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Fish Editor Tina Pisco Teaches English in Refugee Camp

November 1st, 2018 | Uncategorized | Comments Off on Fish Editor Tina Pisco Teaches English in Refugee Camp

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Here are the first three posts on my blog from Nea Kavala Refugee Camp in Greece –

Nea Kavala Update #1

Tina Pisco

It’s Sunday and I have been volunteering in Nea Kavala refugee camp in Northern Greece for one week. I am working in the Women’s Space with Hope, a young woman from London who has just graduated from Oxford. We are part of a group of ten volunteers from all over the world, working with WE ARE HERE, an NGO which runs education and recreation in the camp. Every morning we teach English in the Women’s Space. The afternoons we have activities like sewing, computers, or hair and beauty. Most afternoons the women and teenagers just come to chat and hang out. Sunday is music and dancing.

The Women’s Space is a wooden shed with chipboard tables and benches. A few benches have been turned into makeshift sofas adorned with blankets from the UNHCR (UN Refugee Agency). The walls are decorated with children’s artwork and inspirational quotes in many different languages. One panel is covered in Welcomes. I make a note to myself to paint Cead Mille Failte before I leave. The money I am raising with my Go Fund Me page is being spent on improving the Women’s Space. We have already built new smooth table tops (the old ones were made of chip board and difficult to write/draw on). Next week we will fix the floor, which is old and wonky, and buy rugs for the winter to brighten up the place.

I’m teaching Level 1 English, which is a challenge because not only do most of my students have no English whatsoever, they also have no knowledge of our alphabet or numbers, so learning the ABCs, pronunciation, and numeracy are essential before we can really start learning the language. I’ve had an average of 9 women in my class. They come from Iraq, Afghanistan, Syria, Turkey and Kuwait. Most, but not all, are Muslim, speak Arabic and wear headscarves. None are veiled. Some are Christian. Some have had secondary, or third level education. Others had their education curtailed by conflict and war. F from Afghanistan speaks only Farsi and has never been to school. She covers her face with her scarf and mimes for me that the Taliban will not let girls go to school. She is so brave and diligent as every lesson is twice as hard for her. All the adult women are married and have several children, and we have bonded easily in the way of women and mothers everywhere.

Hope and I push back the tables and benches to make room for the dancing. We have lugged a portable speaker from the metal container which houses all the WE ARE HERE stuff. There is a new, huge padlock on the Women’s Space door as it had recently been broken into. The padlock looks more secure than the door (or the walls of the shed for that matter).

The camp feels subdued today and we are not sure how many women will show up. A series of robberies by a gang of “Ali Babas” was causing a lot of problems. The Women’s Space sewing machines were all stolen along with other equipment from the NGOs in the camp. After an investigation, the thieves were arrested by the Greek police, which has relived some, but has also caused tensions in the camp. There was also a bit of argy-bargy last night at the Saturday music and dancing in the big communal tent. One man had an issue and tried to pick a fight. Others grabbed him and tried to throw him out, but he kept coming back. Everyone packed up early. I never felt in any danger as it was clear that it just one drunk guy, and all the others were trying to subdue him. In fact, it was quite amusing as the German volunteers were a bit anxious while the Scots and Irish were unimpressed. As one UK volunteer commented: “I’ve seen a lot worse on a Saturday night back home!” (The next day he will come up to one of the volunteers and apologise for his behavior)

The first women arrive. Three adults, two teens, and four little girls. They are from Iraq, Syria and Kuwait. As I sit with them and wait for one of the teens to sort out the music, I am overwhelmed with a wave of anger. I remember a night back in 1991, when I stayed up following the start of Desert Storm- the US led coalition against Iraq in Kuwait. The mothers sitting with me on this rickety bench had only just been born. I want to find the men who thought Desert Storm was such a great idea and give them a few slaps. I want to point at these women and children and scream: “You did this. Look at them! Look at what you did! Is this what you wanted?” I know without asking that this is not what these women wanted. They want to be back home, enjoying a Sunday with their families, getting ready for the week ahead, going shopping for curtains, or visiting family. I swallow my anger. It’s time to dance.

The music booms, a mix of hip hop and Arabic rhythms. A tiny woman from Kuwait jumps off the bench and removes her headscarf. Underneath her hair is in a bun pinned with a red flower. She shimmies and sways, and I get a round of applause when I join in. After the first song she lets her long hair down and whips it around as she dances. More women and girls arrive, from Pakistan, Syria and Turkey. Some are dressed in Western clothes and wear small crosses around their necks. Some are dressed in long traditional robes with elaborate headscarves. Z, our resident teenage DJ, mixes a playlist of JayLo, Shakira,Arabic, Kurdish, and Turkish music, and hip hop. Despacito is a big hit. She is too cool in her trendy tracksuit, gleaming trainers, and matching headscarf. Her smile lights up the bare room. We dance for two hours. I teach them how to cha cha cha. They teach me Kurdish line dancing and some Zumba moves.

It is time to go. The wind is picking up outside. It’s been sunny and warm during the day, but can get quite cold at night- especially for those living in the two big communal tents. When the wind blows, the tents flap all night. There are 800 people here. Most live in metal containers that are arranged in a long alley on the abandoned air strip that is Nea Kavala refugee camp. It takes ten minutes to walk its entire length.

We wave the women goodbye. Before she leaves, N from Iraq takes my hand “You come to visit me. Container C4. I will make you tea.”

To contribute to the Women’s Space in Nea Kavala go to:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

FOLLOW MY BLOG

Nea Kavala Update 2

I wake up in the middle of night to a fierce wind that rushes down from the North. The sound is loud, but it is the feel of it that wakes me- like an enormous ball of air rolling in from Macedonia. The change in air pressure is palpable.

I get up and go to the outside loo, grateful for the moon that lights my way in the dark.

WE ARE HERE (the NGO where I am volunteering) rents an old ramshackle house in a quiet side street off the main boulevard of Polykastro. It is older than most buildings, with a main house that has a kitchen, living room and office. Six bedrooms are arranged around an overgrown garden. There are pomegranate, fig and quince trees, straggly rose bushes and hedges. The terrace is covered with an ancient, gnarled grape vine. A sunny, unkempt corner must have once been a vegetable patch.  I fantasize about coming back and making the garden beautiful again. My bedroom is very basic: a concrete floor covered with a rug, a mattress on a plywood base, an old desk and shelves. The windows are sealed in protective plastic, and covered in blankets hung on nails that serve as curtains. All over the house, expanding foam has been used to fill the many gaps and cracks. A hole in the living room ceiling has been patched up with a Lidl bag and duct tape. The outside shower is a concrete room with old pipes and a drain in the floor. It looks pretty awful, but is a surprisingly great shower with loads of hot water. Ten to twelve volunteers live here. Any overflow can sleep in a two-bedroom apartment nearby. It may sound dire, but it is rather charming, though I’m sure that its charm quickly fades when the winter cold and rain sets in. So far, the weather has been warm and sunny most days.

The volunteers are from England, Scotland, Germany, the US, Portugal and Australia. Most are young graduates. I am by far the oldest, but Scott from NYC and Carmen from Portugal are both in their thirties and taking a career break. Like me, most volunteers come for one to two months, but some stay longer. It is clear that we would all like to extend our stay if we could. Money, families, jobs and other commitments seem far away and somewhat inconsequential. Working with WE ARE HERE in Nea Kavala is intense, but I am really happy. Truth, be told I am happier than I have been since my mother died over two years ago.

