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Flash Fiction Prize 2022: Results

Winners

Short-list

Long-list

 

From all of us at Fish, Congratulations to the writers whose Flash Stories were short or long-listed, and in particular to the 10 winners.

 


 

Winners

Tracey Slaughter

Here are the 10 winning Flash Fiction Stories, as chosen by Tracey Slaughter, to be published in the FISH ANTHOLOGY 2022.

Comments on the flash stories are from Tracey Slaughter, who we sincerely thank for her time and expertise. 

 


 

FIRST PLACE

The Stone Cottage:  by Partridge Boswell

Lyrical pull and enveloping atmosphere distinguished this piece from the first reading, drawing
me into its arresting sensory focus. While understated in terms of narrative action, the dramatic energies of its stonework setting sung, instilling each detail with emotional depth. Its textured, sense-rich approach to sound made its rhythmic sentences and close-range images layered, evocative and rewarding to re-read.

 

SECOND PLACE

On the Other Side of the World: by Linda Nemec Foster

What attracted me to this piece was how it utilized the dynamics of flash to vibrant structural effect, laying frames of scenic detail cleverly alongside each other to compose a lyric collage of glimpses. What struck me was its skill in capturing brief instants of foreign experience, through an enticing but contained series of images which it left to resonate compellingly.

 

THIRD PLACE

Millstone:  by Z Aaron Young

A dense, disturbing narrative-drive set this piece apart, drawing the reader ever deeper into the meshes of its drama, through to its intensely clever twist. It leads us through the turns of this darkly compelling plot through contained use of dialogue and encounter, making striking use of flash’s minimalism to deliver a honed and high-impact story.

 

 

SEVEN HONORABLE MENTIONS (In no particular order)

 

Crabwalk: by John Walshe

What I found compelling about this piece was its rhythmic energies and attention to sentence tempo and tension to evoke character. Its evocative beat and cleverly timed repetitions delivered a vivid impression of the narrator, keeping the reader ‘jumping big steps’ with its child speaker, and were also skillfully linked to the overall story arc and its dynamic core image-pattern.

 

Firelight:  by Kathryn Henion

The strength of this piece is in its lively mobilizing of setting detail in the service of storytelling. It places us in a vivid slice of landscape through crisp and evocative imagery, and involves us atmospherically in the character’s key childhood glimpse of adult life.

 

Beauty Curse:  by Seamus Scanlon

This piece stood out for its dynamic tone, making skilled use of dialogue and voice to grip the reader’s attention in its edgy narrative. It also allowed this strong vocal focus to drive an innovative form and movement, generating original narrative energy.

 

Kabul, August 2021:  by Marie Altzinger

Making use of sliding frames, this piece juxtaposed two points of view on a central crisis, effectively inhabiting different female angles and voices to political ends. It used this form powerfully but with tight control, letting the explosive off-screen drama arise through subtly selected detail.

 

Taking Revenge on Gustav Klimt:  (or The Paintbrush that isn’t a Paintbrush)  by David Lewis

Taking on an effective and tonally-alive point of view, this piece dissects a slice of artist’s model’s life with wry, cutting amusement at the sexual politics of image-making. Sharp, clever, economical and tongue-in-cheek.

 

A Mother Knows:  by Russell Reader

The economy of this piece worked powerfully to control strong emotion and to cover a long history in brief vocalized details. Spoken tension connects us effectively with character, subtly revealing a moving subtext beneath the minimal and controlled narration, approaching a heavy topic through bare contained voice.

 

While the Planet Still Remains:  by Fiona J Mackintosh

Immersive second-person narration and lyric rhythm at the sentence level were at the heart of this piece’s impact. It took on a vast and weighty subject, containing it effectively through sustained focus and a personal approach, building a clever analogy into its ending.

 


 

A LITTLE ABOUT THE WINNERS:

 

Partridge Boswell is a stay-at-home rover, father of seven, and author of the Grolier Award-winning collection Some Far Country. When not hitchhiking or freighthopping, his bindlestiff poems have recently found homes in Poetry, American Poetry Review, Poetry Ireland Review, Southword and The Moth. Co-founder of Bookstock Literary Festival, he teaches at Vallum Society for Education in Arts & Letters in Montreal and troubadours widely with the poetry/music group Los Lorcas, whose debut release Last Night in America is available on Thunder Ridge Records. Please say hello when you see him busking on Grafton Street.

 

Linda Nemec Foster is a poet and writer, currently living in Grand Rapids, Michigan (USA). She is the granddaughter of immigrants from southern Poland who settled in Cleveland, Ohio. Many of her relatives and friends still live in Poland (some of them near the Ukraine border) and she has visited them and that part of the world many times. The author of 12 collections of poetry (e.g. The Blue Divide, 2021 and The Lake Michigan Mermaid, 2018), Foster was the Inaugural Poet Laureate of Grand Rapids from 2003-2005.

 

Z. Aaron Young is an MFA candidate in the NYU Low-Residency program and considers himself a fiction writer and spare-time philosopher. His writing has appeared in various folders across his laptop and has been read by tens of people. His hobbies are extremely easy to list and he very much enjoys music. When he’s not sleeping, he can be found more or less awake.

 

J.P. Walshe lives in Malahide, Co. Dublin and works in libraries.  When not surrounded by books he can be found on the sofa trying to forget about them.  After starting but then writing nothing for eight years he’s taken up where he left off and finds it a much more productive way to spend insomnia.  He once rode a bike cab in San Diego and taught English while pretending to know grammar in Barcelona.”

 

Kathryn Henion’s fiction has appeared in over twenty journals, including Beloit Fiction Journal, Saranac Review, Natural Bridge, and Green Mountains Review. She earned a Ph.D. in English from Binghamton University, where she was editor of the biannual literary magazine Harpur Palate. Currently she serves as fiction editor for the online journal of art and literature, Anomaly, and lives, works, and writes in Ithaca, NY. www.kathrynhenion.com

 

When Seamus Scanlon won the Fish Flash Fiction Prize with The Long Wet Grass (2011) he thought he had arrived (in West Cork). When the story became a one act play (2014) he thought he had arrived (on Broadway).  When the story became a film (2015) he thought he had arrived (in Hollywood). When the play was translated into Japanese and staged in Tokyo (2018) he thought he had arrived (in the East). Will the Beauty Curse (2022) finally lift his arrival curse? Stay tuned www.seamusscanlon.com

 

Marie Altzinger was born in Luxembourg, and moved to Ireland at the age of six. Discouraged by a schoolteacher obsessed with the descriptive style of Gerald Manley Hopkins, Marie gave up creative writing for a quarter of a century. Thankfully she eventually saw the error of her ways, and now has two huge suitcases stuffed with PTCs (Pieces to Consider). Marie lives in Dundrum, Dublin, with her wonderful husband, fabulous daughter, and super dog. 

 

David X. Lewis has written journalism for Reuters, speeches on AIDS for WHO, and documents for a Geneva organisation that sacked him. He now focuses on creative writing from Ferney-Voltaire, France. The opening of his third (unpublished) novel was nominated for a Pushcart in 2021, when he also won the Bangor 40-word competition. In 2022 he will be published by Bath Flash Fiction and (twice) in Sticks and Stones, an Oxford anthology of “flash greats”. 

 

Fiona J. Mackintosh (www.fionajmackintosh.com) is the Scottish-American author of a flash collection, The Yet Unknowing World published by Ad Hoc Fiction. She has won the Fish, Bath, Reflex, and Flash 500 Awards, and her short stories have been listed in several cool competitions in the UK and Ireland. She lives just outside Washington D.C., but she’s thankful that her imagination can carry her across continents and time, both during lockdowns and in happier times.      

 

Russell Reader lives in Keele, England, with his husband and two sons. He won first prize in the New Writer Magazine’s Prose and Poetry Awards and has been published by Litro, InkTears, Flash, Grist, and Bath Flash Fiction. One day he would like to write a story that isn’t sad and grim.

 


 

Short-list:

(alphabetical order)

 

There are 41 flash stories in the short-list. There were 948 entries in total.

Title

First Name

Last Name

 

 

 

Kabul, August 2021

Marie  

Altzinger

The day you chipped a tooth and touched a nerve

Lesley

Bungay

Labels

Letty

Butler

Fishes I Have Known

Ric

Carter

Brez

Ava

Dan-Gur

Karma Chameleon

Anne

Eyries

Echolalia

Elizabeth

Field

On the Other Side of the World

Linda 

Nemec Foster

The Door Opens

Geoffrey

Graves

Firelight

Kathryn

Henion

Lost Treasure

Maria

Jackson

Herring

Sarah

Kartalia

Cleft by the lines of cowards

Nelum

Kaur

Blood Brothers

Jim

King

Koel

Alfie

Lee

Flash Fiction

Alfie

Lee

A Human Jellyfish Goes Missing

David

Lewis

Taking Revenge on August Klimt  
(
or The Paintbrush that isn’t a Paintbrush)

David

Lewis

A Becket Tale: 1972

Finbar

Lillis

Rocket-ship set-up guide

Kik

Lodge

While the Planet Still Remains

Fiona J

Mackintosh

“Going, Going, Gone!”

Michael

Mahoney

The Prodigal’s Brother

Patrick

McCann

A Brush with Circe

Lauren

McNamara

Never Let Me Go

Geoffrey

Mead

GHOSTS

Catherine

Neville

Posted

Brigita

Orel

A Mother Knows

Russell

Reader

Falling Woman

Hannah

Retallick

For a Time, I

Hannah

Retallick

Meltdown

Nicholas

Ruddock

Bed Time

Yvonne

Sampson

The Sister as a Fox

Shannon

Savvas

Deciduous Trees

Adrian

Scanlan

The Twins

Seamus

Scanlon

Beauty Curse

Seamus

Scanlon

The Kiss

Jo

Skinner

Coppélia Doll Variation

Michaela

Tamma

The Proposal, Lyme Regis, 1936

Ken

Wilson

Satellite of love

Alison

Woodhouse

Millstone

Z. Aaron

Young

 

 


 

Long-list 

(alphabetical order)

There are 72 flash stories in the long-list. There were 948 entries in total.

 

Title

First Name

Last Name

 

 

 

Kabul, August 2021

Marie

Altzinger

SISTERS

Carrie

Beckwith

The Stone Cottage

Partridge

Boswell

A Cry Beneath The Leaves

Michael P

Bowles

White is the Color of Decay

Matthew

Brandon

Things I Would Do if I Was a Disgraced Soviet
Scientist, Living in Exile on the Riviera

Kati

Bumbera

The day you chipped a tooth and touched a nerve

Lesley

Bungay

Labels

Letty

Butler

Fishes I Have Known

Ric

Carter

All That Remains

Charlene

Cason

Man Up

Yvonne

Clarke

Brez

Ava

Dan-Gur

Trying to Write a Haiku

Rosamund

Davies

Driving Home

Christina

Eagles

On taking Macy’s Kittens to the Sawmill

Henry

Edwards

Caravan

Susan

Elsley

Subject: Humanity 2022-4022

Stephen

Enciso

Mountain Air Folly

Tanya

Esnault

Karma Chameleon

Anne

Eyries

Warp Factor

Tom

Farrell

Echolalia

Elizabeth

Field

Leaving hospital with a suitcase

Nick

Fordham

On the Other Side of the World

Linda 

Nemec Foster

Burhan Now or Never

Nancy

Freund

Aliens

John

Fullerton

Keys

Laura

Geringer Bass

In the Light

Cicely

Gill

Odette at Tea-Time

Heather Lynne

Goddard

The Door Opens

Geoffrey

Graves

An Imitation

Leonie

Gregson

Last Wave

Michael

Hainsworth

Sticks and Stones

Daniel

Harwood

Turning Back Time

Hannah

Hawthorne

Firelight

Kathryn

Henion

It’s a Living

Tova

Hope-Liel

Lost Treasure

Maria

Jackson

Fishtail or Why I Can’t Recommend a Birthing Pool

Jupiter

Jones

Was this an Act of God

Roger

Jones

Herring

Sarah

Kartalia

Cleft by the lines of cowards

Nelum

Kaur

Blood Brothers

Jim

King

This Isn’t Working Anymore

Keith

Law

1-800-KARS-4-KIDS

jeffrey

lazar

Colour of Night

Roland

Leach

Koel

Alfie

Lee

Flash Fiction

Alfie

Lee

The Dragon’s Inn

Alfie

Lee

Jack

Alfie

Lee

Gilbert

Alfie

Lee

Commonwealth

Alfie

Lee

A Human Jellyfish Goes Missing

David

Lewis

Taking Revenge on August Klimt
(or The Paintbrush that isn’t a Paintbrush)

David

Lewis

A Becket Tale: 1972

Finbar

Lillis

Rocket-ship set-up guide

Kik

Lodge

Broken

Laurie

Mackie

While the Planet Still Remains

Fiona J

Mackintosh

Going, Going, Gone!

Michael

Mahoney

Suspicion

Robert

McBrearty

The Prodigal’s Brother

Patrick

McCann

Mantelpiece

Alan

McCormick

Fearing

Paul

McKeogh

A Brush with Circe

Lauren

McNamara

Never Let Me Go

Geoffrey

Mead

Nouvelle Cuisine

Geoffrey

Mead

Electric Cold

Jane

Messer

Beyond

Hailey

Millhollen

The Baptism

Alison

Milner

Cornered

Katrina

Moinet

GHOSTS

Catherine

Neville

Ed Vedder

Dominic

Nunan

How to take Prizewinning Photos

Tom

O’Brien

The Mummies of Guanajuato

Pamolu

Oldham

Versions of Him

Helen

O’Neill

Posted

Brigita

Orel

Disassociation

Carolyn

Peck

The closest I came to having sex after twelve years
of marriage to a man with anhedonia [cont.]

Kathryn

Phelan

A Mother Knows

Russell

Reader

Turkey Legs

James

Reid

Falling Woman

Hannah

Retallick

For a Time, I

Hannah

Retallick

The Fly Trap by the Window Adjacent to My House

Hannah

Retallick

Meltdown

Nicholas

Ruddock

No Future in Being a Postman

Michael

Salander

Bed Time

Yvonne

Sampson

The Sister as a Fox

Shannon

Savvas

Deciduous Trees

Adrian

Scanlan

The Twins

Seamus

Scanlon

Beauty Curse

Seamus

Scanlon

Man of Letters

Wilma

Scharrer

Cider on Your Lips

Kim

Schroeder

King Cat

Lucy

Shuttleworth

Way Out West

John

Simms

The Kiss

Jo

Skinner

Eventuality

Jonathan

Splittgerber

Underpaid

Jamie

Stacey

The Spirit of Things

Nora

Studholme

Coppélia Doll Variation

Michaela

Tamma

Some creatures trapped in ice

Hilary

Taylor

Dog Nose

Brendan

Thomas

The Movements

Cole

Tucci

Never too late

Melanie

Veenstra

Crabwalk

John

Walshe

Shedding Skin

Nicole

Watt

Savannah Animals Fun For Kids

Susan

Wigmore

The Proposal, Lyme Regis, 1936

Ken

Wilson

The electric is-ness of life

Michele

Wong

Satellite of love

Alison

Woodhouse

Snowfall

Amy

Wright

Millstone

Z. Aaron

Young

You Can Only Jump Forward

Glen

Zehr

 

Poetry Prize 2021 Results, Long and Short-lists

 

Winners

Short-list

Long-list

 


 

Winners

Here are the 10 winners, as chosen by judge Billy Collins, to be published in the Fish Anthology 2021

The Fish Anthology 2021 will  be launched as part of the West Cork Literary Festival  (July 2021), as an online event.

The 10 winning poems will be published in the FISH ANTHOLOGY 2021
1st prize: €1,000
2nd: a week in residence at Anam Cara Writer’s and Artist’s Retreat.
3rd:€200

Billy Collins

Billy Collins

 

Comments on the winning poems are from Billy Collins (below), who we sincerely thank for lending his time and experience to judge the prize.

Congratulations to the ten winning poets, and also to those whose poems made the short-list of 95, and to the poets who made the long-list of 390. Total entry was 2,987. 

 

More about the 10 winning poets (link)

The Ten Winners:

 

 

Selected by Billy Collins, to be published in the Fish Anthology 2021

 

FIRST                   

LETTER TO DOWSIE, FROM ROETHKE IN IRELAND by Greg Rappleye (Michigan USA)

“It’s one long stanza perfectly fits Roethke’s sustained utterance as he writes home from Ireland about his current state.  The lack of self-pity is impressive here, for this man is in the throes of depression and alcoholism, riding the ‘moron bus’ and led around by ‘four orderlies in white”.  And far from home. His joys sustain him, though, particularly music and the pub life, where he hushes ‘the fiddles and parts a cloud of pipe smoke’ before reciting a poem to the crowd.  This poem is a sensitive comic/tragic portrait of a mad genius in extremis, a stranger in a land whose own strangeness suits him.”    Billy Collins

 

SECOND

CHEMO by Matt Hohner (Baltimore, USA)

“This poem smartly and charmingly avoids the slippery slope of the maudlin that goes easily with the sub-genre of cancer poetry.  The saving grace is the friendship of the patient and her visitor and the humor they mix into the horrifying toxic effects of her treatment, including a serum ‘meant to almost kill her in order to kill/the tumor growing inside her head.’  We feel the seriousness under the joking, and the love under the horrid symptoms.  It’s a poem that keeps it cool under the immediate pressure of life and death.”    Billy Collins

 

THIRD                  

DON’T RUSH TO CLEAN HER ROOM  by Pippa Gough (Kent, England)

“I saw this poem as a corollary to Thomas’s Do Not Go Gentle into That Good Night.   It’s too late to rage at Death, of course, or anything else, but the speaker uses a similar imperative tone to insist that the departed’s room be left intact, preserving it for a while.  ‘Allow… the toothpaste stains to harden on the sink.’ ‘Ignore the powder-tangle of her drawer,/ the sweet half-sucked, the scattered pills.”  How such common things are made to move us!  And leave the mirror, for ‘it holds her in its silvered depths.’ As in the best elegies, grief and loss are anchored and illuminated by the common things around us.”  The speaker rages in favor of respect and reverence.”    Billy Collins

 

SEVEN HONORABLE MENTIONS 

(In no particular order)

 

THE ROWAN BERRIES OF WINTER by Phillip Crymble (New Brunswick, Canada)

 

 

 

ODE TO IGNORANCE by Michael Lavers (Canada)

 

 

 

DECEMBER SUNLIGHT by Harry Nisbet, 1919, Oil on Canvas by Alice Twemlow (Amsterdam)

 

 

 

FIRST TIME by Maureen Boyle (N. Ireland)

 

 

 

STORY OF SISTER WHOSE BROTHER LOST HIS HAND TO THE BUZZ SAW

by Victoria Walvis (Hong Kong)

 

 

SWIFT DEPARTURE by Will Ingrams (Suffolk, UK)

 

 

 

THE BREAK UP by Partridge Boswell (Vermont)

 

 

 

 


 

MORE ABOUT THE WINNERS

Greg Rappleye lives in Grand Haven, Michigan. His second collection of poems, A Path Between Houses (University of Wisconsin Press, 2000) won the Brittingham Prize in Poetry. His third collection, Figured Dark (University of Arkansas Press, 2007) was co-winner of the Arkansas Prize in Poetry was published in the Miller Williams Poetry Series. His fourth collection, Tropical Landscape with Ten Hummingbirds, was published in the fall of 2018 by Dos Madres Press. He teaches in the English Department at Hope College in Holland, Michigan.

Matt Hohner is an editor for Loch Raven Review. He once won a poetry slam in Washington State over the phone from Baltimore, Maryland. He has adapted a poem of his with composer Brechtje into lyrics for a song performed in Amsterdam. Hohner’s first collection is Thresholds and Other Poems (Apprentice House 2018). Salmon Poetry will publish his next collection in 2023. Hohner has published in six countries and four continents. He lives in Baltimore, USA.

