Screenwriting Course

 Structure  –  Tutor  –  Enrolement/Fees   –  Testimonials

Tailored Online Screenwriting Course. 

This six week screenwriting course offers both new and experienced screenwriters an opportunity to develop general writing skills and explore in depth screenwriting technique. The course will focus on important aspects of screenwriting such as – the visual narrative, character development, chronology, point of view, dramatic tension, timing and dialogue.

Course tutor Rory Kilalea, is an experienced screenwriter and film maker. He has been teaching screenwriting and film for many years.

(Timing is flexible and, for those with already busy schedules, it may take longer than six weeks to complete the course. Six months is the maximum stretch.)

Rory’s full profile


Structure: Screenwriting Course

Each week, students receive by email a tutorial from Rory on a specific craft subject and a related exercise. Rory will return feedback on the assignment. Your course is highly individualized; Rory works one-on-one with you. If you are already working on a script, or if you have an idea for one, and would like to work on this for part or the entirety of the course, please make this know at the outset.



Enrolment/Fees: Screenwriting Course

Fee: €515 
Payment by PayPal. (To check fee in your currency – Currency Converter -)

Use the Pay Now button below to make the payment.
Payment secures your place on the course.
Confirmation of payment from PayPal is by email.
You will shortly receive an introductory email from your course tutor (normally within 3 working days). We hope that you find the course useful, constructive and enjoyable. Please fill out the Feedback form after the last module.


6 Week Course Payment




Testimonials: Screenwriting Course

Firstly, I think overall the course is excellent. I thoroughly enjoyed it and found I learnt so much and was inspired to start making and writing films of my own. – Hamish Muir, Scotland

Practical and inspiring. – Nick Richnond, London

Rory was an Inspirational tutor. – Onysha Collins, Caribbean

Just want to say a big “Thank-you” to Rory Kilalea for reviewing my play “Dead Ducks”.  He indeed knows his craft, and I am grateful for his comments. – Anne Maher

Firstly, I think overall the course is excellent. I thoroughly enjoyed it and found I learnt so much and was inspired to start making and writing films of my own. – Hamish Muir, Scotland

Practical and inspiring. – Nick Richnond, London

Rory was an Inspirational tutor. – Onysha Collins, Caribbean

Just want to say a big “Thank-you” to Rory Kilalea for reviewing my play “Dead Ducks”.  He indeed knows his craft, and I am grateful for his comments. – Anne Maher



Course Tutor: Rory Kilalea

RORY has worked in many parts of the world in education, radio, feature film, theatre, and television since 1970.
He has taught television and film internationally, including at – Goldsmith Hall, London; University of San Francisco; Johannesburg; Dubai; Bahrain; Ireland and in Harare where he taught film at the University of Zimbabwe to Honours level.
He has taught at the University of Zimbabwe as lecturer in theatre skills.

As a producer, writer, director and educator RORY KILALEA has worked in numerous capacities within the creative industries for the past thirty five years (since 1975), including feature film, theatre, television, television, radio, animation and education.  With a career that spans the globe, he has experience as a feature film production manager, television and radio director  and academic lecturer.

Rory is also an accomplished writer of award winning plays, films and short stories that have been produced or published in the UK, South Africa, Ireland, Zimbabwe, Malaysia and the US.  An experienced teacher and lecturer, he has taught film directing English and creative writing in numerous locations, including Goldsmith Hall,Athens, Jerusalem, Johannesburg, South Africa and the Middle East.

As a passionate campaigner, Rory had directed and written many AIDS related film projects for a variety of charitable foundations, including UNESCO, The Ford Foundation, and Johns Hopkins University (USA).  He also consulted on many capacity building projects in Africa with Media For Development (Harare/USA).

He is currently working as a freelance producer, director, writer and teacher.  This includes writing and producing a 28 minute animated programme against violence for the Middle East youth market, as well as completing a novel and short story anthology ‘Laughing Now’.  He has recently facilitated the writers’ workshops for young Zimbabwean writers on behalf of the Zimbabwean Film Institute, and he currently lectures and mentors BA Filmmaking students at the Met Film School at Ealing Studios in London in directing, production and adapting a script to screen.