WE ARE HERE ( http://weareherecentre.org/) was started by a woman called Eliza Winnert in 2016. She is coming back next week, and I look forward to meeting her. In her absence our little group is in the very competent hands of Chrissie from Scotland, who has been here for two years. Decisions are made at the Saturday afternoon meeting, which can run for three to four hours as Chrissie guides us through the next week’s projects: from DIY to training, and from cleaning to shopping. Our days are very busy with teams teaching English, organizing kids’ activities for those too young for kindergarten, sports and music in the afternoon, English conversation in the evening, and two movie nights a week (one for adults, one for children), along with the Saturday night music and dancing in the big tent. Each volunteer has one afternoon off a week, and we all have a full day’s rest on Fridays.

We eat lunch and dinner together on the terrace, weather permitting, and take turns cooking. Menus are vegetarian and vegan, but have so far been delicious. If I crave meat or fish, I can go out to one of the many restaurants in Polykastro, which are very cheap. Our favorite is Giorgo’s around the corner. Giorgo and his wife Sofia are very kind to the volunteers and are always giving us free food, desserts, and Ouzo.

In late 2015 Macedonia closed its border with Greece. Almost overnight 10,000 people who were traveling to other pasts of Europe found themselves stuck in the tiny village of Idomeni. An unofficial camp sprung up. Conditions were terrible and the surrounding small towns and villages were unable to cope with such a large humanitarian crisis. One often hears complaints that the Greek authorities are not doing enough, but Greece is still clearly struggling from the 2008 crash. On the bus ride from Thessaloniki abandoned factories and half-built buildings line the roads. The empty loading bays and carparks of the businesses that are still open reflect more prosperous times. As I sat and waited in the bus station in Thessaloniki when I arrived, six people came up begging for money; and there are many rough sleepers on the streets.

The refugees in Idomeni were eventually relocated around Greece, including in our camp in Nea Kavala, which is on an old airstrip, just outside of town. It takes about ten minutes to drive and one hour to walk to Polykastro.

I was shocked to discover that the camp has no really cohesive organizational structure. The authorities on the ground are the military and police, overseen by the Greek ministry; but there is little communication or planning with the three NGOs who volunteer here: DROP IN THE OCEAN (who provide food, clothes, and a bike scheme); the Danish Refugee Council (who offer medical and legal advice, and keep largely to themselves); and  WE ARE HERE. EU and UN provide specific aid but are not directly involved in running the camp, which appears to largely run itself with help from the NGOs.

Yesterday Chrissie returned from a meeting in Thessaloniki with updates from the refugee crisis in Greece. Nea Kavala, with its 600 residents is doing quite well compared to other places. There are people squatting, or living on the streets in Thessaloniki. Serres camp is overflowing with 100 people in makeshift tents outside the perimeter fence. Lesvos is a disaster. Tensions are rising everywhere due to overcrowding and a lack of coordination, and many camps have had outbreaks of violence and arson.

In March 2016 the EU decided that people arriving in Greece and Turkey must be processed there before moving on, creating a backlog that was hard to absorb locally.  There are an estimated 60,000 people seeking asylum in Greece. So far this year 26,000 have arrived in Greece by sea, with a further 13,000 by land. The UNHCR has a current capacity for 25,000, which it hopes to raise to 27,000. The Greek government has announced a plan to house 5000 refugees in hotels that are closed for the winter.

WE ARE HERE’s mission of education and community can seem hopeless in the face of such figures. Building football goalposts and having movie nights pales in the glare of those numbers. Does the Women’s Space where I teach English and run Beauty and Make-up, computers, and social afternoons make any sense? I can tell you that it does. It matters; whether we provide music classes, accept an invitation to tea, or just go out for an evening with the young men from the camp. What makes a difference is being here, meeting people, getting to know them and having them get to know us. We bring a sense of normality to a surreal situation. Most of all we bring the fact that they are not forgotten. That people around the world care.

I make my way carefully to my room, and go back to bed. The wind stops as suddenly as it began and I fall sleep. Later the big wind rolls in again and wakes me with its weight. The windows are rattling and I hear stuff flying around in the garden. It’s cold.  I rummage around in my suitcase for a thermal T shirt I bought in Dunnes before I left, and wrap a UNHRC blanket around me. It is heavy wool and I am grateful for its comfort. I snuggle into my warm nest, feeling safe and cosy. I try not to think of F, trying to sleep in one of the big communal tents in the camp with her four sons. I hope they too find comfort in the grey, heavy UNHRC blankets. I imagine the noise of the tent flapping, the wind howling, babies crying, men yelling for the mothers to hush them. I have to turn that image off like a tap and force myself to fall asleep. The women will be tired in the morning. If they make the effort of coming to class I need to be rested and positive if I’m going to help them to learn English.

In the morning it is bright and warm in the sunshine. I grab a coffee and find a sheltered, sunny spot in the garden where I can pretend that it is still summer while I prepare the day’s lesson.

If you would like to help, please share my posts and donate to my GO FUND ME here:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

Nea Kavala Update #3

I’m driving out to camp to visit A who has invited me over for coffee and cake. The local radio is blaring a Prince song I used to dance to nearly thirty years ago, which only adds to the surreal quality of the drive down the dusty highway to Nea Kavala refugee camp in Northern Greece. On the way I pass many men, women and children, who are walking or biking in to town, or to the Lidl that is halfway between Polykastro and the camp. It takes about an hour to walk into town.

The landscape is flat. Mountains dominate the horizon. Cotton seems to be the main crop in this part of Greece and all the roads are lined with white fluff, as if a giant container had dumped a load of cotton balls over the land. The dust, the ribbons of cotton balls, the stray dogs, the refugees pushing shopping trolleys past boarded up businesses give the journey a bleak, dystopic feel. Today the sky is low and grey, and threatening rain.

I park the car at the gate and start the long walk through the camp. A’s container is at the very end of the alley that was once a runway. It starts to rain as I make my way through the hundreds of metal containers that house the refugees lucky enough to get one. Some have to live in the two giant tents on the edge of camp. Rumour has it that they will all be relocated before the winter sets in. Inshallah they will be able to move soon.

Many containers are painted with murals: peace doves, colourful landscapes, happy images to brighten up the clinical white metal. Others are covered in graffiti. One poet has written his verses on the walls.

Some of the refugees have started little businesses to make some extra money. There are a number of barber shops, a bakery, a falafel stand. Most containers have makeshift extensions built with bits of scrap metal, palettes and plywood. One family has started a little garden patch. Portacabins with men and women’s toilets, along with showers are set up throughout the camp. There are also outside double sinks where people can wash dishes or handwash clothes. I pass a portacabin that has a series of washing machines.

The alley is buzzing with traffic. Children push smaller children around in shopping trolleys. People pass by on bicycles. (The bike scheme is very popular, though most women had to learn how to ride one!). Everywhere are small children and cats. I stop to admire three kittens in a shopping cart that two tiny children are minding. The walk should take about ten minutes, but it takes me double that as I am hailed by both those I know and those I don’t know with a “Hello Teacher! How are you?”