Pippa Gough was born in England, but grew up in sub-Saharan Africa.  She enjoyed an itinerant childhood and developed extraordinary talents in being as adaptable as a chameleon but as rootless as a milk tooth.  She has had a number of careers – all of them connected to nursing and health care, about which she grows increasingly passionate.  She is currently an executive coach working mainly with health care workers and lives Kent with Nick.

Phillip Crymble is a physically disabled writer and literary scholar from Belfast. A poetry editor at The Fiddlehead, he holds a MFA from the University of Michigan and has published poems in Magma, The North, The Stinging Fly, Poetry Ireland Review, Iota, The Forward Book of Poetry, and elsewhere. In 2007 he was selected to read in Poetry Ireland’s Introductions series. In 2016, Not Even Laughter, his first book-length collection, came out with Salmon Poetry.

Michael Lavers is the author of After Earth, published by the University of Tampa Press. His poems have appeared in Ploughshares, AGNI, Southwest Review, Best New Poets 2015, and elsewhere. He has been awarded the University of Canberra Vice-Chancellor’s International Poetry Prize, the Moth Poetry Prize, and the Bridport Poetry Prize. Together with his wife, the writer and artist Claire Åkebrand, and their two children, he lives in Provo, Utah, and teaches at Brigham Young University. 

Alice Twemlow (Ph.D RCA/V&A) is a design historian and research professor at The Royal Academy of Art The Hague (KABK) and Leiden University and a professor by special appointment at University of Amsterdam. She contributes essays about all aspects of design culture to publications such as Disegno, MacGuffin and Dirty FurnitureThese range from critiques of the anti-clutter movement and toilet paper branding to readings of manifestations of post-disposal design such as plastiglomerate and space junk.

Maureen Boyle lives in Belfast where this summer she retires from teaching after thirty years – 28 of them in St Dominic’s Grammar School on the Falls Road.  She will miss the students but be glad to have more time for writing, the garden and her allotment and plans to be on some class of beach in the first week of September in celebration and because she can.

Victoria Walvis lives on Lamma, a subtropical island without llamas in Hong Kong, with one foot in Florence Italy—soon home. She’s part England, part Holland, part perfectionist tomboy. Passions are moving words small distances on paper and swimming inexpertly with a lot of splashing. She’s powered by coffee, but it won’t sponsor her. Poet of the Peel Street Poets, she’s performed for the Economist and HK International Literary Festival, and runs curious poetry workshops for anyone remotely curious.

Will Ingrams writes poetry, short stories and the occasional novel at his cottage in rural Suffolk. He has won or been shortlisted in a number of competitions over the years, and has a blog at https://willingwordwhirl.wordpress.com where more of his poems can be found. Will’s flesh and blood avatar has spent time as a forecourt attendant, a postman, a teacher, and a computer geek before turning to writing and growing vegetables.

Partridge Boswell is a stay-at-home rover, father of seven, and author of the Grolier Award-winning collection Some Far Country. When not hitchhiking or freighthopping, his bindlestiff poems have recently found homes in Poetry, Gettysburg Review, American Poetry Review, Poetry Ireland Review, Rattle and The Moth. Co-founder of Bookstock Literary Festival, he troubadours widely with the poetry/music group Los Lorcas, whose debut release Last Night in America (2021) is available on Thunder Ridge Records. Please say hello when you see him busking on Grafton Street.

 


 

The overall winning poem:

  

Letter to Dowsie, from Roethke in Ireland

 

                                -St. Brigid’s Psychiatric Hospital at Ballinasloe,

                                         County Galway, September 3, 1960

 

Driven mad by channel wrack and fresh sprats in bad oil,

sobbing on the oyster dock, at lowest tide I was

rowed to the mail boat by a barefoot Carmelite,

then lugged ashore at Cleggan and poured into the back

of a Singer sedan. I swore I’d suppress my “affect”

for a splash on our way to the bughouse,

and the good padre, having tippled with me

in those dicey island days, found nothing against the faith

in that. He meted out Kilbeggan’s every ten miles

or-so, toasting each chosen apostle, excluding the Iscariot,

but counting Matthias and Paul.  As single-pot prodigal,

I’ve found an easier, softer way: drinking cold buttermilk,

noshing stewed apples and mealy fishcakes

with the daft nuns and my attending physician,

a kindly man who is the spitball image of Barry Fitzgerald. 

Walrus-like, I’ve wallowed in the hydro baths

as in our famous days at Mercywood, and thanks

to my trans-Atlantic laurels, my benzo-calm

and affable demeanor, I’m driven to a public house

on seisiún nights aboard the moron-bus, and allowed

two stiff drinks and the recitation of a poem.

It’s grand to hush the fiddles and part a cloud of pipe smoke,

led through the tavern door by four orderlies in white,

as if I’m blind O’Carolan, stumbled home at last,

escorted by that squadroon of virtuous angels

by which minor deities are ushered into the world.

On the wall chart of temperaments, mine approaches a shaker

of dry martinis—sanguine with ice and three drops of melancholic.

Dowsie, when did you last climb a honeysuckle trellis?

When did you last scurry through an asylum greenhouse,

tripping over clay pots and hashing your knees?

I imagine you now as sea-lioness, sleek and black,

your most clever pup dropped carelessly,

left to gorge on red dulse in a midnight sea

and you, shrieking all those long tumultuous hours

atop a granite rock, eelgrass wilding beyond you in the surf.

Greg Rappleye

 


 

 

SHORT-LIST:

(Alphabetical order)

There are 95 poems on the short-list. The total entry was 2,987. 

night men rowing

Nick

Allen

To my Reader

Lucia

Altenhofen

Obits

Jayne

Benjulian

Green Parrots

Michelle

Bitting

Boxing Day

Michelle

Bitting

How Not to Kill a Chicken

Sharon

Black

When to Flip the Pancakes

Elizabeth

Boquet

The Breakup

Partridge

Boswell

My Lucky Day

Partridge

Boswell

Parting Shot

Partridge

Boswell

The Breakup (2)

Partridge

Boswell

First Time

Maureen

Boyle

Timepiece

Alan

Buckley

Yellowstone and what the bears mean

Sue

Burge

Tea Ceremony

Carol

Caffrey

Stilts

Jean

Cassidy

When I said I wouldn’t love again,
but then I tried

Toni

Chappell

THE LAST PLACE ON EARTH

John

Claxton

Flour

Brid

Connolly

This is a Confessional Poem

Alexandra

Corrin-Tachibana

They Say You Sleep 1/3 Of Your Life
In The Dark With Animals

Simon

Costello

Coaxing

Kathryn

Crowley

The Rowan Berries of Winter

Phillip

Cymble

i had my share of graves

Isabell

Dahlberg

Veronica Lake

Robert

Daseler

Notes addressed to the person who
received my ex’s heart

Sophie

Dumont

Question for a Friend at the
Edge of Passing

Simon Peter

Eggertsen

Soundtrack

Billy

Fenton

A Chair

Chris

Fitzgerald

Polaroid of a girl from Pennsylvania

Stacey

Forbes

I am unlearning

Julia

Forster

The Lord’s Work in Uganda

Gary

Geddes

What we do

E A

Gleeson

Don’t rush to clean her room

Pippa

Gough

Edward Hopper’s Soir Blue

Jennifer

Harrison

Lady of the Beasts

Lenore

Hart

Apartment in Lucca

Orla

Hennessy

Sea Change

Orla

Hennessy

There’s Something About Moonlight

Orla

Hennessy

I am Glad to be Your Daughter

Rachael

Hill

Chemo

Matt

Hohner

Questions I would ask if we ever got married

Tamsin

Hopkins

1921

Paddy

Hunter

Practicing the Saving

Christina

Hutchins

Northern California Interior

Christina

Hutchins

A Hilltop Piked in Spruce

Cory

Ingram

Swift Departure

Will

Ingrams

On an English allotment

Anthony

Kelly

Peony picker

Caire

Kieffer

Maun Sanctuary

Mel

Konner

Soundview Dawn

Mel

Konner

the song of tattie-bogle

Charlie

la Fosse

Grateful

Vanessa

Lampert

Ode to Ignorance

Michael

Lavers

Diagnosis

Stacey

Lawrence

Man with Green Gloves

Sarah

Lawson

The Convent Rose

Fidelma

Mahon

Best Wishes to the Next Bride

Susan

Manchin

Men With Guns

Seán

Martin

Cherry Brandy

Jenny

McRobert

A Marriage Come Evening

Cathy

Miller

Monday Totems

Cathy

Miller

Quantum Decoherence

Brookes

Moody

Dartmouth Square

Martin

Murphy

Operation Sophistication

Olive

Murray Power

The Colour of Water

Susan

Musgrave

The Devil’s Wife

Damen

O’Brien

INTERNATIONAL HARVESTER
McCORMICK No. 5 HAYRAKE

Thomas

O’Grady

Kia Ora

Judy

O’Kane

For Jeanne Villepreux-Power

Chloe

Orrock

The tap in grief’s kitchen

Chloe

Orrock

Cut Flowers

Trevor

Parsons

Letter to Dowsie from Roethke in Ireland

Greg

Rappleye

Desuetude

Ann

Reckling

INTO THE RED LIGHT of the great
burning in Oregon 2020

Leo

Rivers

Dusk

Robin

Schwarz

A Letter For Neruda

Robin

Schwarz

The conditions on which I will
come to your funeral

Tessa

Scott

Letters that Work

Chris

Scriven

Full Disclosure

Saudamini

Siegrist

The Leafing of Cabbage

Annette

Sisson

Night Heron Under a Crescent Moon

Kevin

Smith

On Poetry as a Motive for Murder

Harvey

Soss

Wild Thing, I Think I Love You

Harvey

Soss

Whom Should I Run to Tell?

Genevieve

Stevens

Big Earrings and a Hat

L.J.

Sysko

daphne

Cecily

Trepagnier

December Sunlight by Harry Nisbet,
1919, Oil on Canvas

Alice

Twemlow

Ultramarine

Barbara

Tyler

Story of a Sister whose Brother
Lost his Hand to the Buzz Saw

Victoria

Walvis

Sodium

Christopher

Watson

A Small Cabin

Christopher

Watson

At the Nursing Home

Leland

Whipple

Foil

Milena

Williamson

Charging

Enda

Wyley

After

Enda

Wyley

Encountering the Unicorn

Steve

Xerri

 


 

 

LONG-LIST

(Alphabetical order)

There are 394 poems on the long-list. The total entry was 2,987. 

Title

First Name

Last Name

Still Life

Edward

Adderson

Parallax

Vasiliki

Albedo

Glaucus and the apple

Esa

Aldegheri

sorry charlie

Esteban

Allard-Valdivieso

deerform

Nick

Allen

night   men   rowing

Nick

Allen

To my Reader

Lucia

Altenhofen

Imperdible (Safety Pin)

David

Alvarez

His Lemon Water Dilemma

Nitsa

Anastasiades

Self-Help

Ingrid

Andersson

In a Swedish Hanseatic Town

Ingrid

Andersson

Bowl Barrow

Lottie

Angell

Anyone could write these lines

JACOB

ARVESON

For Marilyn

Roger

Asleson

Woman, Indeterminate Age,
Has Changed Her Mind

Maxine

Backus

Cisternino, Puglia

Maxine

Backus

Lighting a candle in a strange church

Verity

Baldry

THE APARTMENT

Madhurii E.L.

Ball

In the heavy air of a once-vogueish home

Diana

Bandut

Attachment

Jill

Barker

Ageless

Helen

Bar Lev

Killers

Alex

Barr

It’s Sushi Wenesday at the upscale grocery

Ellen

Beals

Quest

Angela

Beese

You’ve got to take your love where you can get it

Angela

Beese

Airborne

Anneke

Bender

Obits

Jayne

Benjulian

Sky Fall

Jackie

Bennett

Goats

Donald

Berk

Boxing Day

Michelle

Bitting

Green Parrots

Michelle

Bitting

DIAGNOSTICS

David

Black

Victoria

Sharon

Black

Six Blankets

Sharon

Black

How Not to Kill a Chicken

Sharon

Black

If I ha my way…

Andy

Blackford

LAST KNOCKINGS

Adrian

Blackledge

Spirals

Rosalin

Blue

Brother Blue

Roger

Bonner

When to Flip the Pancakes

Elizabeth

Boquet

Release

Peter

Borchers

Infinity and beyond

Peter

Borchers

Beer and Sandwiches

Partridge

Boswell

Inheritance

Partridge

Boswell

Strike Anywhere

Partridge

Boswell

Ode to My Vocation

Partridge

Boswell

Polaris Star Trails

Partridge

Boswell

SparkNotes

Partridge

Boswell

The Return

Partridge

Boswell

The Speed of Ice

Partridge

Boswell

The Breakup

Partridge

Boswell

My Lucky Day

Partridge

Boswell

Parting Shot

Partridge

Boswell

The Breakup (2)

Partridge

Boswell

The Best Age

Charlie

Bowrey

First Time

Maureen

Boyle

Takings

Caroline

Bracken

Owwwwww Mnn

Paula

Brancato

The house in the night

Esther

Brazil

The Performance

Esther

Brazil

Faces

Esther

Brazil

TUMBLEWEED

Rory

Brennan

DRY-EYED AR GRAVESIDES

Rory

Brennan

Alice’s Return to Wonderland

Hans

Brinckmann

The Test

Robert

Brown

Timepiece

Alan

Buckley

The Invisible Woman

Alexander

Buelt

Yellowstone and what the bears mean

Sue

Burge

Munich Freiheit

Jen

Burke Anderson

That thing

Liz

Byrne

Outcry

Carol

Caffrey

Tea Ceremony

Carol

Caffrey

Stilts

Jean

Cassidy

Eve

Deborah

Catesby

Constellation

Deborah

Catesby

Gate

Deborah

Catesby

Overkill: how the fish see it

Tim

Cawkwell

Waiting in Forest Lawn

Joseph

Chamberlain

Remembering Tim at Olcott Beach

Joseph

Chamberlain

Coming Upon Cyclamen

Mary

Chantrell

When I said I wouldn’t love again, but then I tried

Toni

Chappell

Road Kill

Helen

Chinitz

Arnett Blvd

Caleb

Choate

THE UNRAVELING

John

Claxton

THE LAST PLACE ON EARTH

John

Claxton

Onlookers – poem in memory of George Floyd

Don

Colburn

Onlookers at 38th & Chicago

Don

Colburn

Changing Measure of Time

Katie

Colombus

Wardrobe

Brid

Connolly

Flour

Brid

Connolly

Postcard from Grand Anse

Alan

Coombe

Home

Alexandra

Corrin-Tachibana

Her

Alexandra

Corrin-Tachibana

This is a Confessional Poem

Alexandra

Corrin-Tachibana

Russian Roulette for Beginners

Simon

Costello

The Other Café

Tony

Costello

They Say You Sleep 1/3 Of Your Life
In The Dark With Animals

Simon

Costello

The Human Exhibit

Miriam

Craig

Well-stowed

Miriam

Craig

Gilmore Girls

Miriam

Craig

Thirteen Ways to Use a Mobile

Paul

Crichton

Mother

Elena

Croitoru

The Handbag

Barbara

Crossley

Birds

Laurie

Crowley

Coaxing

Kathryn

Crowley

The Rowan Berries of Winter

Phillip

Cymble

To Want to Kill a Mockingbird at 2 in the Morning

Brittany

Curran

i had my share of graves

Isabell

Dahlberg

Lentil Salad

Robert

Daseler

Veronica Lake

Robert

Daseler

Turn

Jenny

de Ceapog

Child’s Silk Kaftan with Tiger Stripes
(Victoria & Albert Museum)

Eilín

de Paor

The Visitor

Julian

Debreuil

King Cat

Julian

Debreuil

Religion as Government

Julian

Debreuil

Tide’s edge

Olga

Dermott-Bond

centenary

Heather

Derr-Smith

Tonito

Gary

Diamond

Village

Piaras

Dineen

another winter

Bill

Dodd

Ward song

Nuala

Doherty

The Boy Stood on the Burning Deck

Caroline

Drew

In confidence

Gavan

Duffy

The comet is gone, but here are the meteors

Heather

Duffy

Notes addressed to the person

who received my ex’s heart

Sophie

Dumont

Passer Londinius

Michael

Dunne

Question for a Friend at the Edge of Passing

Simon Peter

Eggertsen

Not any more

Lyn

Ellis

Between

Jennie

Ensor

There

Jennie

Ensor

Emissary

Charles

Evans

Antillia unfound

Dena

Fakhro

sometimes i like to

Brady

Fauth

Soundtrack

Billy

Fenton

Apple

Rachel

Ferguson

West

Cian

Ferriter

Unfinished

Cormac

Fitzgerald

A Chair

Chris

Fitzgerald

Factory

Mary

Fitzpatrick

Rockpool

Sharon

Flynn

Knot

Stacey

Forbes

Polaroid of a girl from Pennsylvania

Stacey

Forbes

Strong Men, Carrying Horses

Cy

Forrest

What I thought while crashing the car,
Boxing Day 2013

Julia

Forster

I am unlearning

Julia

Forster

I Hate You for Asking/ The Answer is Yes

Naoise

Gale

Stone fruit

Barbara

Geary Truan

By No Means Gone

Gary

Geddes

All That Rains

Gary

Geddes

The Lord’s Work in Uganda

Gary

Geddes

Free Solo

Ellen Girardeau

What we do

E A

Gleeson

October 2012

Amy

Glynn

A good suit makes a man appear trimmer,
taller and stronger

Nicolette

Golding

Don’t rush to clean her room

Pippa

Gough

Thanatos

Louise

Green

Poet Tree

Jonathan

Greenhause

At a Crossroads

Jonathan

Greenhause

Near the Opera House

Joseph

Grikis

Spilt Milk

Nancy

Gunning

Understory

Nancy

Gunning

Everywhere Inside Me

Nancy

Gunning

My Heart Was A Fragile Blue-Black Shell

Nancy

Gunning

Theology

I

Hanson

come as you are

William

Harris

Edward Hopper’s Soir Blue

Jennifer

Harrison

Borrow

Alan

Hart

Lady of the Beasts

Lenore

Hart

After Sally Mann, Thinner

Lisa

Hartz

The Voyager Spacecraft and The Golden Record

Eoin

Hegarty

Apartment in Lucca

Orla

Hennessy

Sea Change

Orla

Hennessy

There’s Something About Moonlight

Orla

Hennessy

Triptych

Petra

Hilgers

I am Glad to be Your Daughter

Rachael

Hill

From The Big Book of Cornish Postcards

Deirdre

Hines

Putty Hill

Matt

Hohner

Chemo

Matt

Hohner

Boatman, Pass By

Kathleen

Holliday

November Morning Unlike Others

Kirsty

Hollings

Mask Me

Karen

Hones

My dog is reading Nietzsche…again

Eleanor

Hooker

Questions I would ask if we ever got married

Tamsin

Hopkins

Chuang-tzu Feels the Weight of the World

Adam

Horvath

Geological Study

Diana

Howard

Hide and Seek

Susan

Hubbard

Only a Chair

Robert

Hume

1921

Haddy

Hunter

All We Could Do Was Laugh

Christina

Hutchins

String Theory

Christina

Hutchins

Practicing the Saving

Christina

Hutchins

Northern California Interior

Christina

Hutchins

At the Smithy

Cory

Ingram

A Hilltop Piked in Spruce

Cory

Ingram

Swift Departure

Will

Ingrams

The Lady of the Lake

Jenni

Jackson

Invitation

Judith

Janoo

Chow Chow

Karla

K

Directions

Eileen

Kavanagh

Dispersed

Rebecca

Keating

Bubble Mixture

Corinna

Keefe

Holy Innocents

James

Kelly

Remember The Un-barred Bones

John D.

