeply appreciate the value of the constructive, positive ideas given. It has worked well. Many thanks. I am now tightening manuscript throughout to submit to publishers.
Hazel Menehira, New Zealand
Golddust is all I can say! Loved your comments, I see what you mean and am doing all you suggest. Thank you so much for your constructive, encouraging remarks
Laura Graham, Siena
I found the detailed Critique of my synopsis and first chapter immensely helpful and astonishingly insightful. Despite the fact that this was a 5,000-word submission you seem to have an almost uncanny grasp of the way the characters develop.
Sion Scott-Wilson, Singapore
I have finally worked my way through the critique your company recently forwarded, and wanted you to know how much I appreciate your editor’s wading through these eighteen chapters. The critique was both comprehensive and helpful. I agreed with and incorporated nearly every suggestion offered.
Although I only sent the first half of the novel for critique, the feedback was thorough enough that I felt sufficiently confident to send queries to several agents and publishers. If they aren’t interested, it won’t be because of Fish Publishing. Good job.
Pat Shagoury, USA
The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.More
€12 (incl. p&p) Sunrise Sunset by Tina Pisco Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination. An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, and waltz around your mind long after […]More
How do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.
What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.More
A new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.More
Reading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart
The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.More
I sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCannMore
The entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo GeblerMore
I was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael CollinsMore
These stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane FountasMore
Each of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber
Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank DelaneyMore
From the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo HamiltonMore
In a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe
It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher HopeMore
There are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’RiodanMore
I feel like issuing a health warning with this Fish Anthology these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms the short story. – Clem Cairns.More
Every story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskeyMore
The stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn SweeneyMore
Really good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’ConnorMore
The writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy DoyleMore
This is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.More
12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.
You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.More
A memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.More
Ian Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?More