An African woman is slowly making her way down the alley softly singing to herself. She is impeccably dressed in a tailored dress and matching shoes. Her braids are long and sway as she walks. I stop and speak to her in French. She is from the Congo and tells me that there are Africans from the Congo, Senegal, Zimbabwe, Sierra Leone and Cameroon. I have hardly seen them, except on the football field. They are less in numbers, and they do not mix much with the people from the Middle East.

This is not my first time making the long walk up the alley. A few days ago, SH invited me and Hope (the other volunteer in Women’s Space) to eat dinner with his wife ZH. They live in one container with their six children, aged 15 to 3 years old. SH proudly showed us the small porch that he built to keep the rain off the shoes that are lined up outside the doorway. In Nea Kavala everyone removes their shoes before going into a home. He also built a wall in the container to create a small room, making their living space even smaller but allowing for some storage and privacy for those who are not sleeping.

The main room was crammed with 4 bunk beds, a small fridge, and a tiny folding picnic table with a two-ring electric hob. The place was impeccably clean, but K, the eldest daughter made us wait while she went in and gave the floor a quick wipe. Hope and I sat on a thin mattress on the floor, and SH made a big deal about offering me a cushion, while ZH busied herself at the hob. The dinner smelled delicious. Two daughters and their adorable little son Y joined us, as well as a neighbour. The family, like many in the camp are Khurds. ZH and SH are from Syria as is the neighbor who has joined us. When the dinner was ready, SH rolled out a rug, and ZH arranged two steaming metal pots of fragrant rice, stuffed vine leaves, eggplant, courgettes, tomatoes and onions, and a plate of sliced lemons on the floor. She put out metal plates and plastic glasses filled with water, and handed us packets of airplane cutlery and serviettes. The food was amazing, and I marveled at ZH’s skill in her limited kitchen. We ate and laughed, and showed each other pictures of family and friends: Pictures of our fathers and mothers, sisters, brothers. children. Y, their three-year-old son (whom I thought was a girl because of his long hair) is clearly the family’s darling. He loved the pictures of my dogs and cats back home, and of the agricultural show in Clonakilty last summer, especially the cows. Hope and I stuffed ourselves with the delicious food, wiping up the sauce with ZH homemade flatbread.

ZH and I bonded when she came to our computer afternoon in the Women’s Space. She sat watching music videos and singing softly to herself. Suddenly she started crying, hiding her face in her headscarf. I had a moment of panic as her tears turned to heavy, heaving sobs. ZH speaks no English. I speak no Arabic, nor Khurdish. I felt helpless to deal with her deep sadness. Then it was obvious: just do what I would do with anyone who is crying. I took some tissues and handed them to her. She took them and wiped her eyes. I got a glass of water and she drank it. Still crying, she thanked me. I sat next to her and patted her arm as she blew her nose. When she calmed down, she explained through gestures and simple words that she had been watching a video of her mother’s home town of Mosul. It was a song that her mother had loved. Her mother had passed away several years ago, before the war. I told her that my mother had died two years before and that songs she loved also make me cry. We shared the moment, together in our grief and she handed me a tissue. Since that moment we greet each other with hugs.

I finally make it to the end of the alley and A’s container. The runway continues out in front of me, and I think of how ironic it must be to live here, trapped in a tiny space with a runway at your doorstep and its teasing promise of freedom.

A is not there. Inside is a man sitting on the floor eating beans and flatbread. He seems too old and grizzled to be A’s husband. She is in her late forties, but still beautiful with light almond eyes that sparkle when she smiles, which is often; though sometimes, like many women here, her gaze will drift and her face take on a sad, haunted look. He tells me that A is his “wifey” and has gone to get me some coca cola and the cake that she baked for me (I mentioned in class that I like coca cola, but don’t like Pepsi). While we wait for her, he shows me dozens of pictures of them in Turkey, of his sons who are in Germany, of the Christian church he attends in Polykastro. I am shocked to see a much younger man than the one sitting with me on the mattress. His legs are swollen and he needs a cane.  He talks a mile a minute in simple English: He is waiting to go to Germany for medical treatment, and to be reunited with his sons. He tells me that they come from Northern Syria, but that the war has destroyed their town, that they went to Turkey, but that it is not a good place for Khurds, that he has papers to leave, but A- who arrived after him – does not, and that she does not want to stay in camp alone. A arrives with the cake and her 24 year old daughter who speaks English well. She is painfully thin. She was studying in Syria before the war and is here with her husband. Neither she nor A wear headscarves, and both are dressed in Western clothes. ZH joins us for coffee and cake, along with IB, a young man from Syria who has brought along a Swiss woman who is volunteering with DROP IN THE OCEAN.

Time flies as we eat cake and chat, and it is soon time for me to open up the Women’s Space, so we gather up our things and all head off back down the alley. We are joined by ZH’s two daughters with little Y. The rain has stopped and the setting sun is lighting the mountains with a fiery display: all reds and orange. Our little group walks together down the alley, waving at friends and stopping to chat with people lounging outside their homes, and I wish I could wave a magic wand and erase the containers, and the puddles, the portacabins and toilets; and transport us to the beautiful boulevards and parks I saw in their family pictures. To anywhere were we could just be what we are: a group of mothers and children out for a stroll on a fine Autumn evening.

If you would like to help, please donate to my Go Fund Me page:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

 
 

Fish Anthology 2018 LAUNCH

July 29th, 2018 | Uncategorized | Comments Off on Fish Anthology 2018 LAUNCH

WEST CORK LITERARY FESTIVAL, MARITIME HOTEL, JULY  16

It was an unusually dry day for a West Cork summer and the sun shone on the fields across the harbour, and through the wall of glass behind the stage the 100 or so assembled at the Fish Anthology launch could see it all, and the boats bobbing on the glinting water, and yet they had gathered to listen to the 18 writers who came to celebrate and to mark their own achievement and that of their fellow contributors. They were not disappointed. The writers were all used to this kind of performing or had practiced hard and the work came alive time after time as we were treated to excerpts from stories and memoirs, and entire bite-sized poems and flashes. Eight of the writers had travelled from across the Atlantic, nine from across the Irish Sea, and a single Irish person, Georgia Edison, who read twice because unusually she had two stories in the Anthology, Yana, set in South east Asia, and Hope is a Thing With Feathers, set in a train station in London. She said that when Fish published a story of hers a few years ago it got rid of an item on her bucket list, and now that we were putting two in one book we were probably trying to kill her off.

It is one of the most challenging events at a literary festival, a reading from many different writers. The audience have to be paying attention, and keep it up through 18 different changes of direction, and when that attention doesn’t waver right to the end you know it has gone brilliantly. And it did.

Afterwards we trickled downstairs  to the bar in the hotel, had a drink and tried best we could to get to know each other, a tricky but rewarding task with so many. From there we osmosed to Ma Murphy’s bar and continued the evening. I think that some friendships were formed and the beginnings of a new shoal of the Fish family.

MORE ABOUT THE ANTHOLOGY

BUY IT

Here are photos – Courtesy of Olly Breckon, son of Wendy Breckon pictured below. Wendy’s short memoir, Banbridge Lass, is in the Anthology.

PREPARATIONS: . . . 