Kelly

On an English allotment

Anthony

Kelly

Waving in Space

Vincent

Kenny

Imagination

Peter

Kent

My Psychiatrist Keeps Reminding Me
That Depression is Anger Turned Inward

Jay

Kidd

Peony picker

Claire

Kieffer

They Say We Are

Sara

Kiiru

Tongueless Nightingale

Sara

Kiiru

Death of a structuralist

Katja

Knezevic

Blue Ridge

Mel

Konner

Convalescent Summer

Mel

Konner

Kxai-Kxai Dawn

Mel

Konner

South Shore

Mel

Konner

Maun Sanctuary

Mel

Konner

Soundview Dawn

Mel

Konner

Mid-Spring

Alison

Kreiss

gabriel

Charlie

la Fosse

the song of tattie-bogle

Charlie

la Fosse

The lost ones

Mran-Maree

Laing

Belonging

Vanessa

Lampert

Grateful

Vanessa

Lampert

To My Ex Husband,

Ryan

Lannigan

Tickers

Miles

Larmour

Ode to Ignorance

Michael

Lavers

Poetry Lesson for Golfers

Joe

Lawlor

Diagnosis

Stacey

Lawrence

Suppose Princip Had Missed

Sarah

Lawson

Once in Lascaux

Sarah

Lawson

Man with Green Gloves

Sarah

Lawson

Arguing with Buddha

James

Leader

March-you are my favorite month

Gabriele

Lees

He Sees the Smaller Picture

Liz

Lefroy

Pulse

Colin

Lightbourn

Meditation man and my meditative state

jordan

lillis

Field

Sue

Lockwood

Fledgling

Priya

Logan

Appurtenant

Michael

Lyle

New Shoes For a Funeral

Michael

Lynch

Glacier Bay

Peter

Maeck

The Convent Rose

Fidelma

Mahon

Burning Trees

Dave

Mahony

Framing that Circle

Dave

Mahony

Best Wishes to the Next Bride

Susan

Manchin

Lesson

Luigi

Marchini

Men With Guns

Seán

Martin

Shannon Diving

Paul

McCarrick

Waiting for the snow

Penny

McCarthy

Blue Brindle

Kathleen

McCracken

Yesterday’s Bar

Kathleen

McCracken

Wings

alison

mccrossan

Break This

Scott

McDaniel

A Prayer for the Solitary

Meghan

McNamara

Cusp

Kate

McQuade

Breathe

Jenny

McRobert

Finding Cenotes

Jenny

McRobert

Sailing the high seas with my brother

Jenny

McRobert

Cherry Brandy

Jenny

McRobert

Mosquito Net for Rwanda

Isabella

Mead

For Fuck’s Sake

Fiona

Meehan

Of Wolves

Becca

Menshen

‘Miscarriage’

Dante

Micheaux

faith

Cathy

Miller

Last Codicella

Cathy

Miller

Before Dawn

Cathy

Miller

Monday Totems

Cathy

Miller

A Marriage Come Evening

Cathy

Miller

Witness at Olallie Creek

Tamara

Moan

Quantum Decoherence

Brookes

Moody

The Clemency of Old Kings

Darren

Morris

Late ’80s, mid-afternoon in June

Cassandra

Moss

Strangers Again

Mary

Mulholland

they say its glamorous to have
french grandchildren

Mary

Mulholland

Fish and Bicycle

James

Murphy

Wood shed

M

Murphy

Dartmouth Square

Martin

Murphy

Day of Days

Olive

Murray Power

Operation Sophistication

Olive

Murray Power

The Broker

Tegan

Murrell

The Colour of Water

Susan

Musgrave

White Heritage
(A Blasphemy in the key of lHell)

Iain

Napier

Papa’s Aftershave

Jordan

Nishkian

Ode to my Envy

Damen

O’Brien

The Longest Wave

Damen

O’Brien

The Beasts

Damen

O’Brien

The Devil’s Wife

Damen

O’Brien

Saturday Night

Kathleen

O’Brien

INTERNATIONAL HARVESTER
McCORMICK No. 5 HAYRAKE

Thomas

O’Grady

Kia Ora

Judy

O’Kane

My father came to me last night

Denis

O’Sullivan

The Only Poem I’ll Ever Write About
My Father’s Dementia

Jon

Olseth

Home, Where I Am Not

Nicole

Olweean

Forgiveness

Rena

Ong

Edale

Madeleine

Orange

To My Step Daughter (Nattfjärilar)

Madeleine

Orange

The stones

Chloe

Orrock

For Jeanne Villepreux-Power

Chloe

Orrock

The tap in grief’s kitchen

Chloe

Orrock

The Bicycles

Fran

Palumbo

Cut Flowers

Trevor

Parsons

Incapacitating the Agent

Ann

Pelletier-Topping

Gecko

Jill

Penny

Fusion

Fiona

Perry

The Window

Michael

Phillips

The Shell Game

Michael

Phillips

La Anjana

Benjamin

Radcliffe

Self-flagellation and the Falls

PETER

RAMM

Letter to Dowsie from Roethke in Ireland

Greg

Rappleye

Desuetude

Ann

Reckling

When we were still mistaking me for female

Arien

Reed

The Yellow House

Jennifer

Reid

Exit

Joan

Renino

After Jim Beam

Elisabeth

Ribbans

Ribbon Gum

Sarah

Rice

The Binman Knows this Early Ebb

Bill

Richardson

INTO THE RED LIGHT of the great
burning in Oregon 2020

Leo

Rivers

John the Baptist

Everett

Roberts

Summer Festival

Bruce

Sarbit

Tick Tock

Janice

Schantz

Book of A Thousand Regrets: The First Three

Nancy

Schoenberger

Dusk

Robin

Schwarz

A Letter For Neruda

Robin

Schwarz

The conditions on which I will come to your funeral

Tessa

Scott

Letters that Work

Chris

Scriven

El Malpais

Lindsay

Sears

body singing

Renée

Sgroi

Suitcase

Penny

Sharman

littlewomen#figmentsof

Penny

Sharman

Lost in Translocation

Quentin

Shaw

Reminiscence Bump

Quentin

Shaw

Hook and eye

Susan

Shepherd

Missed Calls

Christopher

Shipman

To My Mind

Laura

Shore

Full Disclosure

Saudamini

Siegrist

Ode to Retirement

Annette

Sisson

The Leafing of Cabbage

Annette

Sisson

The Incomplete Poems of Archer Baldwin

Samuel

Smith

Night Heron Under a Crescent Moon

Kevin

Smith

His Name was Yitzhak

Harvey

Soss

Incidents and Accidents in
Pursuit of a Manifest Destiny

Harvey

Soss

On Poetry as a Motive for Murder

Harvey

Soss

Wild Thing, I Think I Love You

Harvey

Soss

Smoking in Greece

Luke

Soucy

Haiku Calendar

Rachel

Spence

Peace Pilgrim

Kathleen

Spivack

Google Maps

Joel

Stein

Whom Should I Run to Tell?

Genevieve

Stevens

Premeditated Happiness

Sarah

Stickney

Only Now, Black Snake

Jasper

Swann

Ship’s Clock

Jasper

Swann

Thistle on Mars

Jasper

Swann

Date and Walnut

Jasper

Swann

Naked

Tigi

Syme

The Mall

L.J.

Sysko

Big Earrings and a Hat

L.J.

Sysko

Thanksgiving Prayer

Adam

Tamashasky

My Crow

Mary

Tate

For Eyeing My Scars

Mary

Tate

Portrait of My Anxiety As An Imp

Rosamund

Taylor

Dharma without Dogma

Jane

Thomas

daphne

Cecily

Trepagnier

December Sunlight by Harry Nisbet,
1919, Oil on Canvas

Alice

Twemlow

Ultramarine

Barbara

Tyler

Meltdown

Mukta

Vasudeva

Stolen Jasmine

Roger

Vickery

ON THE OCCASION OF MY FATHER’S
ONE HUNDREDTH BIRTHDAY

Maggie

Wadey

On Coming Back to Earth

Lucy

Wadham

So I’m In The Car

Lucy

Wadham

Clay Pipes

Fiona Ritchie

Walker

Nothing Special

Lindsay

Waller-Wilkinson

The Parkinson’s Enigma

Rob

Wallis

Milawa Church

Rob

Wallis

Story of a Sister whose Brother
Lost his Hand to the Buzz Saw

Victoria

Walvis

ON THE WAY

Tony

Ward

Freedom

Angela

Washington

Sodium

Christopher

Watson

A Small Cabin

Christopher

Watson

James Joyce singing, with guitar

Richard

Westley

At the Nursing Home

Leland

Whipple

In the Soft Still-Falling Snow

Alice

White

The Covid Alphabet

Elizabeth

Whyatt

Tea for Four (with a nod to John Betjeman)

Fiona

Wild

Cuthbert and the Seals

John

Williams

Magritte in Hartlepool

John

Williams

Foil

Milena

Williamson

Noah’s Daughter

Jay

Wilson

In a field, outside Princeton, New Jersey

Martha

Wingfield

The Art of Dying – a triptych

Pat

Winslow

Extraction

Pat

Winslow

Dynasty

Amaury

Wonderling

Charging

Enda

Wyley

After

Enda

Wyley

Encountering the Unicorn

Steve

Xerri

Two Odes & An Elegy

Jeanne

Yeasting

Picture Never Taken

Sharon

Yencharis

 

Short Story Prize 2020/21: Results, Short & Long-lists

Winners

Short-list

Long-list

On behalf of all of us at Fish, we would like to congratulate the 10 winners and also those who made the short and long lists.


Emily Ruskovich, judge of the 2020 Fish Short Story Prize

Judge, Emily Ruskovich

 

The Ten Winners:

Selected by Emily Ruskovich

The 10 winners will be published in the Fish Anthology 2021.

(There were 1,631 entries to the competition.)

     
 

FIRST:
A Correspondence


by Mark Martin  (New York)

 

SECOND:
Methane


by Pavle Miha  (Portugal)

 

THIRD:
The Fisherman


by Chris Weldon  (Hampshire)

 

Aleksandr

by Amanda Huggins  (Yorkshire)

 

The Etymology of a Sword Swallower

by K Lockwood Jefford  (Wales)

 

How to Accept the Lunar Landing

by Nicole Olweean  (USA)

 

Duck Egg Blue

by Fiona Ennis  (Waterford, Ireland)

 

OMG Winn Handler Moved Next Door!

by Lesley Bannatyne   (Boston, USA)

  Connemara  Salmon by Kathy MacGloin   (Scotland)
  Rick and Molly Drink Giles Newington  (Dublin)
     

A little about the winners:

Mark Martin was born in England and did his best to grow up there. Late in his teens, novels and poetry prompted Mark to rescue his education in the nick of time, a debt to literature that will happily never be paid off. Recently, his short stories have been accepted by the Manchester Review, Dark Mountain, Storgy, the Missouri Review, and Stand. The copy chief at Verso Books, he lives in Brooklyn with his wife and son, a state of contentment he has done little to deserve.

Pavle Miha is a new writer and Methane is his first published story. He was born in Portugal to Serbian parents and moved to London when he was 18 to work as a game developer. He co-founded Flavourworks where they created Erica, an innovative marriage of games and film for iOS and PlayStation 4. Methane was inspired by a summer spent staring out of the window, and too many failed attempts at making sourdough bread. 

Chris Weldon was born in 1948 in Worcestershire to Irish parents. He was largely raised in England but spent a fair amount of his childhood in rural Ireland. Having screwed up a degree in Classics he travelled abroad extensively in a long career in the aerospace industry. Now retired in Hampshire, England he is married with two grown children and four grandchildren. He was fortunate enough to win the Fish publishing Short Story Prize in 2015.

Amanda Huggins is a creative writing tutor and copy editor who writes (very slowly) about love, loss and the sea. She is the author of the novella, All Our Squandered Beauty, and four collections of short stories and poetry. Amanda won her first writing prize for a love poem to George Best when she was eleven. She grew up on the North Yorkshire coast and now lives near landlocked Leeds.

K. Lockwood Jefford grew up in Cardiff with an obsession for books and cartwheels. She worked as an NHS psychiatrist and psychotherapist alongside a stint in stand-up comedy before completing an MA in creative writing at Birkbeck. Her work appears in many publications including Brick Lane Bookshop’s 2020 Prize Anthology and Prospect Magazine online. Her short story, Picasso’s Face, won the 2020 VS Pritchett Prize. She is over the moon to be selected for Fish 2021.

Nicole Olweean holds an MFA in Creative Writing from University of California, Riverside. She is a poet first, and this is her first story publication. She is obsessed with community climate resiliency and is now the person to whom every friend sends their climate memes. She is preparing to move to Glasgow for an MSW program so she can make her obsession a job, write a book, and get lost in the Highlands on weekends.

Dr. Fiona Ennis lectures in Literature and Philosophy in Waterford Institute of Technology. She has won the Molly Keane Creative Writing Award. Her fiction has been shortlisted for the Bristol Short Story Prize and the U.S. based Philosophy Ethics Short Story Award. Her work has also been highly commended in both the Manchester Fiction Prize and the Seán Ó Faoláin International Short Story Prize. Her work has been published in anthologies and journals.  

Lesley Bannatyne is a freelance journalist who’s covered stories ranging from druids in Somerville, Massachusetts to relief workers in Bolivia. One of the US’s  authorities on the celebration and history of Halloween in the United States, Bannatyne and several compatriots set the Guinness World Record for Largest October 31st Gathering, a title they held with gusto from 2007-2009. Her short stories, essays, and books can be found on iskullhalloween.com, and she is crazy grateful to be a part of the Fish Anthology.

Kathy MacGloin was born in Aberdeen.  Her parents, from Counties Mayo and Longford, and her two remarkable siblings, sang songs to her and told her stories, and let her be the only one with ginger hair.  She grew up in the North of England, studied in Cambridge, Sweden and London and now works as an anaesthetist in a hospital with a helicopter and button-less lifts.  She likes poetry, handkerchiefs and the song of the blackbird.   

Giles Newington moved to Dublin from London in 1996. He worked for nearly 20 years as a journalist at The Irish Times. Over the past decade, he’s been published in various magazines and the Hibernian Writers Group anthology, and shortlisted in the Fish poetry and short story competitions. He was one of the winners in this year’s Irish Writers Centre Novel Fair. He’s spent the pandemic year in Dublin watching a lot of football with his two adult sons. 

Emily Ruskovich´s thoughts on the top three stories:

A Correspondence
I loved this story for its sincerity, its whole-hearted devotion to its characters. Morgan’s heart lies in the past, in the secrets of old letters discovered in older books. The letters themselves were absolutely engrossing. I loved the voices, and the plot turns. This story achieves so much so quickly. The characterizations are few but perfect. I loved the predicament at the story’s heart. Morgan longs to reveal the secret of the deceased gentleman, but there is no one she can tell it to. What she wants most of all is for the world to acknowledge his sacrifice and his goodness. She cannot bear that Constance doesn’t know. But the end was oddly satisfying, to see her come to accept that she herself can be the world that knows. That the acknowledgment of just one person is enough. And she will be that person for this dead man. It’s deeply moving. 

Methane
I absolutely loved this story of quiet horror, taking place on our planet after humankind has abused it to the point of no return. 
But, inside of this vast and horrific premise—made more horrific by the very real possibility of this future— the story itself is very small. The story of a person trying to discover something within himself. And that was what most captivated me. Sometimes, it’s as if the people have forgotten what it used to be like to live in a world not poisoned by the selfishness of the past. That was very tragic, the way they are trying to find meaning in a world past generations have ruined for them.
Thanks so much for the pleasure of this profound story.

The Fisherman
This story moved me deeply. I loved the lyrical language, the attention to detail, the immersion in the natural world. You are an immensely talented writer, and I could feel the heartbeat of this story, that you have really touched upon the things that matter most. It’s a very simple story, but it stirred complex emotions for me. I’m thrilled that this story is now finding its way out into the world.
Thank you for the honor of reading this remarkable piece of fiction.

 

 


 

Short-list:

(alphabetical order) There are 58 stories on the short-list. (There were 1,631 entries in total.)

Burnt Eyes, Grass Blades

George

Alabaster

Xuan Loc Limbo

Ernest

Amabile

Going Back

Terri

Armstrong

OMG Winn Handler Moved Next Door!

Lesley

Bannatyne

Freeze, Peach

Edward

Barnfield

Production Values

Tim

Booth

Scallop Shell

Lorcan

Byrne

The Innocents of Eden

Curtis

Cushman

Taymour’s Apology

Michael

Donaghy

A Boy Called Luke

Patrick

Eades

Dreams of a Catfish

Patrick

Eades

She’s Dead, But She Won’t Lie Down

Judyth

Emanuel

Buckaroo

Ingrid

Evans

The Sea

Rob

Ganley

Change of Light

Pamela

Gay

The Island of Sodor

Kristina

Gorcheva-Newberry

Vasily’s Big Break

Patrick

Gray

An Ocean Apart

Steve

Hawes

In Miniature

Emily

Howes

When We Lived Opposite Portugal

Susan

Hurley

The Triple G

Gregory

Jeffers

Becoming Whale

Jupiter

Jones

A Touch of Gladness

Cilla

Kent

Elegy for a Lost Cause

Thomas

Kiernan

Lillie

Sandy

kundra verma

The Migratory Journey of the Swallow

Jane

Lavelle

Of Flesh and Bone

John

Lavelle

The Leaving

Carolyn

Lewis

Nudes

Petra

Lindnerová

Conditions for an Avalanche

K

Lockwood Jefford

Sky An Iris

Niamh

MacCabe

Algorithm Rebel

Michael

Males

The Atlantic’s Cold Edge

Kieran

Marsh

A Correspondence

Mark

Martin

Pigeon’s Blood Red

Ken

McBeath

Rest in Peace Francesco Porta

Bruce

Meyer

Crows

David

Micklem

Methane

Pavle

Miha

Dear Comrade Tito

Tatjana

Mirkov-Popovicki

A Tale from Japanese Mythology: Urashima Meets the Fish-King

Max

Mitchell

Greenstick

Emma

Neale

Rick and Molly Drink

Giles

Newington

PERU

David

O Dwyer

How to Accept the Lunar Landing

Nicole

Olweean

Carry Me

Patrick

Parks

Title (to be decided)

Hannah

Persaud

Heroes?

Misha

Rai

Knill Close

Hannah

Retallick

Inhale, Exhale and into Exile

James

Richardson

The Last of the Mohicans

John

Rutter

Tea with the Queen

Jasmine

Sawers

A Life In Useless Objects

Adrian

Scanlan

Letter to Persephone

Dorothy

Schwarz

Layers

Lindsay

Sears

Neelam’s Wedding

Janet

Swinney

Future Perfect: The Burning City

Mike

Wasson

Lump

Aisling

Watters

The Origin

Tim

Weed

Slinky

Michelle

Wright

 

 


 

Long-list:

(alphabetical order)

There are 219 stories in the long-list. (There were 1,631 entries in total.)

Burnt Eyes, Grass Blades

George

Alabaster

The Noise School

Robin

Allender

The Golden Button

Peter-Adrian

Altini

Xuan Loc Limbo

Ernest

Amabile

Dance of the Sylphs

Rita

Ariyoshi

Shame

Terri

Armstrong

Going Back

Terri

Armstrong

The Division of Names

Azure

Arther

Sweetpea

Eimear

Arthur

My Sister’s Presence

Pamela

Baker

OMG Winn Handler Moved Next Door!