BA English (HONS) Lond. (Drama / linguistics / literature)
Graduate Certificate in Education (UCL.)
Licentiate of Trinity College London (Drama / Teaching)
NACALD- Improvisational Drama for Actors ( University of San Francisco)
Certificate in Scriptwriting, (ICS)

Film and Television

Rory has directed various television programmes and documentaries for companies such as: BBC (UK), Quest (USA), Fortune Promo 7 (Bahrain/Kuwait), Filmworks (UAE).  He was a second unit director on New Line Cinema’s DARK CITY (1998) and directed the location filming unit for Paul Simon’s GRACELAND concert.

He has worked on International and African feature and television productions and directed two television series for the (then) black channel for South African Television (S.A.T.V.).  He was a newsreader on television in Zimbabwe and was awarded the Presenter of the Year in 1980  for his television programmes, commercials and AIDS documentaries.

He has tackled such documentary subjects as the Great Railway journeys (BBC) to the 7 star hotel in the UAE (Burj Al Arab), desalination (Bahrain) and corporates throughout the Middle, the Far East and Asia.   He has also worked with the Johns Hopkins University in Tanzania / Uganda / Zimbabwe as well as UNESCO on documentaries on HIV and Sexual Health for Africa.

He has directed over 200 Advertising Commercials for local and international television stations since 1983.  Shooting  Products include: Coca Cola/Sprite/Land Rover Discovery/Nivea/Kuwait Airways/ Christian Aid Commercial/ Gulf Air / and Gillette.  Rory has written and produced animated commercials as well, serving as creative producer on a series of short animation films for Kellogg’s, Coca Cola and pilots for animation series.  Many of his commercials gained awards at the London International Advertising Festival,  New York Festival and International Advertising Association.

As a producer, line producer or production manager, he has worked on over thirty feature films and television programmes based in Southern Africa, including: Yellow Card (Media For Development Trust Zimbabwe, 1999), Congo (Paramount, 1995), A Far Off Place (Disney, 1993), A World Apart (Working Title, 1988),  Cry Freedom (Universal, 1987) and Jit (Film Africa, 1990). His drama- documentary film on the life of John Bradburne, a missionary working amongst leprosy patients, raised $1000000.00 for new hospitals for the patients in Zimbabwe.(Independent,Catholic Church 1984). He has also consulted on budget and location assessments for major studios, including Warner Bros., Sony, Paramount, Fil de Broc, and Universal Studios..  In 1990, he designed a trainee scheme to develop the skills of local talent in the feature film industry within Zimbabwe.

All films and video /Television programmes have all been available or distributed in the UK and Europe.



Enrolment Conditions: Screenwriting Course

Once the Screenwriting Course has commenced, there are no transfers or refunds in the event you are unable to continue. In exceptional circumstances, a time extension may be granted if the student is unable to complete the course in the allotted time limit. You understand the course materials are copyright and agree never to sell, rent or otherwise distribute your course materials in any way. Enrolment in the Screenwriting Course is taken as acceptance of conditions.

Fish Books

Fish Anthology 2019

These glorious pieces have spun across the globe – pit-stopping in Japan, the Aussie outback, Vancouver, Paris, Amsterdam and our own Hibernian shores – traversing times past, present and imagined future as deftly as they mine the secret tunnels of the human heart. Enjoy the cavalcade. – Mia Gallagher

Fish Anthology 2019

Fish Anthology 2018

The standard is high, in terms of the emotional impact these writers managed to wring from just a few pages. – Billy O’Callaghan

Loop-de-loopy, fizz, and dazzle … unique and compelling—compressed, expansive, and surprising. – Sherrie Flick

Every page oozes with a sense of place and time. – Marti Leimbach

Energetic, dense with detail … engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass

Fish Anthology 2017

Fish Anthology 2017

Dead Souls has the magic surplus of meaning that characterises fine examples of the form – Neel Mukherjee
I was looking for terrific writing of course – something Fish attracts in spades, and I was richly rewarded right across the spectrum – Vanessa Gebbie
Really excellent – skilfully woven – Chris Stewart
Remarkable – Jo Shapcott


Fish Anthology 2016

The practitioners of the art of brevity and super-brevity whose work is in this book have mastered the skills and distilled and double-distilled their work like the finest whiskey.