READINGS:

Clem Cairns

 

Helen Chambers

Janet Smith Moore

Clem Cairns and Mary-Jane Holmes

Alan Falkingham

Travis Elsum

Georgina Edison

Fiona J. Mackintosh

Julian Stanford

Gail Anderson

Laura Mahal

Guinevere Glasfurd

Paul Hale

Craig Kenworthy

Marion Molteno

Jane Fraser

Wendy Breckon

Janet Murray

Denis Walder

Fiona Montgomery

Gabriella Attems

Group photo
Back row, left to right:
Travis Elsum, Alan S Falkingham, Craig Kenworthy, Paul Hale.
Middle row:
Fiona Mackintosh, Marion Molteno, Helen Chambers, Fiona Montgomery,  Denis Walder,  Wendy Breckon, Jane Fraser,  Georgina Edison.
Front row:
Janet Smith Moore, Janet Murray, Laura Mahal, Gabriella Attems, Gail Anderson, Julian Stanford, Guinevere Glasfurd 

Fish Editor Mary-Jane Holmes, Poetry Collection Published

July 29th, 2018 | Uncategorized | Comments Off on Fish Editor Mary-Jane Holmes, Poetry Collection Published

Heliotrope with Matches and Magnifying Glass

by Mary-Jane Holmes

(pub 2018 by Pindrop)

Mary-Jane Holmes, chief editor with Fish, dazzles with this, her debut collection. These poems range far and wide – from the landscapes, stories and traditions of the North Pennines, rich with dialect; to an Occitan hamlet with its chanterelles and walnut harvests, via the many voices of wind, water and rural history; some agonising, some benedictory. Meet the female roofer determined to shove it to the men; Eros escaping from a nursing home. Witness the intimate rites of a family preparing a body for burial; the ordeal of tattoo removal; the girl in a pencil skirt and Doc Martens on the edge of a bridge during rush hour. You’ll never see things quite the same again.

back coverPraise for Heliotrope with Matches and Magnifying Glass:

“What we hear distinctly in these vivid geographies is a new voice in the poetics of landscape. In the musical interweave between her haunting evocations of the English Pennines and her echoing conversations with the 20th-century Argentine poet Alfonsina Storni, Holmes has created a richly generative space in which her searching imagination seems vitally at home.”

Jane Draycott

“I can hardly believe this rich, intense and compellingly readable collection is a debut. I have rarely read so many poems in a row filled with lines as fresh, as lively and as apt to the complexity of such wide-ranging subject matter. Those who love strikingly original language for its own sake will enjoy this book, as will those who like their poems to be located in the reality of time and place, with strong narrative underpinning. It’s a perfect coming-together of concern for the environment and for the human with a commitment to the highest standards of aesthetic representation. For me, Holmes is perhaps the most convincingly rural and at the same time most convincingly contemporary English poet since Ted Hughes. Surely one of the collections of the year.”

Dave Lordan

“Holmes’s diction has such crunch and freshness that it seems to grow out of the ground – peppery with definition, creaking and chirping with sound. These poems encourage undivided attention to the divided world, in all its names and contexts, in which ‘we scrabble for all the things we forgot’. They both relay and delay the instability of contemporary pastoral.”

Camille Ralphs

 

At the Gin Gang 

Let’s say it happened like this:

Mother singing to bees, your shadow stretched 
substantial as the hayloft, the rhythm of grain released 
in looping eights, the horse in the wheelhouse,
its bald muzzle puckered for hay. The boy.

The thresher turned its metronome of crickets, his mouth – 
the bristle of unharvested corn, the chafe
of cattle at the trough, your arms a frenzy of wings.

The sun slipped red off the horizon, you held 
its glow for a second in the palm of your hand. 
How it crested the rims of your eyes.

Then it was gone, the sky a silvered backdrop 

of blue, the boy a man and that’s when
you counted the moon, you counted the moon.

(from Heliotrope with Matches and Magnifying Glass)

 

 

Other Publications and Awards

2018

A winner of The Best Small Fictions Anthology 2018 to be published later in the year.

Recent essay on poetry can be read here: Love the Blank Page

Disciplining the Modern Satyr shortlisted in the  Five Word International Poetry competition and is published in the Five Words XI Anthology.  Mary-Jane will be reading at Ó Bhéal, Cork later in October.

Work published in Ash Magazine

 

2017

Winner of the Bridport Prize for Poetry: testimonial

First Prize in the Bedford International Poetry Prize

Winner of the Martin Starkie Prize for Poetry

Shortlisted for the Doolin Poetry Prize

Commended in the Settle Poetry Prize

Shortlisted for the Penfro Poetry Prize

Nominated for a Forward Prize

Weather Vane published in Flash Fiction Magazine Here:

Letter from a Mercury Prospector to His Wife in the Durham Dales. 1904 published in Myslexia Issue 76

Reflex Fiction: Postpartum

 

2016

Published in Best Small Fictions 2016 edited by Tara Masih and Stuart Dybeck. Review can be found here: https://cecileswriters.wordpress.com/

Shortlisted for Bridport Poetry Prize

Work published in Lute and Drum poetry journal

Work Published in The Oxonian

 

2015

Flash Fiction published in The Tishman Review

Flash Fiction published in The Lonely Crowd

Flash Fiction published in The Incubator

Short Story published in Prole Literary Journal

Triptych published in The Journal of Compressed Creative Arts

Flash Fiction published in JMWW Journal

Long listed for the Kathy Fish Fellowship

 

2014

Winner of the Dromineer Prize for Fiction

Shortlisted for the Bridport Prize for Flash Fiction

Interviews and comments:

Lemn Sissay’s judges report for Bridport 2017 : The winning poem is ‘Siren Call’.  I am drawn to a bleak coastal town. I am drawn by sound. It is like a short film.  Unsentimental.  Brutal even.  The writer draws us to sound from the outset.   I am lured into listening. Through aural sensation the picture unfolds.   It has all the detail of La Cite Des Enfants Perdus.  Listen as the writer instructs “no not the familiar sounds”.  The writer shakes the reader from complacency and into a Sirens Call.  There’s a confidence of line. I am hypnotized  by The Siren Call.

http://poetrysociety.org.uk/news/mary-jane-holmes-wins-bridport-prize/

http://www.kellogg.ox.ac.uk/discover/news/mary-jane-holmes-wins-martin-starkie-prize-for-poetry/

https://www.hysteriauk.co.uk/2017/05/09/short-story-generator-from-mary-jane-holmes/

http://www.damyantiwrites.com/2016/12/16/flash-fiction-writing-tips-2/

http://cafeaphrapilot.blogspot.com.es/2014/05/interview-with-mary-jane-holmes-of-fish.html

On Writing ‘Covenant’

Poetry Prize 2018: Results, Short & Long-lists

May 15th, 2018 | Uncategorized | Comments Off on Poetry Prize 2018: Results, Short & Long-lists

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

 

Ellen Bass

Poet, Ellen Bass – judge for Poetry Prize 2018

Selected by poet, Ellen Bass
to be published in the Fish Anthology 2018

The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (16th July 2018). 
All of the poets and writers published in the Anthology are invited to read at the launch.

First prize is €1,000. 
Second prize is a week in residence at Anam Cara Writer’s and Artist’s Retreat.