Lesley

Bannatyne

Freeze, Peach

Edward

Barnfield

Nine Ways You Know You’re In Love With Her

John-Paul

Bernbach

The Golden Frog

David

Bevan

You Should Be Happy

Iva

Bezinović-Haydon

Production Values

Tim

Booth

Cry

Lindsay

Boyd

Hey, Paddy

Mary

Bradford

Horror Workshop

Philip

Brown

Pandemic Paradox

Philip

Brown

Socially Distant

Giuseppina

Bruni

The Angel of Gennevilliers

Jennifer

Bryce

Endure When You Must

Emily

Buddenberg

Her Own Personal Savior (pdf final copy miracles)

Poppy

Burton

Scallop Shell

Lorcan

Byrne

Apple Seeds

Fija

Callaghan

THE BICYCLE

Aoife

Casby

Reliable Witness

Clemintine

Cervantez

Grand, Chowringhee

Bidisha

Chakraborty

Her Fluttering Womb

Elaine

Chiew

In Time

Rebecca

Clay

Animal Rescue

D S

Cochran

The Heart of a Boy

Rhonda

Collis

Burning of the Pinetum

Rae

Cowie

Lockdown Differences

Kathryn

Crowley

Fun Facts

Douglas

Currier

The Innocents of Eden

Curtis

Cushman

The Comedian

Robert

Daseler

The Frenchman delivers

David

Day

Sick Beasts

Janice

Deal

Chasing Sadie

Odette

Des Forges

Wouldn’t read about it

Odette

Des Forges

Taymour’s Apology

Michael

Donaghy

Rockpool

Stephen

Downes

Imposing Order on a Random World

Garret

Dwyer Joyce

A Boy Called Luke

Patrick

Eades

Dreams of a Catfish

Patrick

Eades

She’s Dead, But She Won’t Lie Down

Judyth

Emanuel

Duck Egg Blue

Fiona

Ennis

Buckaroo

Ingrid

Evans

Everyone Loves a Talking Statue

Louise

Farr

The Pyramid Scheme

Tom

Farrell

Rogue Bees

Tracy

Fells

Heaven

David

Frankel

Words

Jane

Fraser

Night and Day

Helena

Frith Powell

The Orangery

Mark

Gallacher

Broken

Mark

Gallacher

The Sea

Rob

Ganley

Change of Light

Pamela

Gay

The Saved

Sharif

Gemie

WHY I DRIVE ALONE

Jill

Gientzotis

Funeral For a Bird

Hannah

Glickstein

Self-Portrait

Hannah

Glickstein

The Island of Sodor

Kristina

Gorcheva-Newberry

The Last Time I Saw Marion

Joe

Gorman

Pockmarked

Harriet

Grace

And I Hear Him Thinking

Thomas

Graham

Vasily’s Big Break

Patrick

Gray

Nojento

Stephanie

Green

Before He Became Blind to Me

Conor

Griffin

Burial

Kenneth

Gulotta

The Memory Cake

Jill

Hadfield

Hares’ Breath

Nicky

Hallett

Man Bests Fiend

Des

Halpin

Striptease

John

Hargreaves

An Ocean Apart

Steve

Hawes

Old China Hand

Mahito

Henderson

Triptych

Petra

Hilgers

Step Away from the Pizza

Richard

Holeton

The Late Gatz

PETER

HOLLYWOOD

In Miniature

Emily

Howes

In the Time It Takes to Make a Risotto

Mandy

Huggins

Aleksandr

Mandy

Huggins

The Bright Red Beret

Clare

Jacob

The Triple G

Gregory

Jeffers

Crumb trail

Filippa

Johansen

Daisy, Death and the Duckling

Alice

Jolly

Frog Warning

Alice

Jolly

Lest Sleeping Dogs Lie

Marcus

Jones

Nighthawks–Dallas, Texas 1987, 2016

Teddy

Jones

Becoming Whale

Jupiter

Jones

Field of Stars

Pat

Jourdan

Kuhn VS. Kunh

Zeeyoo

Kang

A Touch of Gladness

Cilla

Kent

Lucky

Mary

Kerrigan

Elegy for a Lost Cause

Thomas

Kiernan

The Right to be Forgotten

Anne

Kilminster

The Quilting Group

Sarah

Klenbort

The Hugging Stations

Frances

Knight

Green Room

Carsten

Kok-Hansen

Lillie

Sandy

kundra verma

Coward

Anna

Lamche

The Bavarian Prisoner

Landa wo

Landa wo

The Migratory Journey of the Swallow

Jane

Lavelle

Of Flesh and Bone

John

Lavelle

Child and Family Assessment

Daniel

Leigh

Something Pretty

Colton

Leighton

The Leaving

Carolyn

Lewis

Nudes

Petra

Lindnerová

Lunching Out

Maggie

Ling

In Bed With My Sister

K

Lockwood Jefford

The Etymology of a Sword Swallower

K

Lockwood Jefford

Conditions for an Avalanche

K

Lockwood Jefford

Sky An Iris

Niamh

MacCabe

Connemara Salmon

Kathy

MacGloin

The Goldfish in the Gin

Wah

Mak

Algorithm Rebel

Michael

Males

Mummy’s Girl

Zoe

Manlow

The Atlantic’s Cold Edge

Kieran

Marsh

A Correspondence

Mark

Martin

All the love in her curls

Ira

Mathur

Telogen Effluvium

Eamon

Mc Guinness

Pigeon’s Blood Red

Ken

McBeath

Faithfulness

Patrick

McCusker

Christmas 1960

Eamon

McDonnell

Mary and The Age of My Enlightenment

James

McKenna

The Trial of Mark Rushmore

Alexander

Mckibbin

The Sickness

Alexander

Mckibbin

Visible Radiation

Trisha

McKinney

The Dolphin

Bruce

Meyer

Rest in Peace Francesco Porta

Bruce

Meyer

Crows

David

Micklem

Methane

Pavle

Miha

Longing v. Worth

Douglas

Milliken

Dear Comrade Tito

Tatjana

Mirkov-Popovicki

A Tale from Japanese Mythology: Urashima Meets the Fish-King

Max

Mitchell

The Cloud Collector

Mauricio

Montiel Figueiras

After Ever Happy

Sonya

Moor

Nitrogen Ice Cream

Tom

Moroney

Three oh nine

Laura

Muetzelfeldt

Winter at the Oyster Grill

John

Mulligan

Good water

John

Mulligan

The Nature of the Human

Daniel

Murphy

With Dignity

Nicola

Murray

Greenstick

Emma

Neale

Rick and Molly Drink

Giles

Newington

Alors

Eamon

Nolan

Savage

RJ

Northam

Somewhere in Scoffland

P. B.

Noseby

PERU

David

O Dwyer

A DOG CALLED DOG

Breandan

O’Broin

Tea for Two

Clare

O’Reilly

How to Accept the Lunar Landing

Nicole

Olweean

Why don’t we do it?

Ofir

Oz

The Anniversary

Gordon

Parker

The Orange Story

Nii Ayikwei

Parkes

The Thing is…

Rob

Parkinson

Carry Me

Patrick

Parks

Immergere

Angelina

Parrino

The Favela Samba

Andrew

Peake

The Balance of Things

Hannah

Persaud

Title (to be decided)

Hannah

Persaud

The Coffee Pot

Karen

Peterson

Still Life

Alyson

Porter

The Getaway

Alyson

Porter

Neighbors

James

Prier

Heroes?

Misha

Rai

Roman Numeral Relationships

Rajiv

Ramkhalawan

Robert´s Girlfriend

Dorothy

Reinders

When Seagulls

Hannah

Retallick

Knill Close

Hannah

Retallick

Inhale, Exhale and into Exile

James

Richardson

The Dance

Jjean

Roarty

Almost

Jonathan

Roper

Scars

Iain

Rowan

The Last of the Mohicans

John

Rutter

Her Face in the Darkness

Ronan

Ryan

Passages

Kevin

Sandefur

Half Crocodile

Paul

Saville

Tea with the Queen

Jasmine

Sawers

A Life In Useless Objects

Adrian

Scanlan

Seesaw

Maria

Schrattenholz

Letter to Persephone

Dorothy

Schwarz

Layers

Lindsay

Sears

What Hemingway Banged Off When He Got Back From the Bar

Sheldon

Seigel

The Dance

David

Shewell

The Artist

Mary

Shovelin

Dancing through Time

Pippa

Slattery

Denier

Han

Smith

Noble Rot

Harriet

Springbett

Swimming to Santiago

Cameron

Stewart

Danny’s Birthday

Andrew

Stiggers

Undefeated this Season

Andrew

Stiggers

Afternoon Tea

Caroline

Sutherland

Neelam’s Wedding

Janet

Swinney

Leaving Sydney

Reg

Taylor

Stamp

Sharma

Taylor

Cliff’s Edge for Sale

Sharma

Taylor

Skin

Sophie

Tiefenbacher

Food Chain

Jenny

Toune

Angel – A Bedtime Story

Jenny

Toune

Cat

Jenny

Toune

Mrs Crank’s Niece

Stephen

Tuffin

The Mountains and the Sea

Oliver

Turnbull

Fit

Alice

Walsh

The Good Neighbour

Guy

Ware

Future Perfect: The Burning City

Mike

Wasson

The Pathway

Richard

Watson

Ragdoll

Aisling

Watters

Hope

Aisling

Watters

Lump

Aisling

Watters

The Origin

Tim

Weed

The Fisherman

Chris

Weldon

In the Beginning

Sam

Windrim

My Best Friend Chloe

Bethany

Wren

No Use

Michelle

Wright

Slinky

Michelle

Wright

The Seuss House

Charles

Wyatt

The Owl at the Window

Les

Zig

Flash Fiction Prize 2020: Results, Short & Long-lists

Winners

Short-list

Long-list

Congratulations to the writers whose memoirs were short or long-listed and to the 10 winners.


 

Winners

Tania Hershman

Judge, Tania Hershman.

Here are the 10 winning Flash Fiction Stories, as chosen by judge Tania Hershman, to be published in the Fish Anthology 2020

The Fish Anthology 2020 was to be launched as part of the West Cork Literary Festival  (July 2020).  Unfortunately this festival has been cancelled for 2020.

Top 10 stories will be published in the FISH ANTHOLOGY 2020.
1st prize: €1,000
2nd: €300
3rd: Online Writing Course with Fish

Comments on the 1st, 2nd and 3rd flash stories are from Tania Hershman, who we sincerely thank for her time, expertise and enthusiasm in judging the prize. 

FIRST PLACE

Morning Routine by Kim Catanzarite (New jersey, USA)

In my first notes on this story I wrote: “Nothing happens, but also everything happens.” This is a flash beautifully told in two breathless sentences, where everything simmers under the surface, but the relationship between these two is perfectly captured. A fantastic example of how a great story doesn’t need to revolve around A Huge Event – an earthquake, say, divorce, a car chase – showing us how the tiniest of moments can have the largest of ripples.

SECOND PLACE

Blink by Mary McClarey (Ireland)

Blink is a very nicely paced and taut crime thriller, which tells you just enough but not too much, using its length perfectly, and not shying away from violence. It was just as good on second read, even when you know what’s happened, which is not easily done!

THIRD PLACE

Bog People by Anne Cullen (Richmond, California)

A beautiful, deceptively quiet piece that opens up whole worlds across time, really thought-provoking and making perfect use of the small space.

SEVEN HONORABLE MENTIONS (In no particular order)

Domesticity by Claire Powell (London)

Recipe for Disaster by Jan Kaneen (UK)

Reclining Nude by Stella Klein (London)

The Abnormal Normal Belfast 1970 by Jennifer O’Reilly (Strangford, N Ireland)

The Other Flight of Icarus by James Wise (UK)

When you look down the throat of a doll there’s nothing inside by Rosie Garland (Manchester, UK)

Throwing Cockerels by Alan Passey (Cirencester, UK)

There was a wonderful range of flash stories in the pile I was sent, and amongst the finalists I’ve chosen stories which move from Icarus taking a different kind of flight to an artist’s model, Belfast in the early 1970s, a story in the shape of a recipe, a story of story beginnings, each of which takes into a slightly different parallel universe, a very menacing tale involving dolls, and a beautiful quiet piece in a museum. Two were told in the second person, which is always a point of view I am drawn to – but all of them delighted me in different ways. Congratulations, everyone, picking winners was a difficult task, and an honour! – Tania Hershman

MORE ABOUT THE WINNERS:

Kim Catanzarite has been writing for nearly thirty years. When she’s not writing, she’s editing, and when she’s not writing or editing, she’s reading. Occasionally she watches movies as well. You can find her getting her steps every ten minutes to the hour. Kim lives in New Jersey with her husband and daughter.

Mary’s mixed heritage between West Cork and Northern Ireland, gives her an insight into the two sides of any story. Having sidestepped the religious vocation her mother aimed in her direction, she ran away to join the NHS. After a successful career as a nurse she used this insight to develop and inform another side of her life and turned to creative writing. She has two novels and a children’s book under her belt.

Claire Powell grew up in south-east London, where she still lives now. She has an MA in Creative Writing from UEA, where she received the Malcolm Bradbury Memorial Bursary and the Malcolm Bradbury Continuation Prize. Her fiction has been broadcast on BBC Radio 4 and published in The Manchester Review and Harper’s Bazaar, amongst others. Her 300-word story Valentine was commended in the February 2020 Bath Flash Fiction Award. She works in advertising.

Jan Kaneen started writing in 2015 as a sort of mindfulness therapy and now has an MA in Creative Writing from the Open University. Her flashes have won competitions at Flash 500, Molotov Cocktail and Retreat West, and she’s currently shortlisted for the Dinesh Allirajah Prize (Comma Press) and nominated for Best on the Net. Her debut memoir-in-flash, The Naming of Bones is forthcoming from Retreat West Books in April 2021. She blogs at https://jankaneen.com/ and tweets @jankaneen1

Stella Klein is useless with a paintbrush but loves to translate images into words. She is the proud mother of a skate-boarder and an anthropologist and lives in the house they grew up in with her very patient husband, Nick. When she is not messing about with unfinished stories on her laptop, Stella is a freelance writing coach and academic support tutor at several university colleges across London.

Jennifer was brought up in a little village on the shores of Strangford Lough. It was an idyllic childhood in sharp contrast to her college days where her teacher training took her to the Falls Road, Belfast during some of the most violent years of the Troubles. After teaching English for a number of years she moved back to Belfast to work in a newspaper as an Education Officer writing curriculum material for schools.

Anne Cullen holds an MFA in Creative Writing from Pacific University, Oregon. She lives in the San Francisco Bay Area and is currently working on a collection of linked short stories.

James Wise has been writing most of his life, with poems featured in local Oxford anthologies Hidden Treasures and Island City, alongside Helen Kidd, Paul Muldoon and Tom Paulin. Following an MA in creative writing from Birkbeck, James’ short fiction has been published in MIROnline, Issue 14 of The Mechanics’ Institute Review, The Cabinet of Heed and The Curlew. James tweets as @FreeQuayBuoy

Rosie Garland, novelist, poet and singer with post-punk band The March Violets, has a passion for language nurtured by public libraries. Her work’s appeared in Under the Radar, The North, Rialto, Mslexia & elsewhere. Author of three novels, The Palace of Curiosities, Vixen and The Night Brother. The Times has described her writing as “a delight…with shades of Angela Carter.” In 2019, Val McDermid named her one of the UK’s most compelling LGBTQ writers.   http://www.rosiegarland.com/

Alan Passey. Way back in school, Al wrote a poem in his Chemistry exam. He got an F for Fail. Undaunted he has been writing ever since, has shoeboxes full of the stuff (like everyone else) and had a brief dalliance with poetry publication in the ‘90s. His recent work has appeared in “Domestic Cherry” and been commended by The A3 Press. He recently published a travel book on Spain and lives near Cirencester in the UK.

 


Short-list:

(alphabetical order)

There are 50 flash stories in the short-list. The total entry was 1,238.

Title

First Name

Last Name

Addiction

T C

Anderson

Thruway

Nick

Arnemann

Young Gentleman

Rosalind

Bouverie

Big Black Lines of Rain

Lorcan

Byrne

Morning Routine

Kim

Catanzarite

My Mr Shakespeare

Pauline

Clooney

Go, Leave, Run

Monica

Corish

The Ocean Floor

Lucia

Dabdoub

The Stones of Birsay

Ruth

Foy

Rosalie

Christopher

Galindo

When you look down the throat of a doll there’s nothing inside

Rosie

Garland

Ageless

Aber Ozram

Grand

OCTOBER 20, 2019 – 7:10 A.M.

Geoffrey

Graves

What Does Teen Spirit Smell Like?

Jennifer

Gray

A Clean Shave

Neil

Hancox

Some Nerve!

Lawrence

Hansen

An Accidental Saviour

Roger

Jones

Reclining Nude

Stella

Klein

In the Here and the Now

Jayme

Koszyn

Davy the Cosmic Warrior

Mark

Laurie

The Left Was So Much Bigger
Than the Right

Tracy

Lee-Newman

Before The Avalanche

Robin

Littell

Hero

Tracy

Lloyd

Other Uses for a Woman’s Body

Rosaleen

Lynch

Au Revoir Recall

Niamh

MacCabe

Home Truths

Kate

Manning

Blink

Mary

McClarey

In Ten Minutes Time.

Lesley

McDowall

Near the Surface

Joshua

Moody

Checkov’s Handgun

Dean

Mountain

Smooch

Anthony

O’Donovan

Going Home

Grainne

O’Driscoll

Throwing Cockerels

Alan

Passey

The Colour of Optimism

GC

Perry

Domesticity

Claire

Powell

The House Hunter

Kelsey

Power

Return

Zara

Raab

La Luna

Ruth

Rawcliffe

Diamonds in the Rough

Russell

Reader

In Bed With Melon Bread

Leonie

Rowland

The Town Named After You

Leonie

Rowland

Some Kind of Protest

Paul

Rowlinson

The Floods

Adrian

Scanlan

Penance

Kim

Schroeder

First Impressions

Jack

Skelly

The Man

Kathryn

Smith

Mary’s Second Child

Barbara

Stowe

All the Times He Died

Phyllis

Waldman

Toast

Rebecca

West

The Other Flight of Icarus

James

Wise

Awakening of Consciousness: Shamrock Prophecy

Amber

Young

 


Long-list:

(alphabetical order)

There are 138 flash stories in the long-list. The total entry was 1,238.

Title

First Name

Last Name

Addiction

T C

Anderson

Thruway

Nick

Arnemann

My Sister Versus Tomatoes

Kate

Barss

Murray, While Mall Walking, Takes a Wrong Turn

Paul

Beckman

Post Modern

Tony

Black

Los Muertos

Paul

Blaney

Who Would You Be

Eleanor

Bluestein

Young Gentleman

Rosalind

Bouverie

Loose Lips

Judith

Bridge

The Flowers of Home

Veronica

Bright

Chasing Chickens

Mark

Brom

Please, Max

Janet

Brons

The Doll

D.R.D.

Bruton

Home

Paul

Butterworth

Big Black Lines of rain

Lorcan

Byrne

Gravity folded itself like a hinge

Kate

Campbell

Morning Routine

Kim

Catanzarite

My Mr Shakespeare

Pauline

Clooney

Invisible Force

Xavier

Combe

My first ‘Flash Fiction’ story.

Joe

Connolly

Go, Leave, Run

Monica

Corish

One Last Chance

Michael

Cormier

K

Anamaria

Crowe Serrano

Moving On

Laurence

Crumbie

Bog People

Anne

Cullen

The Ocean Floor

Lucia

Dabdoub

Christmas ’41

William

Darbishire

Cherubs

Katrina

Despi

Hide

Anthony

Dew

Back on the River

Rick

Donahoe

Marked ‘Good’

Jessica

Douthwaite

November 2017

Alison

Dunhill

Only Opera

Alison

Dunhill

The Lump

Alan

Egan

Your Trousers

Jane

Elmor

See me

Daniel

Fiddler

The Stones of Birsay

Ruth

Foy

Rosalie

Christopher

Galindo

Flash

Bláíthín

Gallagher

Owl Time

Frances

Gapper

The Rat’s Prophecy

Frances

Gapper

Not a Pet

Frances

Gapper

When you look down the throat of a doll there’s nothing inside

Rosie

Garland

Gatsby Party

Amina

Gautier

Penelope

Amina

Gautier

From the Hilltop

Bear

Gebhardt

Something Fishy

Diana

Gittins

The Older Woman

Steven

Gleason

Ageless

Aber Ozram

Grand

OCTOBER 20, 2019 – 7:10 A.M.