Sunrise Sunset by Tina Pisco

Sunrise Sunset

€12  (incl. p&p)   Sunrise Sunset by Tina Pisco Read Irish Times review by Claire Looby Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty experience as much as the swirling clouds of the imagination.  An astute, empathetic, sometimes savage observer, she brings her characters to life. They dance themselves onto the pages, […]

Fish Anthology 2015

Fish Anthology 2015

How do we transform personal experience of pain into literature? How do we create and then chisel away at those images of others, of loss, of suffering, of unspeakable helplessness so that they become works of art that aim for a shared humanity? The pieces selected here seem to prompt all these questions and the best of them offer some great answers.
– Carmen Bugan.

Fish Anthology 2014

Fish Anthology 2014

What a high standard all round – of craft, imagination and originality: and what a wide range of feeling and vision.
Ruth Padel

I was struck by how funny many of the stories are, several of them joyously so – they are madcap and eccentric and great fun. Others – despite restrained and elegant prose – managed to be devastating. All of them are the work of writers with talent.
Claire Kilroy

Fish Anthology 2013

Fish Anthology 2013

The writing comes first, the bottom line comes last. And sandwiched between is an eye for the innovative, the inventive and the extraordinary.


Fish Anthology 2012

A new collection from around the globe: innovative, exciting, invigorating work from the writers and poets who will be making waves for some time to come. David Mitchell, Michael Collins, David Shields and Billy Collins selected the stories, flash fiction, memoirs and poems in this anthology.


Fish Anthology 2011

Reading the one page stories I was a little dazzled, and disappointed that I couldn’t give the prize to everybody. It’s such a tight format, every word must count, every punctuation mark. ‘The Long Wet Grass’ is a masterly bit of story telling … I still can’t get it out of my mind.
– Chris Stewart


Fish Anthology 2010

The perfectly achieved story transcends the limitations of space with profundity and insight. What I look for in fiction, of whatever length, is authenticity and intensity of feeling. I demand to be moved, to be transported, to be introduced into other lives. The stories I have selected for this anthology have managed this. – Ronan Bennett, Short Story Judge.


Fish Anthology 2009 – Ten Pint Ted

I sing those who are published here – they have done a very fine job. It is difficult to create from dust, which is what writers do. It is an honour to have read your work. – Colum McCann


Fish Anthology 2008 – Harlem River Blues

The entries into this year’s Fish Short Story Prize were universally strong. From these the judges have selected winners, we believe, of exceptional virtue. – Carlo Gebler


Fish Anthology 2007

I was amazed and delighted at the range and quality of these stories. Every one of them was interesting, well-written, beautifully crafted and, as a short-story must, every one of them focused my attention on that very curtailed tableau which a short-story necessarily sets before us. – Michael Collins


Fish Anthology 2006 – Grandmother, Girl, Wolf and Other Stories

These stories voice all that is vibrant about the form. – Gerard Donovan. Very short stories pack a poetic punch. Each of these holds its own surprise, or two. Dive into these seemingly small worlds. You’ll come up anew. – Angela Jane Fountas


All the King’s Horses – Anthology of Historical Short Stories

Each of the pieces here has been chosen for its excellence. They are a delightfully varied assortment. More than usual for an anthology, this is a compendium of all the different ways that fiction can succeed. I invite you to turn to ‘All the King’s Horses’. The past is here. Begin.
– Michel Faber


Fish Anthology 2005 – The Mountains of Mars and Other Stories

Literary anthologies, especially of new work, act as a kind of indicator to a society’s concerns. This Short Story collection, such a sharp and useful enterprise, goes beyond that. Its internationality demonstrates how our concerns are held in common across the globe. – Frank Delaney


Fish Anthology 2004 – Spoonface and Other Stories

From the daily routine of a career in ‘Spoonface’, to the powerful, recurring image of a freezer in ‘Shadow Lives’. It was the remarkable focus on the ordinary that made these Fish short stories such a pleasure to read. – Hugo Hamilton


Feathers & Cigarettes

In a world where twenty screens of bullshit seem to be revolving without respite … there is nothing that can surpass the ‘explosion of art’ and its obstinate insistence on making sense of things. These dedicated scribes, as though some secret society, heroically, humbly, are espousing a noble cause.
– Pat McCabe


Franklin’s Grace

It’s supposed to be a short form, the good story, but it has about it a largeness I love. There is something to admire in all these tales, these strange, insistent invention. They take place in a rich and satisfying mixture of places, countries of the mind and heart. – Christopher Hope


Asylum 1928

There are fine stories in this new anthology, some small and intimate, some reaching out through the personal for a wider, more universal perspective, wishing to tell a story – grand, simple, complex or everyday, wishing to engage you the reader. – Kate O’Riodan


Five O’Clock Shadow

I feel like issuing a health warning with this Fish Anthology ­ these stories may seriously damage your outlook – Here the writers view the world in their unique way, and have the imagination, talent, and the courage to refine it into that most surprising of all art forms ­ the short story. – Clem Cairns.