 

FIRST

Vernacular Green by Janet Murray (Sheffield, England) (read poem below)

I love how the poem becomes a kind of painting, conjuring a pallet of greens with precise, vivid imagery. A fine example of the use of ekphrasis, this poem illuminates and deepens our appreciation of the English painter. It engages us in the act of seeing, reminds us that attention is itself a form of praise. – Ellen Bass

SECOND 

Our Liberator, Dead by Raymond Sheehan (West Cork, Ireland)

The images of domestic life, simple and poignant, engaged my empathy immediately. Through powerful personal narrative, the poet captures a turning point in history. A poem haunted by fear, yet lit by tentative hope for the future. – Ellen Bass

 

THIRD

Someone Said by Dennis Walder (S. Africa/London)

I was drawn to the mix of irony and pathos in this poem. The breezy tone stands in sharp contrast to the underlying theme of mortality. The poetuses language and diction deftly, with admirable economy. – Ellen Bass

 

 

HONORARY MENTIONS (in no particular order):

America by Partridge Boswell (Vermont, USA)

Energetic, dense with detail, the poem is a rich rendering of a particular time and place. It’s also a fitting love letter to Bruce Springsteen. – Ellen Bass

 

Ode to The Girls Who Deserved What They Got by Ash Adams (Alaska, USA)

A new imagining of Eve that channels raw anger and heartbreak. The poet explores a complex subject through clear, telling details. – Ellen Bass

 

Jesus in a Teacup by Karen Ashe (Glasgow, Scotland)

I love this poem’s cheeky ireverence.  A good example of using humor to explore a complex subject. – Ellen Bass

 

Past Rivermills by Gabriella Attems (Belgium/Austria)

With clear, lyrical descriptions, the poet evokes a strong sense of place. The loss and longing are palpable. – Ellen Bass

 

Approaching Gria by Ann Thompson (Maryland, USA)

A skillfull use of personification. There is a mysterious, mythic quality here that really draws me in. – Ellen Bass

 

Listen by Caroline Bracken (Dublin, Ireland)

The poet uses white space to invoke a mood of expectation and meditation. The sparse images, delivered in short phrases, remind us of the world’s impermanence.
– Ellen Bass

 

Father’s Day by Pat McCutcheon (California, USA)

The well-chosen details carry this poem’s emotional weight. There is real sadness here, yet the final image brings redemption. – Ellen Bass

 

 

 

 

A Little About the Winners:

Janet Murray is a Northerner. She grew up in Lancashire and has spent a large part of her life in Sheffield, South Yorkshire. Her preoccupation is visual art, which is underscored by an interest in people―their dilemmas and how they appear. She has worked as a Senior Manager in public service and completed a Writing MA at Sheffield Hallam University in 2016 (with Merit). Her father was an inventor. She has a partner and two daughters.

Raymond Sheehan  grew up in Beara, West Cork, graduated in English and French from University College Cork in the 70s and has spent most years since then teaching overseas. Now close to retirement, he hopes to spend many happy hours writing, reading, hill-walking and learning more about photography. He has previously been long- and shortlisted for the Fish Short Story and Poetry competitions. 

Dennis Walder was born and brought up in apartheid South Africa. He left long ago, and to the surprise of the interviewer at the office for ‘Dangerous Drugs Firearms and Aliens’, turned himself into a British subject and teacher of English, despite his foreign forebears. Since retiring as a professor of English, he has published short stories and written poetry, and begun a memoir about his mother’s family. He lives in London.

Partridge Boswell is a recipient of the 2017 Edna St. Vincent Millay and Red Wheelbarrow Poetry Prizes, and the author of Some Far Country (Grolier Poetry Prize). Poems published in The Gettysburg Review, SalmagundiThe American Poetry Review, Plume and Poetry Ireland Review. Co-founder of Bookstock Literary Festival and the poetry/music group Los Lorcas, he has troubadoured widely in the US and Europe. He teaches at the Burlington Writers Workshop and lives with his family in Vermont.

Ash Adams is a photojournalist and documentary photographer based in Anchorage, Alaska, USA. Adams studied both poetry and photojournalism at Ohio University, and continues to write poetry when not making images and tending to her two children. Adams’ photography has been featured in The New York TimesThe GuardianThe Wall Street JournalThe Washington Post, Rolling StoneStern, GEO, Aljazeera America, and other national and international publications, and her poetry has been featured in Narrative.

Karen Ashe, 2016 SBT New Writer’s awardee, has been highly-commended in the Bridport prize (twice!), published in Mslexia(twice!) and is busy writing a novel.

Gabriella Attems: From rue St. James to Aisling Cottage. Gabriella walks down a lawn to check on her flowers. She wishes she wore a long dress, held the stem of a campari orange but her arms are scratched and her hair is tangled. She favours blue ones – agapanthus, irises, harebells. She dreams of a kitchen garden, rows of beans and cauliflower. Poppies by the wall steady her. She disappears in the forest planting junipers.

Ann M. Thompson‘s poetry is published in the U.K. (Acumen, here/there, The Journal, Lotus Eater, The North, Staple, Vine Leaves) and U.S. (Ardor, Blast Furnace, Flyover Country Review, Literary Imagination, Lost Country, Mezzo Cammin, Rat’s Ass Review, Tulane Review). Other work includes creative nonfiction (KYSO Flash), short fiction (Best New Writing 2014), lyric essays (Eastern Iowa Review), and video-poems (Gnarled Oak). She is also a Reiki Master, adoptive Mom, and 30-year career writer-editor living in Washington, DC. (www.wellspringofwords.net

Caroline Bracken’s poems have been widely published including in the Irish Times Hennessy New Irish Writing. She was the winner of the iYeats Poetry Competition 2015 and was shortlisted for the Over the Edge New Irish Writer in 2016 and 2017. She was sponsored by Culture Ireland to read her poetry at the Los Gatos Irish Writers’ Festival and the Litquake Festival in San Francisco. She was selected for the Poetry Ireland Introductions Series 2018.

Pat McCutcheon remembers sitting on rocks outside the trailer park where she lived in third grade, pencil and notepad in hand, imagining herself a grownup writer. She grew up to teach English for thirty years at College of the Redwoods, loved students and teaching creative writing, and hated department meetings and grading papers. Her first chapbook was Recovering Perfectionist, and in 2015 a second, Slipped Past Words, was a winner in Finishing Line Press’s Chapbook contest.

 

Vernacular green (i.m Howard Hodgkin1932-2017)

by Janet Murray

 

Hodgkin sees common green

in privet, grass, chestnut husks

blown horsetail, chickweed

crushed under baby’s toe

scum on ponds―pond weed.

 

Not silver olive, willow spinning

green or white, imported

rhododendron, clunking monkey

puzzle tree. Exempt montbretia’s

erect leaves, circling

 

fiery tiger flowers, but if he glimpses

luminous green on the wing-tip

of an escaped parakeet, exposed

by pallid vernacular green, which

hides fairy wings sometimes,

 

in this moment he speaks

Indian green where a greener green

can be unleashed, somewhere between

emerald and jade, a brush dipped

in feathers round a teal duck’s eye.

 

 

 


 

Short-list:

(alphabetical order)

There are 59 poems in the short-list. The total entry was 1,196.