Geoffrey

Graves

I Watch and Wait

Jennifer

Gray

Zigzag

Jennifer

Gray

What Does Teen Spirit Smell Like?

Jennifer

Gray

Now I Lay Me Down To Sleep

Harry

Groome

The Donor

Julian

Hale

A Clean Shave

Neil

Hancox

Some Nerve!

Lawrence

Hansen

The Match

George

Harrar

Remembering the Unremembered

Janet

Heeran

Damn You, Gibran

Sara

Hills

Something like Gravel

Marissa

Hoffmann

I’m not a House I’m a Home

Tricia

Holbrook

First, a memory

David

Horn

Such Luck!

Hedy

Howe

Happy Birthday

Hedy

Howe

The Invisible Writer

HM

Hulme

The Tin of Salmon

Chris

Hyland

The night before

Elena

Itzcovich

Lust for life

Nye

Jones

An Accidental Saviour

Roger

Jones

Recipe for Disaster

Jan

Kaneen

They Kicked Up Heels for a Little, Not For Long

Gemma

Kaneko

The Letterbox

Shona

Keeshan

Reasons for Admission

Jay

Kelly

Ants on the moon

Sarah

Kilfeather

Boxes

Nicky

Kippax

Reclining Nude

Stella

Klein

In the Here and the Now

Jayme

Koszyn

Holy Cow

Neil

Kroetsch

Davy the Cosmic Warrior

Mark

Laurie

Faustus Hood

Roland

Leach

Self Storage

Tracy

Lee-Newman

The Left Was So Much Bigger Than the Right

Tracy

Lee-Newman

Extra Leg Room

Finbar

Lillis

Before The Avalanche

Robin

Littell

Hero

Tracy

Lloyd

Watch Your Speed

Stephen

Lunn

Set Out Running

Stephen

Lunn

Other Uses for a Woman’s Body

Rosaleen

Lynch

Au Revoir Recall

Niamh

MacCabe

Carsick Facing Backward (Bradenton Greetings)

Laura

Mahal

Lots of Room

Michael

Mahoney

Whatever it was he did

Ursula

Mallows

Home Truths

Kate

Manning

Blink

Mary

McClarey

Why I’mma Superhero

Deborah

McCutchen

In Ten Minutes Time.

Lesley

McDowall

Tattoo

Michael

Mcloughlin

White

Michael

Mcloughlin

Laughter at the Lakes

Michael

Mcloughlin

Elysium

Geoffrey

Mead

Space

Jess

Mitchell

Kind of Blue

Conor

Montague

Near the Surface

Joshua

Moody

When There Was Plum Blossum

Pene

Morley

The Arrangement of Things

B

Morton

Checkov’s Handgun

Dean

Mountain

Two lives lost in single-vehicle accident in Carroll County (With apologies to Bob Ferguson).

J

Mulligan

Adagio Cantabile Dolce

Eamon

Murphy

Everyone Is Offended These Days

Thivakaran

Narayanan

Bigger

Nathan

Newman

The Teddies are all in the Boot

E.L

Norry

Smooch

Anthony

O’Donovan

Going Home

Grainne

O’Driscoll

I Fell in Love at Seven,

Maggie

O’Dwyer

The Cracks and Gaps

Ciara

O’Loughlin

The Abnormal Normal Belfast 1970

Jennifer

O’Reilly

Dunkirk Beach June 1982

Patricia

O’Shea

Throwing Cockerels

Alan

Passey

Heresy

Heather

Pearson

The Colour of Optimism

GC

Perry

Imprints on my Shoulders

Aisha

Phoenix

Domesticity

Claire

Powell

The House Hunter

Kelsey

Power

Return

Zara

Raab

La Luna

Ruth

Rawcliffe

Diamonds in the Rough

Russell

Reader

The Subway

Lisa

Rehfuss

The Locket

Sharen

Robertson

The Paper Menagerie

Máire T

Robinson

Purgatory

Vanessa

Rogers

In Bed With Melon Bread

Leonie

Rowland

In Bed With Melon Bread

Leonie

Rowland

The Town Named After You

Leonie

Rowland

Some Kind of Protest

Paul

Rowlinson

The Floods

Adrian

Scanlan

Penance

Kim

Schroeder

A Haunting

Heather Lee

Shaw

Reverse Move

Gordon

Simms

First Impressions

Jack

Skelly

The Man

Kathryn

Smith

The Giorria

Mark

Stewart

Mary’s Second Child

Barbara

Stowe

Bronco

Randolph

Thomas

Opening of Nobel Lit Acceptance Speech

Michael

Tinney

No Lemonade in Seattle

Tabatha

Tovar

Just One

Sherri

Turner

All the Times He Died

Phyllis

Waldman

Augmented Reality

Linda

Walsh

Toast

Rebecca

West

Woke

Clare

Weze

Sweet Sorrow

Patricia

Wilson

The Other Flight of Icarus

James

Wise

Borderline

Kanney

Wong

Rendezvous

Decima

Wraxall

Awakening of Consciousness: Shamrock Prophecy

Amber

Young

Dissapear

Alice

Zhou

Fish Editor, Mary-Jane Holmes, Wins Myslexia Flash Prize

Mary-Jane Holmes, ‘Mathematics for girlsMary-Jane-Holmes

‘Winning the Mslexia Flash Fiction Competition was such a boost. Flash is my first love – I teach it, I edit it, I tell everyone I know to read it, but having spent two years working on a poetry collection, I wasn’t sure I could return to it. Moving from one genre to another is strange and yes we can debate the prose poem vis-a-vis flash fiction until the café or bar closes but most writers I think, know of two strong experiences that affect their confidence when it comes to getting something down on paper – you look at what you have written in the past and think “how did I do that?” and then “how will I ever do that again?” The impulse is not to even try but when you do, when you take a risk, it is surprising what can happen.  I wasn’t even going to try but the competition made me think – I have nothing to lose but I have a deadline to keep to. And surprising things do happen.’

MARY-JANE HOLMES is Chief Editor of Fish Publishing Ireland and the Creative Director of Casa Ana Retreats, work which – alongside teaching workshops and preparing for a PhD – means she is always learning about her craft, whilst struggling to find time for it. She won first place in the Bridport Poetry Prize (2017), has been featured twice in Best Small Fictions (Braddock Avenue Books), and her début poetry collection is Heliotrope with Matches and Magnifying Glass (Pindrop Press, 2018).

 

What did the judge say?

‘”Mathematics for girls” was the story that I simply couldn’t remove from my consciousness. It bursts with tragic urgency and struck to my heart. The writer built her young character from the inside out, rib by rib, with rich emotional observation. We’re shown the consciousness of a child the moment before and the moment after a betrayal occurs, and we realise that her unique way of understanding the world has been profoundly altered. The author accomplishes this with a mastery that left me breathless.’

MEG POKRASS is the author of one award-winning book of prose poetry and five flash fiction collections, including Alligators At Night, which came out last year, and Cellulose Pajamas, which won the Blue Light Book Award in 2016. Her stories and poems have appeared in over 320 literary magazines and many international anthologies, including two Norton anthologies: New Micro (2018) and Flash Fiction International (2015). She is the Editor of New Flash Fiction Review and Co-Editor for the anthology series Best Microfiction, and serves as Festival Curator for the new Flash Fiction Festival UK.

 

And congratulations to the finalists!

  • Sandra Arnold, ‘The road to nowhere
  • Tara Knudsen, ‘I know death
  • Jennifer Riddalls, ‘Taken

Fish Editor Tina Pisco Teaches English in Refugee Camp

Link: FOLLOW MY BLOG

Here are the first three posts on my blog from Nea Kavala Refugee Camp in Greece –

Nea Kavala Update #1

Tina Pisco

It’s Sunday and I have been volunteering in Nea Kavala refugee camp in Northern Greece for one week. I am working in the Women’s Space with Hope, a young woman from London who has just graduated from Oxford. We are part of a group of ten volunteers from all over the world, working with WE ARE HERE, an NGO which runs education and recreation in the camp. Every morning we teach English in the Women’s Space. The afternoons we have activities like sewing, computers, or hair and beauty. Most afternoons the women and teenagers just come to chat and hang out. Sunday is music and dancing.

The Women’s Space is a wooden shed with chipboard tables and benches. A few benches have been turned into makeshift sofas adorned with blankets from the UNHCR (UN Refugee Agency). The walls are decorated with children’s artwork and inspirational quotes in many different languages. One panel is covered in Welcomes. I make a note to myself to paint Cead Mille Failte before I leave. The money I am raising with my Go Fund Me page is being spent on improving the Women’s Space. We have already built new smooth table tops (the old ones were made of chip board and difficult to write/draw on). Next week we will fix the floor, which is old and wonky, and buy rugs for the winter to brighten up the place.

I’m teaching Level 1 English, which is a challenge because not only do most of my students have no English whatsoever, they also have no knowledge of our alphabet or numbers, so learning the ABCs, pronunciation, and numeracy are essential before we can really start learning the language. I’ve had an average of 9 women in my class. They come from Iraq, Afghanistan, Syria, Turkey and Kuwait. Most, but not all, are Muslim, speak Arabic and wear headscarves. None are veiled. Some are Christian. Some have had secondary, or third level education. Others had their education curtailed by conflict and war. F from Afghanistan speaks only Farsi and has never been to school. She covers her face with her scarf and mimes for me that the Taliban will not let girls go to school. She is so brave and diligent as every lesson is twice as hard for her. All the adult women are married and have several children, and we have bonded easily in the way of women and mothers everywhere.

Hope and I push back the tables and benches to make room for the dancing. We have lugged a portable speaker from the metal container which houses all the WE ARE HERE stuff. There is a new, huge padlock on the Women’s Space door as it had recently been broken into. The padlock looks more secure than the door (or the walls of the shed for that matter).

The camp feels subdued today and we are not sure how many women will show up. A series of robberies by a gang of “Ali Babas” was causing a lot of problems. The Women’s Space sewing machines were all stolen along with other equipment from the NGOs in the camp. After an investigation, the thieves were arrested by the Greek police, which has relived some, but has also caused tensions in the camp. There was also a bit of argy-bargy last night at the Saturday music and dancing in the big communal tent. One man had an issue and tried to pick a fight. Others grabbed him and tried to throw him out, but he kept coming back. Everyone packed up early. I never felt in any danger as it was clear that it just one drunk guy, and all the others were trying to subdue him. In fact, it was quite amusing as the German volunteers were a bit anxious while the Scots and Irish were unimpressed. As one UK volunteer commented: “I’ve seen a lot worse on a Saturday night back home!” (The next day he will come up to one of the volunteers and apologise for his behavior)

The first women arrive. Three adults, two teens, and four little girls. They are from Iraq, Syria and Kuwait. As I sit with them and wait for one of the teens to sort out the music, I am overwhelmed with a wave of anger. I remember a night back in 1991, when I stayed up following the start of Desert Storm- the US led coalition against Iraq in Kuwait. The mothers sitting with me on this rickety bench had only just been born. I want to find the men who thought Desert Storm was such a great idea and give them a few slaps. I want to point at these women and children and scream: “You did this. Look at them! Look at what you did! Is this what you wanted?” I know without asking that this is not what these women wanted. They want to be back home, enjoying a Sunday with their families, getting ready for the week ahead, going shopping for curtains, or visiting family. I swallow my anger. It’s time to dance.

The music booms, a mix of hip hop and Arabic rhythms. A tiny woman from Kuwait jumps off the bench and removes her headscarf. Underneath her hair is in a bun pinned with a red flower. She shimmies and sways, and I get a round of applause when I join in. After the first song she lets her long hair down and whips it around as she dances. More women and girls arrive, from Pakistan, Syria and Turkey. Some are dressed in Western clothes and wear small crosses around their necks. Some are dressed in long traditional robes with elaborate headscarves. Z, our resident teenage DJ, mixes a playlist of JayLo, Shakira,Arabic, Kurdish, and Turkish music, and hip hop. Despacito is a big hit. She is too cool in her trendy tracksuit, gleaming trainers, and matching headscarf. Her smile lights up the bare room. We dance for two hours. I teach them how to cha cha cha. They teach me Kurdish line dancing and some Zumba moves.

It is time to go. The wind is picking up outside. It’s been sunny and warm during the day, but can get quite cold at night- especially for those living in the two big communal tents. When the wind blows, the tents flap all night. There are 800 people here. Most live in metal containers that are arranged in a long alley on the abandoned air strip that is Nea Kavala refugee camp. It takes ten minutes to walk its entire length.

We wave the women goodbye. Before she leaves, N from Iraq takes my hand “You come to visit me. Container C4. I will make you tea.”

To contribute to the Women’s Space in Nea Kavala go to:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

FOLLOW MY BLOG

Nea Kavala Update 2

I wake up in the middle of night to a fierce wind that rushes down from the North. The sound is loud, but it is the feel of it that wakes me- like an enormous ball of air rolling in from Macedonia. The change in air pressure is palpable.

I get up and go to the outside loo, grateful for the moon that lights my way in the dark.

WE ARE HERE (the NGO where I am volunteering) rents an old ramshackle house in a quiet side street off the main boulevard of Polykastro. It is older than most buildings, with a main house that has a kitchen, living room and office. Six bedrooms are arranged around an overgrown garden. There are pomegranate, fig and quince trees, straggly rose bushes and hedges. The terrace is covered with an ancient, gnarled grape vine. A sunny, unkempt corner must have once been a vegetable patch.  I fantasize about coming back and making the garden beautiful again. My bedroom is very basic: a concrete floor covered with a rug, a mattress on a plywood base, an old desk and shelves. The windows are sealed in protective plastic, and covered in blankets hung on nails that serve as curtains. All over the house, expanding foam has been used to fill the many gaps and cracks. A hole in the living room ceiling has been patched up with a Lidl bag and duct tape. The outside shower is a concrete room with old pipes and a drain in the floor. It looks pretty awful, but is a surprisingly great shower with loads of hot water. Ten to twelve volunteers live here. Any overflow can sleep in a two-bedroom apartment nearby. It may sound dire, but it is rather charming, though I’m sure that its charm quickly fades when the winter cold and rain sets in. So far, the weather has been warm and sunny most days.

The volunteers are from England, Scotland, Germany, the US, Portugal and Australia. Most are young graduates. I am by far the oldest, but Scott from NYC and Carmen from Portugal are both in their thirties and taking a career break. Like me, most volunteers come for one to two months, but some stay longer. It is clear that we would all like to extend our stay if we could. Money, families, jobs and other commitments seem far away and somewhat inconsequential. Working with WE ARE HERE in Nea Kavala is intense, but I am really happy. Truth, be told I am happier than I have been since my mother died over two years ago.

WE ARE HERE ( http://weareherecentre.org/) was started by a woman called Eliza Winnert in 2016. She is coming back next week, and I look forward to meeting her. In her absence our little group is in the very competent hands of Chrissie from Scotland, who has been here for two years. Decisions are made at the Saturday afternoon meeting, which can run for three to four hours as Chrissie guides us through the next week’s projects: from DIY to training, and from cleaning to shopping. Our days are very busy with teams teaching English, organizing kids’ activities for those too young for kindergarten, sports and music in the afternoon, English conversation in the evening, and two movie nights a week (one for adults, one for children), along with the Saturday night music and dancing in the big tent. Each volunteer has one afternoon off a week, and we all have a full day’s rest on Fridays.

We eat lunch and dinner together on the terrace, weather permitting, and take turns cooking. Menus are vegetarian and vegan, but have so far been delicious. If I crave meat or fish, I can go out to one of the many restaurants in Polykastro, which are very cheap. Our favorite is Giorgo’s around the corner. Giorgo and his wife Sofia are very kind to the volunteers and are always giving us free food, desserts, and Ouzo.

In late 2015 Macedonia closed its border with Greece. Almost overnight 10,000 people who were traveling to other pasts of Europe found themselves stuck in the tiny village of Idomeni. An unofficial camp sprung up. Conditions were terrible and the surrounding small towns and villages were unable to cope with such a large humanitarian crisis. One often hears complaints that the Greek authorities are not doing enough, but Greece is still clearly struggling from the 2008 crash. On the bus ride from Thessaloniki abandoned factories and half-built buildings line the roads. The empty loading bays and carparks of the businesses that are still open reflect more prosperous times. As I sat and waited in the bus station in Thessaloniki when I arrived, six people came up begging for money; and there are many rough sleepers on the streets.

The refugees in Idomeni were eventually relocated around Greece, including in our camp in Nea Kavala, which is on an old airstrip, just outside of town. It takes about ten minutes to drive and one hour to walk to Polykastro.

I was shocked to discover that the camp has no really cohesive organizational structure. The authorities on the ground are the military and police, overseen by the Greek ministry; but there is little communication or planning with the three NGOs who volunteer here: DROP IN THE OCEAN (who provide food, clothes, and a bike scheme); the Danish Refugee Council (who offer medical and legal advice, and keep largely to themselves); and  WE ARE HERE. EU and UN provide specific aid but are not directly involved in running the camp, which appears to largely run itself with help from the NGOs.

Yesterday Chrissie returned from a meeting in Thessaloniki with updates from the refugee crisis in Greece. Nea Kavala, with its 600 residents is doing quite well compared to other places. There are people squatting, or living on the streets in Thessaloniki. Serres camp is overflowing with 100 people in makeshift tents outside the perimeter fence. Lesvos is a disaster. Tensions are rising everywhere due to overcrowding and a lack of coordination, and many camps have had outbreaks of violence and arson.

In March 2016 the EU decided that people arriving in Greece and Turkey must be processed there before moving on, creating a backlog that was hard to absorb locally.  There are an estimated 60,000 people seeking asylum in Greece. So far this year 26,000 have arrived in Greece by sea, with a further 13,000 by land. The UNHCR has a current capacity for 25,000, which it hopes to raise to 27,000. The Greek government has announced a plan to house 5000 refugees in hotels that are closed for the winter.

WE ARE HERE’s mission of education and community can seem hopeless in the face of such figures. Building football goalposts and having movie nights pales in the glare of those numbers. Does the Women’s Space where I teach English and run Beauty and Make-up, computers, and social afternoons make any sense? I can tell you that it does. It matters; whether we provide music classes, accept an invitation to tea, or just go out for an evening with the young men from the camp. What makes a difference is being here, meeting people, getting to know them and having them get to know us. We bring a sense of normality to a surreal situation. Most of all we bring the fact that they are not forgotten. That people around the world care.

I make my way carefully to my room, and go back to bed. The wind stops as suddenly as it began and I fall sleep. Later the big wind rolls in again and wakes me with its weight. The windows are rattling and I hear stuff flying around in the garden. It’s cold.  I rummage around in my suitcase for a thermal T shirt I bought in Dunnes before I left, and wrap a UNHRC blanket around me. It is heavy wool and I am grateful for its comfort. I snuggle into my warm nest, feeling safe and cosy. I try not to think of F, trying to sleep in one of the big communal tents in the camp with her four sons. I hope they too find comfort in the grey, heavy UNHRC blankets. I imagine the noise of the tent flapping, the wind howling, babies crying, men yelling for the mothers to hush them. I have to turn that image off like a tap and force myself to fall asleep. The women will be tired in the morning. If they make the effort of coming to class I need to be rested and positive if I’m going to help them to learn English.

In the morning it is bright and warm in the sunshine. I grab a coffee and find a sheltered, sunny spot in the garden where I can pretend that it is still summer while I prepare the day’s lesson.

If you would like to help, please share my posts and donate to my GO FUND ME here:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

Nea Kavala Update #3

I’m driving out to camp to visit A who has invited me over for coffee and cake. The local radio is blaring a Prince song I used to dance to nearly thirty years ago, which only adds to the surreal quality of the drive down the dusty highway to Nea Kavala refugee camp in Northern Greece. On the way I pass many men, women and children, who are walking or biking in to town, or to the Lidl that is halfway between Polykastro and the camp. It takes about an hour to walk into town.