From the Bering Strait

Every story in this book makes its own original way in the world. knowing which are the telling moments, and showing them to us. And as the narrator of the winning story casually remarks, ‘Sometimes its the small things that amaze me’ – Molly McCloskey


Scrap Magic

The stories here possess the difference, the quirkiness and the spark. They follow their own road and their own ideas their own way. It is a valuable quality which makes this collection a varied one. Read it, I hope you say to yourself like I did on many occasions, ‘That’s deadly. How did they think of that?’ – Eamonn Sweeney


Dog Day

Really good short stories like these, don’t read like they were written. They read like they simply grew on the page. – Joseph O’Connor


The Stranger

The writers in this collection can write short stories . . . their quality is the only thing they have in common. – Roddy Doyle


The Fish Garden

This is the first volume of short stories from Ireland’s newest publishing house. We are proud that fish has enabled 15 budding new writers be published in this anthology, and I look forward to seeing many of them in print again.


12 Miles Out – a novel by Nick Wright

12 Miles Out was selected by David Mitchell as the winner of the Fish Unpublished Novel Award.
A love story, thriller and historical novel; funny and sad, uplifting and enlightening.


Altergeist – a novel by Tim Booth

You only know who you can’t trust. You can’t trust the law, because there’s none in New Ireland. You can’t trust the Church, because they think they’re the law. And you can’t trust the State, because they think they’re the Church And most of all, you can’t trust your friends, because you can’t remember who they were anymore.


Small City Blues numbers 1 to 51 – a novel by Martin Kelleher

A memoir of urban life, chronicled through its central character, Mackey. From momentary reflections to stories about his break with childhood and adolescence, the early introduction to the Big World, the discovery of romance and then love, the powerlessness of ordinary people, the weaknesses that end in disappointment and the strengths that help them seek redemption and belonging.


The Woman Who Swallowed the Book of Kells – Collection of Short Stories by Ian Wild

Ian Wild’s stories mix Monty Python with Hammer Horror, and the Beatles with Shakespeare, but his anarchic style and sense of humour remain very much his own in this collection of tall tales from another planet. Where else would you find vengeful organs, the inside story of Eleanor Rigby, mobile moustaches, and Vikings looting a Cork City branch of Abracababra?


News & Articles

Fish Anthology 2019 Readings in Spain!

6th December 2019
A celebration of the Fish Anthology 2019 in the Mora Luna Bar, Mecina, La Alpujarra, Spain, on 12 September, was a sparkling evening of readings from the Anthology. The venue was chosen because the Anthology’s cover was inspired by the eclectic mixture of bits n bobs in this atmospheric bar, and for this event the […]

Fish Anthology 2019 – LAUNCH

29th July 2019
Read about the Anthology The launch of the Fish Anthology 2019 was at the West Cork Literary Festival on 16th July. Of the 36 writers and poets who have poems, stories, flash and memoirs in the Anthology, fifteen made it along and read from their winning entries. A particularly warm welcome was extended to Virginia […]

Poetry Prize 2019: Results, Short & Long-lists.

18th July 2019
    Winners Short-list Long-list     Winners Here are the 10 winning poems, as chosen by judge Billy Collins, to be published in the Fish Anthology 2019 The Fish Anthology 2019 will be launched as part of the West Cork Literary Festival  (July 2019). All of the writers published in the Anthology are invited to read […]

Flash Fiction Prize 2019: Results, Short & Long-lists

9th April 2019
Winners Short-list Long-list     Winners Here are the 10 winning Flash Fiction Stories, as chosen by judge Pamela Painter, to be published in the Fish Anthology 2019 The Fish Anthology 2019 will be launched as part of the West Cork Literary Festival  (July 2019). All of the writers published in the Anthology are invited to read […]

Memoir Prize 2019: Results, Short & Long-lists

31st March 2019
  Winners Short-list Long-list     The Ten Winners: Here are the 10 winners as chosen by judge Chrissie Gittins, to be published in the Fish Anthology 2018   The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (July 2019). All of the writers published in the Anthology are invited to […]

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