Title

First Name

Last Name

Roughneck (in memoriam)

Mara

Adamitz Scrupe

Ode To The Girls Who Deserved
What They Got

Ash

Adams

Ode to the Mothers

Ash

Adams

Jesus in a teacup

Karen

Ashe

Past Rivermills

Gabriella

Attems

Mirage

Eric

Berlin

America

Partridge

Boswell

Listen

Caroline

Bracken

The Pluot

Megan

Brunkhorst

The Exhibition

David

Cameron

Never never land

Alexandra

Corrin-Tachibana

Today It Happened

Bernie

Crawford

Gap

Edward

Denniston

I Wonder If Hawking Could Write a
Few Elegant Equations

Simon Peter

Eggertsen

In Tune

Kate

Ennals

Crossing

Marian

Fielding

Ode to the First Power

Paula

Finn

At The Huguenot Cemetery

Duane

Geis

The Executioner’s Song

Duane

Geis

Air Brakes

Eithne

Hand

Where she’s at

Jacqueline P

Haskell

Down and out in the upper world

Jacqueline P

Haskell

Crossing

Mike

Herringshaw

Twenty-Three Alternate Names
for the Sixth Extinction

Cynthia

Hughes

Zanzela and Tuba:
Boatmen of the Rapids

Peter

Jarvis

Making Hay

John D.

Kelly

DAY OF THE DEAD

Judith

Krause

Process Poem

Ashley

Lancaster

Oranges and Potato Chips

Jessalyn

Maguire

Sorry – only me.

Tom

Manson

Resolutions

Eamon

Mc Guinness

Father’s Day

Pat

McCutcheon

Inner City ER

Jane

McGuffin

Bakelite Blintzes

Jenny

McRobert

The Picker

Bruce

Meyer

Time Again and Time Again

Joan

Michelson

Of Gastropods

Karla

Morton

Vernacular green

Janet

Murray

Trading Places

Jacqueline

Nolan

The Medusa of High Street

Róisín

Ó Gribín

Readers’ Night at the London
Review Bookshop

Judy

O’Kane

THE SOUNDS OF TRUTH VANISHING

Mary K

O’Melveny

Blessing for the Pilgrims

Nita

Penfold

Threshold

Ella

Richards

Kandinsky’s blue dog

Marion Pym

Schaare

Our Liberator, dead

RAYMOND

SHEEHAN

THE MIDWIFE, ATTENDING,
AND THE CHILD

PATRICIA

SHEPPARD

THE SENATOR’S SHOES

PATRICIA

SHEPPARD

Drot

Rayanne

Sinclair

X

Rajiv

Sinha

The Importance of Thorns

Nicholas

Stiltner

The Industry of the Heavens

Rebekah

Teske

Approaching Gria

Ann

Thompson

Zorbing in the Armagh Brasserie

Gráinne

Tobin

BEES

Maggie

Wadey

Someone Said

Dennis

Walder

Our Irish Garden

Sandra Ann

Winters

 

 


 

Long-list:

(alphabetical order)

There are 225 poems in the long-list. The total entry was 1,196.

Title

First Name

Last Name

Shrike (in Białowieża’s forests)

Mara

Adamitz Scrupe

Roughneck (in memoriam)

Mara

Adamitz Scrupe

Ode To The Girls Who
Deserved What They Got

Ash

Adams

Ode to the Mothers

Ash

Adams

head injury

Julie

Aldridge

Iceberg

Karen

Ashe

Jesus in a teacup

Karen

Ashe

Gardener’s Love Song

Gabriella

Attems

Past Rivermills

Gabriella

Attems

Netherhall Gardens, 1962

Kate

Bailey

A Monster in the Closet

Shaun

Bambery

Henge

Judith

Barrington

Postwar Chocolate

Iris

Bateman

Civilised Man

Tod

Benjamin

A thousand poems

Jackie

Bennett

Mirage

Eric

Berlin

Beeches

Partridge

Boswell

Your Life as a Dog

Partridge

Boswell

Are We Here Yet?

Partridge

Boswell

Ode to Woe

Partridge

Boswell

The Monk at Kells

Partridge

Boswell

America

Partridge

Boswell

Tanzanian Coral

Alice

Bowen

After All the Years

Karen

Bowen

If You’d Asked Joan

Karen

Bowen

Eyewitness Testimony

Caroline

Bracken

Listen

Caroline

Bracken

Dream, Interrupted

P.W.

Bridgman

Figure and Ground

Arthur

Brown

The Hollow

Arthur

Brown

The Patience of Hunters

Katie

Brunero

The Pluot

Megan

Brunkhorst

Ariel Rising

Sue

Burge

Lighting Carmen

Sue

Burge

Holding

Edel

Burke

Acolytes

James Francis

Cahillane

The Exhibition

David

Cameron

Lorde

Stella

Carruthers

where I am coming from

Conrad

Caspari

Feather

Helen

Chinitz

Unremarkable

Don

Colburn

Timeless 11.11

ray

conlon

Kokeshi

Alexandra

Corrin-Tachibana

Never never land

Alexandra

Corrin-Tachibana

We’ll See

Bernie

Crawford

Today It Happened

Bernie

Crawford

Sailing Past Byzantium to the UK

Grainne

Daly

what the celestials never mention

Terry

Dawson

SERMON ON THE MOUTH

Mary Grace

Dembeck

Gap

Edward

Denniston

Rifle

Carol

Dine

My Guardian

Marylou

DiPietro

The Rapacious Heart

Paddy

Doherty

In Your Country

Penelope

Duffy

I Wonder If Hawking Could Write a
Few Elegant Equations

Simon Peter

Eggertsen

Why I Left

Noreen

Ellis

This is a Letter from No One

Joan

English

In Tune

Kate

Ennals

Lament for Seamus Heaney/
Ard file, ( King of poets

Jonnie

Enright

Ghost Train

Charles

Evans

For God’s Sake

Charles

Evans

MOURNING CHANT

Huck

Fairman

The Dean of Discipline

Frank

Farrelly

A Day in March

Lydia

Fesler

She Was Never There

Marian

Fielding

From the Caribbean

Marian

Fielding

Morpho Peleides

Marian

Fielding

Crossing

Marian

Fielding

Wooden Dolphins

C D

Finley

Ode to the First Power

Paula

Finn

The Soddy

Michael

Fleming

The Deep End

Luellen

Fletcher

Researches Chemical & Philosophical

Sharon

Flynn

The Dumb Quiet

Alyson

Fuller-Smith

Open Country

Vanessa

Furse Jackson

#metoo4boys

Bill

Garten

For A Child Dead From
A Playground Fall

Duane

Geis

Weatherman

Duane

Geis

At The Huguenot Cemetery

Duane

Geis

The Executioner’s Song

Duane

Geis

Suicide

Izabella

Grace

Dazzling

Lea

Graham

Atlas Is a Teenager Wearing
Last Week’s Clothes

Stephanie

Graves

How to Catch a Steelhead Trout

Charles

Halsted

#Me

Eithne

Hand

Air Brakes

Eithne

Hand

Unexpected Contact

Jacqueline P

Haskell

Where she’s at

Jacqueline P

Haskell

Down and out in the upper world

Jacqueline P

Haskell

Gideon’s Bible

Cheryl

Heineman

Crossing

Mike

Herringshaw

Poem for the Mother Who
Left Me When I Was Ten

Matt

Hohner

When It Rains

Scott

Hubbartt

Twenty-Three Alternate Names

for the Sixth Extinction

Cynthia

Hughes

From the Motionless Blue

Paul

Ings

A Summer Killing

Lisa

Jacobson

Zanzela and Tuba:
Boatmen of the Rapids

Peter

Jarvis

Fruit Cake

Paul

Jeffcutt

The Slave Bell at Vergelegen

Jean

Jennings

Sixteen

Anita

John

Buying the Cool

Andrea

Johnston

I Swear

Eugene

Jones Baldwin

The Swallows

Laurence

Joy

Wahee Neck

Janet

Joyner

The Boxed Cat Paradox

Janet

Joyner

Velvet Shell

AK

Kaiser

The Greening Effect, Plus Two

Michele

Karas

german love song

Rachel

Kasinski

interior

Maeve

Kelly

Making Hay

John D.