The landscape is flat. Mountains dominate the horizon. Cotton seems to be the main crop in this part of Greece and all the roads are lined with white fluff, as if a giant container had dumped a load of cotton balls over the land. The dust, the ribbons of cotton balls, the stray dogs, the refugees pushing shopping trolleys past boarded up businesses give the journey a bleak, dystopic feel. Today the sky is low and grey, and threatening rain.

I park the car at the gate and start the long walk through the camp. A’s container is at the very end of the alley that was once a runway. It starts to rain as I make my way through the hundreds of metal containers that house the refugees lucky enough to get one. Some have to live in the two giant tents on the edge of camp. Rumour has it that they will all be relocated before the winter sets in. Inshallah they will be able to move soon.

Many containers are painted with murals: peace doves, colourful landscapes, happy images to brighten up the clinical white metal. Others are covered in graffiti. One poet has written his verses on the walls.

Some of the refugees have started little businesses to make some extra money. There are a number of barber shops, a bakery, a falafel stand. Most containers have makeshift extensions built with bits of scrap metal, palettes and plywood. One family has started a little garden patch. Portacabins with men and women’s toilets, along with showers are set up throughout the camp. There are also outside double sinks where people can wash dishes or handwash clothes. I pass a portacabin that has a series of washing machines.

The alley is buzzing with traffic. Children push smaller children around in shopping trolleys. People pass by on bicycles. (The bike scheme is very popular, though most women had to learn how to ride one!). Everywhere are small children and cats. I stop to admire three kittens in a shopping cart that two tiny children are minding. The walk should take about ten minutes, but it takes me double that as I am hailed by both those I know and those I don’t know with a “Hello Teacher! How are you?”

An African woman is slowly making her way down the alley softly singing to herself. She is impeccably dressed in a tailored dress and matching shoes. Her braids are long and sway as she walks. I stop and speak to her in French. She is from the Congo and tells me that there are Africans from the Congo, Senegal, Zimbabwe, Sierra Leone and Cameroon. I have hardly seen them, except on the football field. They are less in numbers, and they do not mix much with the people from the Middle East.

This is not my first time making the long walk up the alley. A few days ago, SH invited me and Hope (the other volunteer in Women’s Space) to eat dinner with his wife ZH. They live in one container with their six children, aged 15 to 3 years old. SH proudly showed us the small porch that he built to keep the rain off the shoes that are lined up outside the doorway. In Nea Kavala everyone removes their shoes before going into a home. He also built a wall in the container to create a small room, making their living space even smaller but allowing for some storage and privacy for those who are not sleeping.

The main room was crammed with 4 bunk beds, a small fridge, and a tiny folding picnic table with a two-ring electric hob. The place was impeccably clean, but K, the eldest daughter made us wait while she went in and gave the floor a quick wipe. Hope and I sat on a thin mattress on the floor, and SH made a big deal about offering me a cushion, while ZH busied herself at the hob. The dinner smelled delicious. Two daughters and their adorable little son Y joined us, as well as a neighbour. The family, like many in the camp are Khurds. ZH and SH are from Syria as is the neighbor who has joined us. When the dinner was ready, SH rolled out a rug, and ZH arranged two steaming metal pots of fragrant rice, stuffed vine leaves, eggplant, courgettes, tomatoes and onions, and a plate of sliced lemons on the floor. She put out metal plates and plastic glasses filled with water, and handed us packets of airplane cutlery and serviettes. The food was amazing, and I marveled at ZH’s skill in her limited kitchen. We ate and laughed, and showed each other pictures of family and friends: Pictures of our fathers and mothers, sisters, brothers. children. Y, their three-year-old son (whom I thought was a girl because of his long hair) is clearly the family’s darling. He loved the pictures of my dogs and cats back home, and of the agricultural show in Clonakilty last summer, especially the cows. Hope and I stuffed ourselves with the delicious food, wiping up the sauce with ZH homemade flatbread.

ZH and I bonded when she came to our computer afternoon in the Women’s Space. She sat watching music videos and singing softly to herself. Suddenly she started crying, hiding her face in her headscarf. I had a moment of panic as her tears turned to heavy, heaving sobs. ZH speaks no English. I speak no Arabic, nor Khurdish. I felt helpless to deal with her deep sadness. Then it was obvious: just do what I would do with anyone who is crying. I took some tissues and handed them to her. She took them and wiped her eyes. I got a glass of water and she drank it. Still crying, she thanked me. I sat next to her and patted her arm as she blew her nose. When she calmed down, she explained through gestures and simple words that she had been watching a video of her mother’s home town of Mosul. It was a song that her mother had loved. Her mother had passed away several years ago, before the war. I told her that my mother had died two years before and that songs she loved also make me cry. We shared the moment, together in our grief and she handed me a tissue. Since that moment we greet each other with hugs.

I finally make it to the end of the alley and A’s container. The runway continues out in front of me, and I think of how ironic it must be to live here, trapped in a tiny space with a runway at your doorstep and its teasing promise of freedom.

A is not there. Inside is a man sitting on the floor eating beans and flatbread. He seems too old and grizzled to be A’s husband. She is in her late forties, but still beautiful with light almond eyes that sparkle when she smiles, which is often; though sometimes, like many women here, her gaze will drift and her face take on a sad, haunted look. He tells me that A is his “wifey” and has gone to get me some coca cola and the cake that she baked for me (I mentioned in class that I like coca cola, but don’t like Pepsi). While we wait for her, he shows me dozens of pictures of them in Turkey, of his sons who are in Germany, of the Christian church he attends in Polykastro. I am shocked to see a much younger man than the one sitting with me on the mattress. His legs are swollen and he needs a cane.  He talks a mile a minute in simple English: He is waiting to go to Germany for medical treatment, and to be reunited with his sons. He tells me that they come from Northern Syria, but that the war has destroyed their town, that they went to Turkey, but that it is not a good place for Khurds, that he has papers to leave, but A- who arrived after him – does not, and that she does not want to stay in camp alone. A arrives with the cake and her 24 year old daughter who speaks English well. She is painfully thin. She was studying in Syria before the war and is here with her husband. Neither she nor A wear headscarves, and both are dressed in Western clothes. ZH joins us for coffee and cake, along with IB, a young man from Syria who has brought along a Swiss woman who is volunteering with DROP IN THE OCEAN.

Time flies as we eat cake and chat, and it is soon time for me to open up the Women’s Space, so we gather up our things and all head off back down the alley. We are joined by ZH’s two daughters with little Y. The rain has stopped and the setting sun is lighting the mountains with a fiery display: all reds and orange. Our little group walks together down the alley, waving at friends and stopping to chat with people lounging outside their homes, and I wish I could wave a magic wand and erase the containers, and the puddles, the portacabins and toilets; and transport us to the beautiful boulevards and parks I saw in their family pictures. To anywhere were we could just be what we are: a group of mothers and children out for a stroll on a fine Autumn evening.

If you would like to help, please donate to my Go Fund Me page:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

 
 

Fish Editor Mary-Jane Holmes, Poetry Collection Published

Heliotrope with Matches and Magnifying Glass

by Mary-Jane Holmes

(pub 2018 by Pindrop)

Mary-Jane Holmes, chief editor with Fish, dazzles with this, her debut collection. These poems range far and wide – from the landscapes, stories and traditions of the North Pennines, rich with dialect; to an Occitan hamlet with its chanterelles and walnut harvests, via the many voices of wind, water and rural history; some agonising, some benedictory. Meet the female roofer determined to shove it to the men; Eros escaping from a nursing home. Witness the intimate rites of a family preparing a body for burial; the ordeal of tattoo removal; the girl in a pencil skirt and Doc Martens on the edge of a bridge during rush hour. You’ll never see things quite the same again.

back coverPraise for Heliotrope with Matches and Magnifying Glass:

“What we hear distinctly in these vivid geographies is a new voice in the poetics of landscape. In the musical interweave between her haunting evocations of the English Pennines and her echoing conversations with the 20th-century Argentine poet Alfonsina Storni, Holmes has created a richly generative space in which her searching imagination seems vitally at home.”

Jane Draycott

“I can hardly believe this rich, intense and compellingly readable collection is a debut. I have rarely read so many poems in a row filled with lines as fresh, as lively and as apt to the complexity of such wide-ranging subject matter. Those who love strikingly original language for its own sake will enjoy this book, as will those who like their poems to be located in the reality of time and place, with strong narrative underpinning. It’s a perfect coming-together of concern for the environment and for the human with a commitment to the highest standards of aesthetic representation. For me, Holmes is perhaps the most convincingly rural and at the same time most convincingly contemporary English poet since Ted Hughes. Surely one of the collections of the year.”

Dave Lordan

“Holmes’s diction has such crunch and freshness that it seems to grow out of the ground – peppery with definition, creaking and chirping with sound. These poems encourage undivided attention to the divided world, in all its names and contexts, in which ‘we scrabble for all the things we forgot’. They both relay and delay the instability of contemporary pastoral.”

Camille Ralphs

 

At the Gin Gang 

Let’s say it happened like this:

Mother singing to bees, your shadow stretched 
substantial as the hayloft, the rhythm of grain released 
in looping eights, the horse in the wheelhouse,
its bald muzzle puckered for hay. The boy.

The thresher turned its metronome of crickets, his mouth – 
the bristle of unharvested corn, the chafe
of cattle at the trough, your arms a frenzy of wings.

The sun slipped red off the horizon, you held 
its glow for a second in the palm of your hand. 
How it crested the rims of your eyes.

Then it was gone, the sky a silvered backdrop 

of blue, the boy a man and that’s when
you counted the moon, you counted the moon.

(from Heliotrope with Matches and Magnifying Glass)

 

 

Other Publications and Awards

2018

A winner of The Best Small Fictions Anthology 2018 to be published later in the year.

Recent essay on poetry can be read here: Love the Blank Page

Disciplining the Modern Satyr shortlisted in the  Five Word International Poetry competition and is published in the Five Words XI Anthology.  Mary-Jane will be reading at Ó Bhéal, Cork later in October.

Work published in Ash Magazine

 

2017

Winner of the Bridport Prize for Poetry: testimonial

First Prize in the Bedford International Poetry Prize

Winner of the Martin Starkie Prize for Poetry

Shortlisted for the Doolin Poetry Prize

Commended in the Settle Poetry Prize

Shortlisted for the Penfro Poetry Prize

Nominated for a Forward Prize

Weather Vane published in Flash Fiction Magazine Here:

Letter from a Mercury Prospector to His Wife in the Durham Dales. 1904 published in Myslexia Issue 76

Reflex Fiction: Postpartum

 

2016

Published in Best Small Fictions 2016 edited by Tara Masih and Stuart Dybeck. Review can be found here: https://cecileswriters.wordpress.com/

Shortlisted for Bridport Poetry Prize

Work published in Lute and Drum poetry journal

Work Published in The Oxonian

 

2015

Flash Fiction published in The Tishman Review

Flash Fiction published in The Lonely Crowd

Flash Fiction published in The Incubator

Short Story published in Prole Literary Journal

Triptych published in The Journal of Compressed Creative Arts

Flash Fiction published in JMWW Journal

Long listed for the Kathy Fish Fellowship

 

2014

Winner of the Dromineer Prize for Fiction

Shortlisted for the Bridport Prize for Flash Fiction

Interviews and comments:

Lemn Sissay’s judges report for Bridport 2017 : The winning poem is ‘Siren Call’.  I am drawn to a bleak coastal town. I am drawn by sound. It is like a short film.  Unsentimental.  Brutal even.  The writer draws us to sound from the outset.   I am lured into listening. Through aural sensation the picture unfolds.   It has all the detail of La Cite Des Enfants Perdus.  Listen as the writer instructs “no not the familiar sounds”.  The writer shakes the reader from complacency and into a Sirens Call.  There’s a confidence of line. I am hypnotized  by The Siren Call.

http://poetrysociety.org.uk/news/mary-jane-holmes-wins-bridport-prize/

http://www.kellogg.ox.ac.uk/discover/news/mary-jane-holmes-wins-martin-starkie-prize-for-poetry/

https://www.hysteriauk.co.uk/2017/05/09/short-story-generator-from-mary-jane-holmes/

http://www.damyantiwrites.com/2016/12/16/flash-fiction-writing-tips-2/

http://cafeaphrapilot.blogspot.com.es/2014/05/interview-with-mary-jane-holmes-of-fish.html

On Writing ‘Covenant’

Poetry Prize 2018: Results, Short & Long-lists

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

 

Ellen Bass

Poet, Ellen Bass – judge for Poetry Prize 2018

Selected by poet, Ellen Bass
to be published in the Fish Anthology 2018

The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (16th July 2018). 
All of the poets and writers published in the Anthology are invited to read at the launch.

First prize is €1,000. 
Second prize is a week in residence at Anam Cara Writer’s and Artist’s Retreat.

 

FIRST

Vernacular Green by Janet Murray (Sheffield, England) (read poem below)

I love how the poem becomes a kind of painting, conjuring a pallet of greens with precise, vivid imagery. A fine example of the use of ekphrasis, this poem illuminates and deepens our appreciation of the English painter. It engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass

SECOND 

Our Liberator, Dead by Raymond Sheehan (West Cork, Ireland)

The images of domestic life, simple and poignant, engaged my empathy immediately. Through powerful personal narrative, the poet captures a turning point in history. A poem haunted by fear, yet lit by tentative hope for the future. – Ellen Bass

 

THIRD

Someone Said by Dennis Walder (S. Africa/London)

I was drawn to the mix of irony and pathos in this poem. The breezy tone stands in sharp contrast to the underlying theme of mortality. The poetuses language and diction deftly, with admirable economy. – Ellen Bass

 

 

HONORARY MENTIONS (in no particular order):

America by Partridge Boswell (Vermont, USA)

Energetic, dense with detail, the poem is a rich rendering of a particular time and place. It’s also a fitting love letter to Bruce Springsteen. – Ellen Bass

 

Ode to The Girls Who Deserved What They Got by Ash Adams (Alaska, USA)

A new imagining of Eve that channels raw anger and heartbreak. The poet explores a complex subject through clear, telling details. – Ellen Bass

 

Jesus in a Teacup by Karen Ashe (Glasgow, Scotland)

I love this poem’s cheeky ireverence.  A good example of using humor to explore a complex subject. – Ellen Bass

 

Past Rivermills by Gabriella Attems (Belgium/Austria)

With clear, lyrical descriptions, the poet evokes a strong sense of place. The loss and longing are palpable. – Ellen Bass

 

Approaching Gria by Ann Thompson (Maryland, USA)

A skillfull use of personification. There is a mysterious, mythic quality here that really draws me in. – Ellen Bass

 

Listen by Caroline Bracken (Dublin, Ireland)

The poet uses white space to invoke a mood of expectation and meditation. The sparse images, delivered in short phrases, remind us of the world’s impermanence.
– Ellen Bass

 

Father’s Day by Pat McCutcheon (California, USA)

The well-chosen details carry this poem’s emotional weight. There is real sadness here, yet the final image brings redemption. – Ellen Bass

 

 

 

 

A Little About the Winners:

Janet Murray is a Northerner. She grew up in Lancashire and has spent a large part of her life in Sheffield, South Yorkshire. Her preoccupation is visual art, which is underscored by an interest in people―their dilemmas and how they appear. She has worked as a Senior Manager in public service and completed a Writing MA at Sheffield Hallam University in 2016 (with Merit). Her father was an inventor. She has a partner and two daughters.

Raymond Sheehan  grew up in Beara, West Cork, graduated in English and French from University College Cork in the 70s and has spent most years since then teaching overseas. Now close to retirement, he hopes to spend many happy hours writing, reading, hill-walking and learning more about photography. He has previously been long- and shortlisted for the Fish Short Story and Poetry competitions. 

Dennis Walder was born and brought up in apartheid South Africa. He left long ago, and to the surprise of the interviewer at the office for ‘Dangerous Drugs Firearms and Aliens’, turned himself into a British subject and teacher of English, despite his foreign forebears. Since retiring as a professor of English, he has published short stories and written poetry, and begun a memoir about his mother’s family. He lives in London.

Partridge Boswell is a recipient of the 2017 Edna St. Vincent Millay and Red Wheelbarrow Poetry Prizes, and the author of Some Far Country (Grolier Poetry Prize). Poems published in The Gettysburg Review, SalmagundiThe American Poetry Review, Plume and Poetry Ireland Review. Co-founder of Bookstock Literary Festival and the poetry/music group Los Lorcas, he has troubadoured widely in the US and Europe. He teaches at the Burlington Writers Workshop and lives with his family in Vermont.

Ash Adams is a photojournalist and documentary photographer based in Anchorage, Alaska, USA. Adams studied both poetry and photojournalism at Ohio University, and continues to write poetry when not making images and tending to her two children. Adams’ photography has been featured in The New York TimesThe GuardianThe Wall Street JournalThe Washington Post, Rolling StoneStern, GEO, Aljazeera America, and other national and international publications, and her poetry has been featured in Narrative.

Karen Ashe, 2016 SBT New Writer’s awardee, has been highly-commended in the Bridport prize (twice!), published in Mslexia(twice!) and is busy writing a novel.

Gabriella Attems: From rue St. James to Aisling Cottage. Gabriella walks down a lawn to check on her flowers. She wishes she wore a long dress, held the stem of a campari orange but her arms are scratched and her hair is tangled. She favours blue ones – agapanthus, irises, harebells. She dreams of a kitchen garden, rows of beans and cauliflower. Poppies by the wall steady her. She disappears in the forest planting junipers.

Ann M. Thompson‘s poetry is published in the U.K. (Acumen, here/there, The Journal, Lotus Eater, The North, Staple, Vine Leaves) and U.S. (Ardor, Blast Furnace, Flyover Country Review, Literary Imagination, Lost Country, Mezzo Cammin, Rat’s Ass Review, Tulane Review). Other work includes creative nonfiction (KYSO Flash), short fiction (Best New Writing 2014), lyric essays (Eastern Iowa Review), and video-poems (Gnarled Oak). She is also a Reiki Master, adoptive Mom, and 30-year career writer-editor living in Washington, DC. (www.wellspringofwords.net

Caroline Bracken’s poems have been widely published including in the Irish Times Hennessy New Irish Writing. She was the winner of the iYeats Poetry Competition 2015 and was shortlisted for the Over the Edge New Irish Writer in 2016 and 2017. She was sponsored by Culture Ireland to read her poetry at the Los Gatos Irish Writers’ Festival and the Litquake Festival in San Francisco. She was selected for the Poetry Ireland Introductions Series 2018.

Pat McCutcheon remembers sitting on rocks outside the trailer park where she lived in third grade, pencil and notepad in hand, imagining herself a grownup writer. She grew up to teach English for thirty years at College of the Redwoods, loved students and teaching creative writing, and hated department meetings and grading papers. Her first chapbook was Recovering Perfectionist, and in 2015 a second, Slipped Past Words, was a winner in Finishing Line Press’s Chapbook contest.

 

Vernacular green (i.m Howard Hodgkin1932-2017)

by Janet Murray

 

Hodgkin sees common green

in privet, grass, chestnut husks

blown horsetail, chickweed

crushed under baby’s toe

scum on ponds―pond weed.

 

Not silver olive, willow spinning

green or white, imported

rhododendron, clunking monkey

puzzle tree. Exempt montbretia’s

erect leaves, circling

 

fiery tiger flowers, but if he glimpses

luminous green on the wing-tip

of an escaped parakeet, exposed

by pallid vernacular green, which

hides fairy wings sometimes,

 

in this moment he speaks

Indian green where a greener green

can be unleashed, somewhere between

emerald and jade, a brush dipped

in feathers round a teal duck’s eye.

 

 

 


 

Short-list:

(alphabetical order)

There are 59 poems in the short-list. The total entry was 1,196.