Kelly

On Fisherman’s Row

Olivia

Kenny McCarthy

In the Market at Kabala

Peter

Kent

DAY OF THE DEAD

Judith

Krause

Ownership

Ashley

Lancaster

Process Poem

Ashley

Lancaster

Inventory

Antiony

Lawrence

Look at Me

Fay

Lee

Saltwater

Janet

Lees

Alzheimer’s

Róisín

Leggett-Bohan

The Wood Nymph

Alexandria

Lesicko

Down Donkey Lane

Deborah

Livingstone

Auteur

Robert

Lumsden

A KIND OF COMFORT TO NAME

carolann

madden

Oranges and Potato Chips

Jessalyn

Maguire

Sorry – only me.

Tom

Manson

Wait

Jo

Matthews

Resolutions

Eamon

Mc Guinness

Father’s Day

Pat

McCutcheon

Tom Thumb

Patricia

McEnaney

Inner City ER

Jane

McGuffin

Courtship

Celeste

McMaster

CONFLAGRATION

Marie

McMillan

Snowfall

Jenny

McRobert

The Shipwrecked

Jenny

McRobert

Bakelite Blintzes

Jenny

McRobert

Grounded in Monea

Bruce

Meyer

My Dog

Bruce

Meyer

Pipe Tobacco

Bruce

Meyer

Broadloom

Bruce

Meyer

Ants

Bruce

Meyer

Kitchen Clock

Bruce

Meyer

Bella Arno

Bruce

Meyer

September Wedding, 1954

Bruce

Meyer

The Picker

Bruce

Meyer

Time Again and Time Again

Joan

Michelson

Transfer

Philip

Miller

Bleeding

Philip

Miller

Fun!

Melissa

Mogollon

Or, The Whale

Brookes

Moody

I Wonder

Alana

Moore

Of Gastropods

Karla

Morton

the weak wheel turns

Joshua

Mostafa

The Day I Hear of My
Daughter-in-Law’s Miscarriage

Cris

Mulvey

Eat

Maria

Murphy

Vernacular green

Janet

Murray

Workalanche

Paul

Nesdore

FIX ME WITH A PIN

Maria

Neuda

Others

Kate

Newington

The Fractured Army

Patrick

Nolan

Trading Places

Jacqueline

Nolan

The Medusa of High Street

Róisín

Ó Gribín

THIS OTHER THING

Lani

O’ Hanlon

Marriage and a Long Life

Damen

O’Brien

The Bones of Things

Damen

O’Brien

A Disused College

Mary

O’Donnell

Equipoise

Ita

O’Donovan

The Rocket House

Judy

O’Kane

Garryvoe

Judy

O’Kane

Readers’ Night at the London Review Bookshop

Judy

O’Kane

THE SOUNDS OF TRUTH VANISHING

Mary K

O’Melveny

Echolocation

Rebecca

Olander

Nature Is a Nihilist

Marco

Patitucci

Brigid and the Holy Well

Susie

Paul

My mother sows 3 seeds in
a suburban garden

keith

payne

Olly Olly Oxen Free

Nita

Penfold

Blessing for the Pilgrims

Nita

Penfold

Half-Life

Ruth

Quinlan

All Hallows’ Day

Ellie

Rees

And a float shaped like the Starship Enterprise

Victoria

Richards

Threshold

Ella

Richards

Portrait of the Artist as an Old Woman

Dana

Robbins

The Paper Flower

Dana

Robbins

Fire of Creation

Deanie

Rowan Blank

deep water

Marion Pym

Schaare

The letter

Marion Pym

Schaare

Kandinsky’s blue dog

Marion Pym

Schaare

The Searching

Blanche

Sears

Skin

Raymond

Sheehan

Our Liberator, dead

RAYMOND

SHEEHAN

THE MIDWIFE, ATTENDING,
AND THE CHILD

PATRICIA

SHEPPARD

THE SENATOR’S SHOES

PATRICIA

SHEPPARD

Drot

Rayanne

Sinclair

Old Woman Farm

Rajiv

Sinha

X

Rajiv

Sinha

I dreamt…

Mary

Smith

Thank You

Kathleen

Spivack

Isle of Skye

Don

Staines

Coming Full Circle

Eilis

Stanley

The Importance of Thorns

Nicholas

Stiltner

The Industry of the Heavens

Rebekah

Teske

Duca

Ann

Thompson

Approaching Gria

Ann

Thompson

The Stork

Gráinne

Tobin

Zorbing in the Armagh Brasserie

Gráinne

Tobin

Wood Smoke

Louise

Toomey

Forget-Me-Not

Jean

Tuomey

Yellow Sweater

Shubha

Venugopal

BEES

Maggie

Wadey

Carningli Hill

Lucy

Wadham

Someone Said

Dennis

Walder

Villainelle

Karen

Waldron

Bed Time

Rob

Wallis

A&E, Dad And Me

Jennifer

Watson

Forgiveness

Leland

Whipple

Decorations

Jay

Whittaker

Ocean Held Still

Beau

Williams

The Logistics of Letting Go

Nicholas

Williams

Father

Susanne

Williams

Our Irish Garden

Sandra Ann

Winters

Takotsubo Cardiomyopathy

Jennifer

Wolkin

Sometimes I Think of the Ones

Sarah

Wright

 

 

Flash Fiction Prize 2018: Results, Short & Long-lists

April 10th, 2018 | Uncategorized | Comments Off on Flash Fiction Prize 2018: Results, Short & Long-lists

 

 

Winners

Short-list

Long-list

 


 

 

The Ten Winners:

Sherrie Flick

Author Sherrie Flick – judge for Flash Fiction Prize 2018

 

Selected by judge Sherrie Flick 
to be published in the Fish Anthology 2018

The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (16th July 2018). 
All of the writers published in the Anthology are invited to read at the launch.

First prize is €1,000. 
Second prize is an online course writing course with Fish Publishing.

 

The comments on the Flash Stories are from Sherrie Flick.

 

FIRST

The Chemistry of Living Things
by Fiona J Mackintosh (Maryland, USA)

‘What wonderful language in this story. Loop-de-loopy, fizz, and dazzle create a great tension between the internal and external states of the character. The mundane party, the pills that get her through, and then the beautiful, mysterious deer at the end create a depth that makes this story seem longer than its word length. This story has all of the qualities I love in a good piece of flash fiction. It tells a story in a way that is uniformly unique and compelling—compressed, expansive, and surprising.’

 

SECOND

Beige by Gail Anderson (California, living in UK)

‘It’s the quiet nature of this story that drew me in. I love this little victory for the girl—her moment to shine holding a squirrel monkey. The voice is fantastic and such a rich setting, even drawn in neutral tones.’

 

THIRD

Walrus Brings the Dominoes by Laura Mahal (Colorado, USA)

‘This story takes on the absurd with a deft hand. The author doesn’t draw too much attention to the domino-playing, pizza delivering walrus and that’s what makes it click. There’s character development the whole way through with both Joe the guy and the Russ the walrus.’