Title

First Name

Last Name

Roughneck (in memoriam)

Mara

Adamitz Scrupe

Ode To The Girls Who Deserved
What They Got

Ash

Adams

Ode to the Mothers

Ash

Adams

Jesus in a teacup

Karen

Ashe

Past Rivermills

Gabriella

Attems

Mirage

Eric

Berlin

America

Partridge

Boswell

Listen

Caroline

Bracken

The Pluot

Megan

Brunkhorst

The Exhibition

David

Cameron

Never never land

Alexandra

Corrin-Tachibana

Today It Happened

Bernie

Crawford

Gap

Edward

Denniston

I Wonder If Hawking Could Write a
Few Elegant Equations

Simon Peter

Eggertsen

In Tune

Kate

Ennals

Crossing

Marian

Fielding

Ode to the First Power

Paula

Finn

At The Huguenot Cemetery

Duane

Geis

The Executioner’s Song

Duane

Geis

Air Brakes

Eithne

Hand

Where she’s at

Jacqueline P

Haskell

Down and out in the upper world

Jacqueline P

Haskell

Crossing

Mike

Herringshaw

Twenty-Three Alternate Names
for the Sixth Extinction

Cynthia

Hughes

Zanzela and Tuba:
Boatmen of the Rapids

Peter

Jarvis

Making Hay

John D.

Kelly

DAY OF THE DEAD

Judith

Krause

Process Poem

Ashley

Lancaster

Oranges and Potato Chips

Jessalyn

Maguire

Sorry – only me.

Tom

Manson

Resolutions

Eamon

Mc Guinness

Father’s Day

Pat

McCutcheon

Inner City ER

Jane

McGuffin

Bakelite Blintzes

Jenny

McRobert

The Picker

Bruce

Meyer

Time Again and Time Again

Joan

Michelson

Of Gastropods

Karla

Morton

Vernacular green

Janet

Murray

Trading Places

Jacqueline

Nolan

The Medusa of High Street

Róisín

Ó Gribín

Readers’ Night at the London
Review Bookshop

Judy

O’Kane

THE SOUNDS OF TRUTH VANISHING

Mary K

O’Melveny

Blessing for the Pilgrims

Nita

Penfold

Threshold

Ella

Richards

Kandinsky’s blue dog

Marion Pym

Schaare

Our Liberator, dead

RAYMOND

SHEEHAN

THE MIDWIFE, ATTENDING,
AND THE CHILD

PATRICIA

SHEPPARD

THE SENATOR’S SHOES

PATRICIA

SHEPPARD

Drot

Rayanne

Sinclair

X

Rajiv

Sinha

The Importance of Thorns

Nicholas

Stiltner

The Industry of the Heavens

Rebekah

Teske

Approaching Gria

Ann

Thompson

Zorbing in the Armagh Brasserie

Gráinne

Tobin

BEES

Maggie

Wadey

Someone Said

Dennis

Walder

Our Irish Garden

Sandra Ann

Winters

 

 


 

Long-list:

(alphabetical order)

There are 225 poems in the long-list. The total entry was 1,196.

Title

First Name

Last Name

Shrike (in Białowieża’s forests)

Mara

Adamitz Scrupe

Roughneck (in memoriam)

Mara

Adamitz Scrupe

Ode To The Girls Who
Deserved What They Got

Ash

Adams

Ode to the Mothers

Ash

Adams

head injury

Julie

Aldridge

Iceberg

Karen

Ashe

Jesus in a teacup

Karen

Ashe

Gardener’s Love Song

Gabriella

Attems

Past Rivermills

Gabriella

Attems

Netherhall Gardens, 1962

Kate

Bailey

A Monster in the Closet

Shaun

Bambery

Henge

Judith

Barrington

Postwar Chocolate

Iris

Bateman

Civilised Man

Tod

Benjamin

A thousand poems

Jackie

Bennett

Mirage

Eric

Berlin

Beeches

Partridge

Boswell

Your Life as a Dog

Partridge

Boswell

Are We Here Yet?

Partridge

Boswell

Ode to Woe

Partridge

Boswell

The Monk at Kells

Partridge

Boswell

America

Partridge

Boswell

Tanzanian Coral

Alice

Bowen

After All the Years

Karen

Bowen

If You’d Asked Joan

Karen

Bowen

Eyewitness Testimony

Caroline

Bracken

Listen

Caroline

Bracken

Dream, Interrupted

P.W.

Bridgman

Figure and Ground

Arthur

Brown

The Hollow

Arthur

Brown

The Patience of Hunters

Katie

Brunero

The Pluot

Megan

Brunkhorst

Ariel Rising

Sue

Burge

Lighting Carmen

Sue

Burge

Holding

Edel

Burke

Acolytes

James Francis

Cahillane

The Exhibition

David

Cameron

Lorde

Stella

Carruthers

where I am coming from

Conrad

Caspari

Feather

Helen

Chinitz

Unremarkable

Don

Colburn

Timeless 11.11

ray

conlon

Kokeshi

Alexandra

Corrin-Tachibana

Never never land

Alexandra

Corrin-Tachibana

We’ll See

Bernie

Crawford

Today It Happened

Bernie

Crawford

Sailing Past Byzantium to the UK

Grainne

Daly

what the celestials never mention

Terry

Dawson

SERMON ON THE MOUTH

Mary Grace

Dembeck

Gap

Edward

Denniston

Rifle

Carol

Dine

My Guardian

Marylou

DiPietro

The Rapacious Heart

Paddy

Doherty

In Your Country

Penelope

Duffy

I Wonder If Hawking Could Write a
Few Elegant Equations

Simon Peter

Eggertsen

Why I Left

Noreen

Ellis

This is a Letter from No One

Joan

English

In Tune

Kate

Ennals

Lament for Seamus Heaney/
Ard file, ( King of poets

Jonnie

Enright

Ghost Train

Charles

Evans

For God’s Sake

Charles

Evans

MOURNING CHANT

Huck

Fairman

The Dean of Discipline

Frank

Farrelly

A Day in March

Lydia

Fesler

She Was Never There

Marian

Fielding

From the Caribbean

Marian

Fielding

Morpho Peleides

Marian

Fielding

Crossing

Marian

Fielding

Wooden Dolphins

C D

Finley

Ode to the First Power

Paula

Finn

The Soddy

Michael

Fleming

The Deep End

Luellen

Fletcher

Researches Chemical & Philosophical

Sharon

Flynn

The Dumb Quiet

Alyson

Fuller-Smith

Open Country

Vanessa

Furse Jackson

#metoo4boys

Bill

Garten

For A Child Dead From
A Playground Fall

Duane

Geis

Weatherman

Duane

Geis

At The Huguenot Cemetery

Duane

Geis

The Executioner’s Song

Duane

Geis

Suicide

Izabella

Grace

Dazzling

Lea

Graham

Atlas Is a Teenager Wearing
Last Week’s Clothes

Stephanie

Graves

How to Catch a Steelhead Trout

Charles

Halsted

#Me

Eithne

Hand

Air Brakes

Eithne

Hand

Unexpected Contact

Jacqueline P

Haskell

Where she’s at

Jacqueline P

Haskell

Down and out in the upper world

Jacqueline P

Haskell

Gideon’s Bible

Cheryl

Heineman

Crossing

Mike

Herringshaw

Poem for the Mother Who
Left Me When I Was Ten

Matt

Hohner

When It Rains

Scott

Hubbartt

Twenty-Three Alternate Names

for the Sixth Extinction

Cynthia

Hughes

From the Motionless Blue

Paul

Ings

A Summer Killing

Lisa

Jacobson

Zanzela and Tuba:
Boatmen of the Rapids

Peter

Jarvis

Fruit Cake

Paul

Jeffcutt

The Slave Bell at Vergelegen

Jean

Jennings

Sixteen

Anita

John

Buying the Cool

Andrea

Johnston

I Swear

Eugene

Jones Baldwin

The Swallows

Laurence

Joy

Wahee Neck

Janet

Joyner

The Boxed Cat Paradox

Janet

Joyner

Velvet Shell

AK

Kaiser

The Greening Effect, Plus Two

Michele

Karas

german love song

Rachel

Kasinski

interior

Maeve

Kelly

Making Hay

John D.

Kelly

On Fisherman’s Row

Olivia

Kenny McCarthy

In the Market at Kabala

Peter

Kent

DAY OF THE DEAD

Judith

Krause

Ownership

Ashley

Lancaster

Process Poem

Ashley

Lancaster

Inventory

Antiony

Lawrence

Look at Me

Fay

Lee

Saltwater

Janet

Lees

Alzheimer’s

Róisín

Leggett-Bohan

The Wood Nymph

Alexandria

Lesicko

Down Donkey Lane

Deborah

Livingstone

Auteur

Robert

Lumsden

A KIND OF COMFORT TO NAME

carolann

madden

Oranges and Potato Chips

Jessalyn

Maguire

Sorry – only me.

Tom

Manson

Wait

Jo

Matthews

Resolutions

Eamon

Mc Guinness

Father’s Day

Pat

McCutcheon

Tom Thumb

Patricia

McEnaney

Inner City ER

Jane

McGuffin

Courtship

Celeste

McMaster

CONFLAGRATION

Marie

McMillan

Snowfall

Jenny

McRobert

The Shipwrecked

Jenny

McRobert

Bakelite Blintzes

Jenny

McRobert

Grounded in Monea

Bruce

Meyer

My Dog

Bruce

Meyer

Pipe Tobacco

Bruce

Meyer

Broadloom

Bruce

Meyer

Ants

Bruce

Meyer

Kitchen Clock

Bruce

Meyer

Bella Arno

Bruce

Meyer

September Wedding, 1954

Bruce

Meyer

The Picker

Bruce

Meyer

Time Again and Time Again

Joan

Michelson

Transfer

Philip

Miller

Bleeding

Philip

Miller

Fun!

Melissa

Mogollon

Or, The Whale

Brookes

Moody

I Wonder

Alana

Moore

Of Gastropods

Karla

Morton

the weak wheel turns

Joshua

Mostafa

The Day I Hear of My
Daughter-in-Law’s Miscarriage

Cris

Mulvey

Eat

Maria

Murphy

Vernacular green

Janet

Murray

Workalanche

Paul

Nesdore

FIX ME WITH A PIN

Maria

Neuda

Others

Kate

Newington

The Fractured Army

Patrick

Nolan

Trading Places

Jacqueline

Nolan

The Medusa of High Street

Róisín

Ó Gribín

THIS OTHER THING

Lani

O’ Hanlon

Marriage and a Long Life

Damen

O’Brien

The Bones of Things

Damen

O’Brien

A Disused College

Mary

O’Donnell

Equipoise

Ita

O’Donovan

The Rocket House

Judy

O’Kane

Garryvoe

Judy

O’Kane

Readers’ Night at the London Review Bookshop

Judy

O’Kane

THE SOUNDS OF TRUTH VANISHING

Mary K

O’Melveny

Echolocation

Rebecca

Olander

Nature Is a Nihilist

Marco

Patitucci

Brigid and the Holy Well

Susie

Paul

My mother sows 3 seeds in
a suburban garden

keith

payne

Olly Olly Oxen Free

Nita

Penfold

Blessing for the Pilgrims

Nita

Penfold

Half-Life

Ruth

Quinlan

All Hallows’ Day

Ellie

Rees

And a float shaped like the Starship Enterprise

Victoria

Richards

Threshold

Ella

Richards

Portrait of the Artist as an Old Woman

Dana

Robbins

The Paper Flower

Dana

Robbins

Fire of Creation

Deanie

Rowan Blank

deep water

Marion Pym

Schaare

The letter

Marion Pym

Schaare

Kandinsky’s blue dog

Marion Pym

Schaare

The Searching

Blanche

Sears

Skin

Raymond

Sheehan

Our Liberator, dead

RAYMOND

SHEEHAN

THE MIDWIFE, ATTENDING,
AND THE CHILD

PATRICIA

SHEPPARD

THE SENATOR’S SHOES

PATRICIA

SHEPPARD

Drot

Rayanne

Sinclair

Old Woman Farm

Rajiv

Sinha

X

Rajiv

Sinha

I dreamt…

Mary

Smith

Thank You

Kathleen

Spivack

Isle of Skye

Don

Staines

Coming Full Circle

Eilis

Stanley

The Importance of Thorns

Nicholas

Stiltner

The Industry of the Heavens

Rebekah

Teske

Duca

Ann

Thompson

Approaching Gria

Ann

Thompson

The Stork

Gráinne

Tobin

Zorbing in the Armagh Brasserie

Gráinne

Tobin

Wood Smoke

Louise

Toomey

Forget-Me-Not

Jean

Tuomey

Yellow Sweater

Shubha

Venugopal

BEES

Maggie

Wadey

Carningli Hill

Lucy

Wadham

Someone Said

Dennis

Walder

Villainelle

Karen

Waldron

Bed Time

Rob

Wallis

A&E, Dad And Me

Jennifer

Watson

Forgiveness

Leland

Whipple

Decorations

Jay

Whittaker

Ocean Held Still

Beau

Williams

The Logistics of Letting Go

Nicholas

Williams

Father

Susanne

Williams

Our Irish Garden

Sandra Ann

Winters

Takotsubo Cardiomyopathy

Jennifer

Wolkin

Sometimes I Think of the Ones

Sarah

Wright

 

 

Fish Anthology 2017

ISBN: 978-0-9956200-0-1

Fish Anthology 2017 –

SELECTED BY:
Neel Mukherjee ~ Short Story
Vanessa Gebbie ~ Short Memoir
Chris Stewart ~ Flash Fiction
Jo Shapcott ~ Poetry

Read an excerpt from winning short story – Dead Souls by Sean Lusk

Read winning flash story Lost by Lindsay Fisher

Read an excerpt from winning memoir – Pay Attention by Paul McGranaghan

Read winning poem Paris, 13 November 2015 by Róisín Kelly

 

Introduction

by Clem Cairns

In an age of soundbites and ‘fake news’, where fame and fortune can be attained not by doing but simply by being, the discipline and incentive needed to acquire a skill is undervalued. In spite of this, literature is thriving. Why is it that, at a time when the trivial takes precedent over the profound, there is no shortage of extraordinary talent and innovative forms of expression? Perhaps it is because, as Leonard Cohen put it, “Reality is one of the possibilities I cannot afford to ignore,” and writers explore reality by writing. As Flannery O’Connor observed, “I write because I don’t know what I think until I read what I say.”

Conspiracy theories and ‘alternative facts’ abound. Today’s poets and writers are more challenged than ever to tell their stories, whether fact or fiction, in a way that our minds and hearts can grasp; to touch a place in us that the daily narrative skims over, to hold the lens over things familiar and unfamiliar and to use language in a way that will captivate.

Thank you to those who put pen to paper and entered the Fish competitions. There were many entries that enthralled and entertained and called out to be included but they did not make it into the collection this year. They set the bar high. Judges Neel Mukherjee, Vanessa Gebbie, Chris Stewart and Jo Shapcott had the hard task of choosing out of the stories and poems that reached that bar. Huge thanks to them for their big hearts (their comments on their choices are on the Fish website) and for the time and thought they put into a process that is dedicated to promoting and nurturing writers.

 

Contents

Introductory Note / Acknowledgements

 

 

 SHORT STORIES

 

 

Dead Souls

 

Sean Lusk

Black Toe

 

Bron Burgess

Undetermined

 

Philippa Holloway

What Green Tastes Of

 

Lindsay Fisher

Schoolgirl Crush

 

Ruth Lacey

Debt Collector

 

Neil Bristow

Salvage

 

Miriam Moss

Safe from Harm

 

Rick Williams

This was Rapture

 

David Knight-Croft

In the Dark

 

Sam Sanders

The Adonis Effect

 

Roz DeKett

 

FLASH FICTION

 

 

Lost

 

Lindsay Fisher

Luna

 

Peter Jordan

Drifting

 

Emma Whitehall

Ball

 

Andrew Peters

Slapped Down

 

Isobel Hourigan

Search for Your Son

 

Shubha Venugopal

Scrabble

 

Helen Bralesford

Escape Velocity

 

Christina Eagles

Seashells

 

Jonathan Korowicz

The Circle of Oaks

 

Tony Curtis


 SHORT MEMOIRS

 

 

Pay Attention

 

Paul McGranaghan

The Master

 

Tom Finnigan

Sand on the Mountain

 

Mary Griese

Dear Eilis

 

Therese Ryan

Sound of Stone

 

Chris Mulvey

Baggage

 

Martin Cromie

What Remains

 

Barbara Fried

Elbow Grease

 

John Killeen

New York City, 1981

 

Aneko Campbell

Poland, April 2015 – A Pilgrimage

 

Tod Benjamin

 

POETRY

 

 

Paris, 13 November 2015

 

Róisín Kelly

Yesterday Clouds

 

Roderic Vincent

Throw Me Down The Key

 

Roderic Vincent

Add to Dictionary

 

Peter Sirr

Forty Winters

 

Harry Bauld

A Short Exposure

 

Anthony Lawrence

Heron

 

Judith Taylor

Truthfully

 

Suzanne Cleary

The Station Fire

 

Harriet David

The Catch

 

Catherine Ormell

Preface to an Autoimmune Response

 

Aídah Gil

 

BIOGRAPHIES

 

 


 

top

Dead Souls

by Sean Lusk

It was at the Tolstoy house where we met. Rustling through the rooms I was conscious of the plastic bags covering my shoes. These were less a device to preserve the Tolstoy family’s carpets, which must have worn away long ago, and more a winter requirement to prevent the treading about of snow. My progress through the house was therefore accompanied by a noise which I found unaccountably embarrassing. Though I could see no other visitors, an amplified voice filled every space. A symposium was underway, a lecture on some aspect of Tolstoy’s life or writing, I assumed. Approaching the place from which the voice came I found myself in a large room where row after row of middle-aged Russians listened with solemn attention to a lecture being given by a professor. Her steely hair, pinned and buttressed into a small tower, tilted first one way and then the next as she spoke, as if she were a chess piece on an uneven board. None of them, I noticed, had plastic bags over their shoes.

Despite the walls lined with pictures, the sculptures of the author at work, despite his books, despite even the glass case with the ruby ring he had given Countess Sophia for transcribing and editing Anna Karenina, Leo was not there, and I found it hard to believe he ever had been. He had not liked his house in the city, had lived there on sufferance, and perhaps this accounted for his vacant spirit. I couldn’t read many of the Russian names below the photographs. After a day of museums the Cyrillic had worn me down. In the corner of each room a single panel about the size of a chopping board stood on a stand, carrying an explanation in English for what the room contained. I found myself competing for it with a woman in her late thirties. “I’m sorry, go ahead,” I said, gesturing towards the stand.

She took the board and smiled. She had short red hair and a cheerful confidence, as if she had known that the board was hers all along.

“Where are you from?” I asked.

“Germany.”

We went from room to room, once or twice taking an interest in the same object. After a while, exhausted by incomprehension and the rustling of my own feet I went down into the basement to collect my coat and scarf from the sombre cloakroom lady. The street was cold but welcoming. Turning I saw that the German woman was behind me, that she must have left just a moment after me. I considered slowing down, starting a conversation, even wondered if that was what she wanted. I glanced back once more and this time caught her eye, yet for some reason my recently liberated feet quickened their pace along Prechistenka Street in the direction of the Pushkin Museum.

The next day I found that I had the Gogol house to myself. Again, not a word of English was spoken, but here the burly women who guarded the door, looked after the coats and who dispensed tickets seemed eager to talk to me, heedless of my inability to understand anything they said. Once I had put plastic bags over my shoes I was ushered enthusiastically into the first of Gogol’s rooms, a vestibule where his or some other overcoat, perhaps Akaky Akakievich’s, hung. If it was poor Akakievich’s then it was a fiction, a coat that he had saved-up for so fervently that it had cost him his life. I reached out and brushed my hand across the wool, thinking how much less real it was than the imagined cloth. The warden touched my arm and spoke to me intently, her Russian words hovering in the air, waiting to be understood. She encouraged me onwards, into Gogol’s parlour, inviting me to sit on his chair. She pressed a switch and the lights dimmed. A sound of distant bells filtered into the room, and flames appeared to dance in the fireplace.


 

top

Lost

by Lindsay Fisher

 

She presses her face against the glass, as if it is possible, as if she could find a way through and not be in this world but in the world on the other side, everything polished and shiny and new there.

The man in the shop scowls at her and waves his hand towards her, as a man who would frighten chickens or cats from his garden, and he hisses at her through his teeth. All the men the same.

Her name’s Lynnell, and she is a tale of loss. Lost her would-have-been-husband to the war, years back, a black-edged letter she keeps tucked in beside her heart, paper soft as cloth and all the words fainter than whispers. A letter to tell her he was lost, but not before she found herself with a child growing inside her. Lost the child when it was born; taken from her rather than lost.

Lynnell lost her father and mother, too, all in the one year, the same year, except she knows where they sleep for the place is marked with a stone.

And lost her wits about the same time. Lost them and does not miss them now they are gone, for there’s a sort of freedom in everything these days; she moves from shop window to shop window, peering in through the plate glass, and she does not see the men on the other side with their black brows knitted and their shoo-away hands waving. And Lynnell looks for a hopeful way through the glass, for if only she could step through to the other side, then she might find everything she has lost waiting for her, that’s what she thinks – and everything there is polished and shiny and new if ever she did.


 

top

Pay Attention

Paul McGranaghan

 

Come and see.

Here is Spring Hill with its weirs of steps and tiers of streets. Their kerbs are green, white, and orange; yet this is not, nor ever has been, the Republic of Ireland. The sun is a spark in the clouds. See how the wind blows on it? Watch it. Watch it wax to a brilliant light. Look: Dandelions flare where they erupt from fissures in the paving. The bright buttons of daisies glitter across the common. We have been waiting for this. Can you see the removal van in the car park above our street? Can you see it gleaming?

Now look. The sunlight pushes away the rain and the workmen heave, shouldering the last of our furniture through the narrow door and up the wet steps to the van. That’s me, there. Can you see? There. That’s me, and my friends, and we’re following them. We want to go in the back of the van, sitting on the settee, but we aren’t allowed. It’s dangerous, they say; something might fall on us. I think of the bookcase with its glass panels and green and gold volumes of Charles Dickens toppling on top of me. Besides, my friends are staying behind and I am going to begin life as an outsider on the far side of town.

It is 1984. I am seven years of age.


 

 

top

Paris, 13 November 2015

 by Róisín Kelly

In the end, it’s like going to bed as usual

except we lie down side by side in the street

and the night sky is our ceiling, and blood

drifts away from us between cobblestones

like rose petals torn up and scattered.

 

I don’t mind that the last thing I’ll see

is a café window’s red-and-blue OPEN sign,

and a neon coffee cup with three white lines

that symbolise rising steam.

 

Or the lights in your eyes going out—

as if someone turned off the bedside lamp

in your mind—except your eyes are still opening

and opening, and I am frightened.

 

What were the last things they saw, those eyes?

A cathedral’s rose window, or a view

from a tower: grey buildings like soft birds

nestling to the horizon.

 

My hair on my back as I walked before you

down a flight of stone steps on a hill.

My face turned towards yours, moments ago.

 

 There’s a sound like fireworks, but the stars

are as colourless as the diamond rings

laid out in the jeweller’s window

that we stood shyly in front of last night.

Our mouths and blood were ringing with wine,

but what we dared to think went unspoken

and now it always will.

 

That sound—it’s like the sky tearing apart,

as loud as the gig where we had our first kiss.

It was a metal band in a tiny hot room

above a bar in our home city.

 

The musicians rolled their eyes and screamed

do you want more? The drummer played naked

and kept throwing his sticks in the air,

catching them perfectly every time.

 

The singer hated the bright spotlight on him

and we cheered when he wrenched it down.

How we craved the plunge into darkness,

the careless unscrewing of the moon.

 


 

Poetry Results 2017

We are pleased to announce the winners plus short and long lists for the 2017 Fish Poetry Contest, and would like to congratulate the poets for being selected from a pool of 1,305. 

Ten Winning Poems (chosen by Jo Shapcott) to be published in 2017 Fish Anthology

Short List

Long List


 

Judge Jo Shapcott has chosen the following ten poems for inclusion in the Fish Anthology, which will be launched at the West Cork Literary Festival on Monday 17th July. Our thanks to Jo Shapcott for taking on the task, and for the comments on the winning poems. And congratulations to the ten poets who have been selected.

There were 1,305 entries to the contest.

We apologise for the delay in announcing these results. 

Unusually, two of the winning poets each have two poems in the final ten. Róisín Kelly is the overall winner with Paris, 13 November 2015, and Tuam received an Honorary Mention but has been withdrawn du to publication elsewhere. Vincent Roderic poems Yesterday Clouds and Throw Me Down The Key came 2nd and 3rd respectively. We have decided to include two further poets in the Anthology so as to publish ten poets rather than eight. The two poets, are Harriet David and Catherine Ormell (listed below).

 

Róisín Kelly

First:
Paris, 13 November 2015 by Róisín Kelly (Ireland)
Love and violence collide in this poem.  The way the writer interleaves terror and passion makes for a remarkable, tender and terrifying work.

Second:
Yesterday Clouds by Roderic Vincent (UK)Vincent Roderic
This exploration of the ‘secret blather’ of lovers delves into language, memory and loss so powerfully that the poem became, ironically, one I couldn’t forget.

Third:
Throw Me Down The Key by Roderic Vincent (UK)
A poised and beautifully observed elegiac poem, which hinges on the central image of the familiar apartment window key drop, allowing gravity to resonate and tremble in the reader’s ear and eye.

 

Honorary Mentions: (in no particular order)

Peter SirrAdd to Dictionary by Peter Sirr (Ireland)
The poem asks for no less than a new language, a new dictionary for the shattered and broken world which has been delivered by humanity to humanity. 

A Short Exposure by Anthony Lawrence (Australia)
Anthony LawrenceA powerful sense of time and place imbue gives elegiac and cinematic force to the poem, so that central character becomes known and unforgettable.

Forty Winters by Harry Bauld
A beautifully turned sonnet which delivers a vision of ageing which is both poignant and good-humoured.  Its taut, sinewy language and syntax work with the form to give the poem a natural and uniquely self-elegiac air.

Heron by Judith Taylor
The heron is so beautifully observed and described here, that in our flawed human way we want to reach into the poem and touch it while responding, at the same time, to the poem’s suggestive reflection on the particular indifference and power of the natural world.

Preface to an Autoimmune Response by Aídah Gil (USA)Aídah Gil
A poem of the body and in the body which delivers a convincing and, at times, frightening vision of internal and external physical worlds colliding.

Tuam by Róisín Kelly
Close, accurate and steady observation give this poem’s historical and political context even more impact; and the movement between Cambodia and Ireland adds to its power.
NOTE: This poem has been withdrawn due to publication elsewhere and Jo Shapcott’s 11th choice The Station Fire by Harriet David (UK) replaces it. 

Truthfully by Suzanne Cleary (USA) Suzanne Cleary
Long, vivid lines and sentences unfurl into the past with the poem finding a route via a resonant object (a dress) into a remembered vital moment where, as the poet says, desire and fear of truth reside.  Past and present are beautifully interwoven and this resonant material is well handled in the poem.

 

 

The Station Fire by Harriet David (UK)Harriet David

 

 

 

The Catch by Catherine Ormell (UK)Catherine Ormell-

 

 


 

 

Short List, Poetry 2017 (64 poems)

Sunflower Encolpion

Mara

Adamitz Scrupe

 

in the dens of the fires
swept clean

Mara

Adamitz Scrupe

 

Lone Swallow

David

Allies

 

The Spindle Tree

Gabriella

Attems

Going and Coming Back

Judith

Barrington

 

Attempt

Harry

Bauld

 

Forty Winters

Harry

Bauld

 

One Twenty-Nine A. M.

Harry

Bauld

 

The Binding

Eric

Berlin

 

Upon Mistaking “pressure” for “pleasure”
in a Poem by Anne Carson

Partridge

Boswell

 

Murder

Sue

Butler

 

The Rare Case of a Good Day
for the Both of Us

Molly

Carpenter

 

The Visit

Bev

Clark

 

Truthfully

Suzanne

Cleary

 

Self Portrait as a Mermaid

c m

coates

BROOCH

A.M.

Cousins

 

Bringing Home the Cows

Bernie

Crawford

 

The Station Fire

H

David

Bombs Don’t Fall

Scott

Elder

 

How to Create a Seascape

Marian

Fielding

 

onebigloudthing

Dean

Gessie

 

Preface to an Autoimmune
Response

Aidah

Gil

Love is Dead

Aileen

Gorman

 

Evidence

Matt

Hohner

 

Reverse Bachata

Matt

Hohner

 

A Technology for Remembering

Cynthia

Hughes

 

Sea Thrift

Majella

Kelly

 

Tuam

Roisin

Kelly

 

Paris, 13 November 2015

Roisin

Kelly

Skunk Cabbage

Jay

Kidd

 

Lover’s Leap

Zach

Knox

 

A Short Exposure

Antiony

Lawrence

 

Sic Transit Sutra

Robert

Lumsden

Fly-by-night

Emer

Lyons

 

Convent Kitchen

Wende

McCabe

 

Umbilical

Ian

McEwen

News of Another Star

Mary

Melvin Geoghegan

 

Passion Prayer

Tricia

Monk

A Wake in April

Catherine

Morris

 

Sunday, St. Finian’s Bay

Cris

Mulvey

Beast-Music

Jed

Myers

 

Some Thorns

Jed

Myers

 

Tarkwa Bay

Catherine

Nicolson

 

The Topiary of Passendale

Christopher

North

 

The Catch

catherine

ormell

Sunday Mass at the Church
Avenue Bar and Grill

Phyllis

Reilly

 

Finding a simile for resilience

Sarah

Rice

 

Home Sweet Home

Susan

Richardson

 

A light

Howard

Robertson

 

Orchard

Gorky

Servicer

 

Despair is a rude thing

Araks

Shahinyan

 

Layers

Raymond

Sheehan

 

The Hospital

Laura

Shore

Nature and Nurture

Jac

Shortland

 

Add to Dictionary

Peter

Sirr

 

Old Pier at Midnight

Carla 

Hunter Southwick

 

We refugees

Michael

Swan

Cold front

Judith

Taylor

 

Yesterday Clouds

Roderic

Vincent

 

Throw Me Down The Key

Roderic

Vincent

“Almost Milestones”

Wes

Ward

 

Torched

Diana

Whitney

 

Cat’s Cradle

Grace

Wilentz

 

Godrevy Head : June 2015

Steve

Xerri

 

 


 

 

Long List, Poetry Prize 2017 (196 poems)

Sunflower Encolpion

Mara

Adamitz Scrupe

 

in the dens of the fires
swept clean

Mara

Adamitz Scrupe

 

Lone Swallow

David

Allies

 

In the Orchard

Gabriella

Attems

On the Archduke’s Estate

Gabriella

Attems

The Spindle Tree

Gabriella

Attems

Another Compass Smuggled
Across The Mediterranean Sea

Michael

Baradi

Making Hay With My Father

Robert

Barrett

Going and Coming Back

Judith

Barrington

 

First Death

Myra

Barrs

Night Piece

Myra

Barrs

Attempt

Harry

Bauld

 

Fifth grade

Harry

Bauld

Forty Winters

Harry

Bauld

 

One Twenty-Nine A. M.

Harry

Bauld

 

The Binding

Eric

Berlin

 

He’s gone

Paula

Blengino

Blood, Metal, Fiber, Rock

Elizabeth

Bodien

England

Leonardo

Boix

Upon Mistaking “pressure”
for “pleasure” in a Poem by
Anne Carson

Partridge

Boswell

 

Gozo

Alice

Bowen

Augury

Susan

Browne

Ground

Frances

Browne

Waiting Room

Frances

Browne

Dorothy

Dan

Buckley

Gothic

Sue

Burge

It is there

Edel

Burke

Observance

Edel

Burke

Murder

Sue

Butler

 

Ars Poetica, How to
Wear a Scarf

Elizabeth

Buttimer

Charlene and Me

Courtney

Camden

The Rare Case of a Good
Day for the Both of Us

Molly

Carpenter

 

Boxes: Depression Poems

Caira

Clark

The Visit

Bev

Clark

 

Truthfully

Suzanne

Cleary

 

Self Portrait as a Mermaid

c m

coates

Mayan Queen

Jo

Colley

Aleppo

jacqui

corcoran

Salmon

jacqui

corcoran

ALARM

A.M.

Cousins

BROOCH

A.M.

Cousins

 

Bringing Home the Cows

Bernie

Crawford

 

Clipped Life

Bernie

Crawford

Three Ways to Live as a
Suburban Corvid

Carmel

Daly

Morning Prayer

Suzannah

Dalzell

Eyesore

H

David

The Station Fire

H

David

Landscape Woman

Royston

Dawber

between meals

Terry

Dawson

The Water Table

Claire

Delahunty

Am I?

Elaine

Desmond

Collecting Urine

bryony

doran

Excision

Hugh

Dunkerley

Losing it in the
Natural History Museum

Hugh

Dunkerley

Nineveh

Tyler

Dunston

Bombs Don’t Fall

Scott

Elder

 

Return from St.André

Scott

Elder

Accident and Emergency

Emer

Fallon

Pearls

Emer

Fallon

The Fish

Orla

Fay

Word Skin

Orla

Fay

Reprographic Orders

Rachel

Fenton

How to Create a Seascape

Marian

Fielding

 

Diss/belief

Nikki

Fine

onebigloudthing

Dean

Gessie

 

Preface to an Autoimmune
Response

Aidah

Gil

Epitaph at the End of a
Beach Walk

Ellen

Girardeau

Wake Dance

Ellen

Girardeau

Soundtrack Rachmaninov

Helena

Goddard

Closing the Porch

Connie

Golden

Love is Dead

Aileen

Gorman

 

Camouflage

Ian

Gouge

Infection

Izabella

Grace

The Scollays, Sandquoy and
the Tank at the Back

Lydia

Harris

The Island

Jacqueline P.

Haskell

June

Isaac

Hellemn

Evidence

Matt

Hohner

 

Reverse Bachata

Matt

Hohner

 

Twenty kilohertz

Laragh Sheridan

Horn

A Technology for
Remembering

Cynthia

Hughes

 

The Time White Lightning
Busted Out

Cynthia

Hughes

Old Pier at Midnight

Carla

Hunter Southwick

 

“We Made a Garden”

Garrett

Igoe

Final Project Presented In
Form of Sculpture

Emma

Johnson-Rivard

Spring Canticle

Andrea

Johnston

Visitors

Des

Kavanagh

Patronymics

Seamas

Keenan

Blue

Majella

Kelly

Paris, 13 November 2015

Roisin

Kelly

Sea Thrift

Majella

Kelly

 

Sign Of The Cross

Majella

Kelly

Terribly Beautiful

John D.

Kelly

Tuam

Roisin

Kelly

 

The Day after the Morning
My Sister Didn’t Wake Up

Gunilla

Kester

Skunk Cabbage

Jay

Kidd

 

Close by Blood and
Neighborhood

Dicko

King

Lover’s Leap

Zach

Knox

 

A Short Exposure

Antiony

Lawrence

Memory

Antiony

Lawrence

The Mountain

Antiony

Lawrence

Crack of Dawn

Stuart

Lee

Dragon Pearl Tea

Stuart

Lee

Hooked

charles

levy

Cattails in Autumn

V. P.

Loggins

Sic Transit Sutra

Robert

Lumsden

Stone Shore

Terry

Lynch

The Plane

Mona

Lynch

Timing.

Fiona

Lynch

Fly-by-night

Emer

Lyons

 

Me, My M(inor) S(etback) & I

Pamela

Martin

Sorry

Charlotte

Martinkus

Convent Kitchen

Wende

McCabe

 

Readiness

Wende

McCabe

Gap

katharine

mcdermott

Shrine

Ian

McEwen

Umbilical

Ian

McEwen

After a Dream

Ruth

McIlroy

From de la Causa

Ruth

McIlroy

November, the Realist

James

McKee

Why Poems of Love Too
Often Rhyme

James

McKenna

News of Another Star

Mary

Melvin Geoghegan

 

FIX

joan

michelson

In a Municipality of Spain

Lauren

Miller

Passion Prayer

Tricia

Monk

A Wake in April

Catherine

Morris

Last Cuppa

Cris

Mulvey

Sunday, St. Finian’s Bay

Cris

Mulvey

Beast-Music

Jed

Myers

 

Fallen One

Jed

Myers

Her Own Company

Jed

Myers

Oxytocin

Jed

Myers

Shade in the Chapel

Jed

Myers

Some Thorns

Jed

Myers

 

Tarkwa Bay

Catherine

Nicolson

 

House

Christopher

North

The Smudge of Andromeda

Christopher

North

The Topiary of Passendale

Christopher

North

 

A Teenage Boy in a Town
Called Descartes

Maria

O’Brien

Aingeal

Eileen

O’Connor

Early Sleep

C.P.

O’Donnell

My Version of Events

James

O’Leary

The Catch

catherine

ormell

The Green Man’s Lament

Romola

Parish

Dear Father

Marie

Parkins

How To Comfort The Dying

Jill

Penny

Shiritori

Viola

Prinz

Gladiolus

Shahar

Raveh

Ice and Recession

Philip

Rees

Girl Poem

Dan

Reid

Sunday Mass at the Church
Avenue Bar and Grill

Phyllis

Reilly

 

Adder Control

Sarah

Rice

Finding a simile for resilience

Sarah

Rice

 

Weekly Treatment

Sarah

Rice

Home Sweet Home

Susan

Richardson

 

Feur Gorm

Fiona

Rintoul

A light

Howard

Robertson

 

Creative Design

Vince

Rockston

The easy way

Robyn

Rowland

Second Valley

Barry

Ryan

all are not thieves that dogs
bark at

Martha

Schut

Orchard

Gorky

Servicer

 

The World is Full of Lost and
Broken Things

Amanda

Sewell

Despair is a rude thing

Araks

Shahinyan

 

Layers

Raymond

Sheehan

 

A Love Deferred – After
Langston Hughes

Hannah

Shepard

A Bargain

Laura

Shore

Avalon Park Elementary

Laura

Shore

Poof

Laura

Shore

The Hospital

Laura

Shore

Nature and Nurture

Jac

Shortland

 

Ephemeral Architecture

Rebecca

Simpson

Add to Dictionary

Peter

Sirr

 

Keeping On

Eilis

Stanley

Estuary

Geraldine

Stoneham

Smoke

Geraldine

Stoneham

dis-pensation

Nelson

Surry

We refugees

Michael

Swan

Cold front

Judith

Taylor

 

Heron

Judith

Taylor

The Sundial of
Dissonance

Ruth

Timmins

Primroses

Jean

Tuomey

On These The Days: The
Magnificent Glory of Being

Rebecca

Van Horn

Helium And Anchor

Shubha

Venugopal

Sestina

Roderic

Vincent

Throw Me Down The Key

Roderic

Vincent

Yesterday Clouds

Roderic

Vincent

 

Sick Woman Theory

Cady

Vishniac

Like Churchill’s Bombers

Martin

Wakefield

The Hours Alone

rob

wallis

“Almost Milestones”

Wes

Ward

 

Earthquake

Julie

Watts

How My Mother
Made Porridge

Julie

Watts

1989,2000

Emily

Wexler

Ominously & Brillantly,
Questionlessly Happy

Mary Jane

White

Torched

Diana

Whitney

 

Cat’s Cradle

Grace

Wilentz

 

Matryoshka

Grace

Wilentz

Knowing spoons

Sophia

Wimberley

Godrevy Head : June 2015

Steve

Xerri

 

Scars

Karen

Zelas

 

 

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