 

HONORABLE MENTIONS:

Dover by Shannon Savvas (New Zealand)

‘This story has a lot of effective, exacting detail. The building of empathy is a nice surprise that rises up from what could have been a stereotypical interaction but instead shows a sincere moment of humanity.’

 

Oh by Johanna Ellersdorfer (Australia)

‘I love the quick, quiet nature of this piece. Such a small interaction that speaks to the larger implications of how and when we walk and talk in the world.’

 

Sage by Julian Stanford (England)

‘The pacing here is very nice. I like how the man slowly and methodically rids himself of his life. I love that the author didn’t go for some kind of grand conclusion with the ending. The woman nodding seems like the perfect last act.’

 

The Last Limner of Peterborough Town
by Guinevere Glasfurd (Cambs, England)

‘Fantastic first sentence here. This moment of intimacy, a disruption in the way the painter sees himself seen in the world is nicely emphasized with the final simultaneous look at the painting by both characters.’

 

Always Wear a Safety Helmet by Paul Hale (Lincs, England)

‘The author has created a nice triangle of suspense here with the climbing wife Janice, the climbing wronged employee Seamus, and the husband on the ground with binoculars. It provides instant suspense in a classic Hitchcockian way.’

 

Her Troubled Mind’s Reflection by Darren Moorhouse (Kildare, Ireland)

‘There’s something dreamlike in this straightforward scene that also has an edge of dread laced into it. That combination drew me in along with the clear, crisp writing.’

 

In a Nomad’s Land by Craig Kenworthy (Azores, living Seattle, USA)

‘The repetition of “not what happened” works really well to drive the story forward. The author indirectly gives out concrete information by working through this increasingly disturbing negative timeline.’

 

 A Little About the Winners:

Fiona J. Mackintosh was born in New Jersey to English parents, raised in Scotland, and now lives near Washington DC with her American husband. As a result, she can speak several languages, all of them English. Her fiction has been published on both sides of the Atlantic and when she’s not writing, she’s editing reports from clients all over the world. She’s constantly humbled by how hard it is to find the words to show the world in a whole new light.

 

Guinevere Glasfurd is a novelist. Her first novel The Words in My Hand was shortlisted for the Costa First Novel Award and the Authors’ Club Best First Novel Award, 2017. She is a MacDowell Colony Fellow, and wrote The Last Limner of Peterborough Town whilst in residency there. She has been awarded grants from Arts Council England, the British Council and the Society of Authors for her work. She lives in the Fens near Cambridge.

 

Gail Anderson has worked as an animator, musical instrument repair technician and graphic designer, and has lived in the US, the UK and South Africa. She is a winner of the Bodleian Library’s 2016 Parallel Universe Poetry Competition, and her work has been published in the 2018 Aesthetica Creative Writing Annual, Litro and elsewhere. Weekdays she works at the University of Oxford; weekends she can be found in her boat on the Thames.

 

Laura Mahal likes to mix it up. She usually writes overlong literary fiction, but she has recently dabbled with poetry, personal essays, short stories, and is now dipping a toe (all that’s allowed, really) into flash fiction. She’s the Member Liaison for Northern Colorado Writers, which means she can propose that a sister city arrangement be set up immediately between Fort Collins and West Cork—seeing as we share “Wild West” roots and all.

 

Shannon Savvas, a New Zealand writer, divides her life and heart between New Zealand, England and Cyprus. She has been published online and made it to three print anthologies (2017) with a fourth due in 2018. New Year’s Eve 2017, she learnt she’d won the Autumn 2017 Reflex Flash Fiction competition, which gave her delight and encouragement in equal measure. She’s been told not to mention her dogs or cat.

 

Johanna Ellersdorfer grew up in Sydney and has lived in eight different cities in the past six years. She writes, paints and restores art. Her stories have been included in the Spineless Wonders Time Anthology and performed at various Little Fictions events in Sydney. She is currently adrift in Europe. 

 

Julian Stanford is a working father of three, married and burdened with an old house. He writes as much as possible, but also feels the urge to paint and has a full time day job which takes him away a great deal, so flash fiction seems the perfect format. At some future date he would like to try a full menu, but for now it’s all about the amuse-bouche …

 

Paul Hale worked in the Finance Sector, writing reports of various kinds as an employee, and is putting that experience to more enjoyable use in retirement. He lives with his wife in Lincolnshire, who is the first person to read his stories and spot any ‘deliberate’ plot errors. He is a member of a local writers group called ‘Write Away’. They meet monthly and provided the encouragement to enter competitions. He is grateful for their help.      

Darren Moorhouse is a 24 year old student from Ireland. He recently graduated from UCD with a BA in English and Linguistics and is currently completing his Professional Masters in Education, also in UCD, to become a secondary school teacher. Darren is a keen writer of flash fiction, poetry and short stories and has begun work on a trilogy of gritty and hard- hitting YA novels which he hopes to complete in the near future.

 

Craig Kenworthy was born in the Azores Islands. In addition to fiction writing,  he is a poet, a playwright and a recovering lawyer. He’s run 14 marathons but still finds them much less painful than first drafts. He is married to a social worker, Karen Larsen, although she claims it is a trial marriage and at 50 years, she gets to reconsider. Craig lives in Seattle, Washington, U.S.A.

 

 


 

Short-list:

(alphabetical order)

There are 53 flash stories in the short-list. The total entry was 962.

 

Title

First Name

Last Name

Beige

Gail

Anderson

Michael at the Bar

Gail

Anderson

Esmeralda

Stephen

Bergstrom

Sunday

Mary

Bevan

The lost Samurai

Andrew

Blackwood

Doppelganger

Tim

Booth

Thankfully

Mark

Boyden

When your number’s up

Mark

Brom

dear Missus greeves

Claire

Brown

In the Beginning

Paul

Coleman

Not a Pilot

Kathleen

Connor

In Plain Sight

Mark

Dalligan

Oh

Johanna

Ellersdorfer

Vinegar and brown paper

Jane

Fraser

The Last Limner of Peterborough Town

Guinevere

Glasfurd

Running

Izabella

Grace

Morgasm

Robin

Griffiths

Always wear a helmet

Paul

Hale

Gutted

Ceinwen

Haydon

On The Back Stairs of a Dublin Hospital

Eleanor

Hooker

River

Michele

Houlihan

A real celebration

Isobel

Hourigan

Frozen Fish

Mandy

Huggins

Out of Control

Linda

Hutchinson

Late August

Gideon

Jacobs

The Whitest of Lies

Roger

Jones

Mrs. Rose Edwards

Rhea

Jorgensen

The Poachers

Eileen

Keane

IN A NOMAD’S LAND

Craig

Kenworthy

The Storm

Sam

Knight

The Hungry Librarian

Yama

Lake

Strange Frames

Luke

Larkin

Plastic Arm

Rebekah

Lattin-Rawstrone

Wheat Country Weddings

Susan

Lowell

The Chemistry of Living Things

Fiona J

Mackintosh

Walrus Brings the Dominoes

Laura

Mahal

Children of the Moon

Paul

McGranaghan

I’ll Be Back, But I Leave You This

Jose

Medina

Her Troubled Mind’s Reflection

Darren

Moorhouse

Gym Bunny

Cally

Murphy

My Left Thumb

Carla

Myers

The Department

Carla

Myers

What I Saw

Laurence

O’Dwyer

The School Run

Zoe

Owens

Tree on the Shore

Carlos

Perona Calvete

The Rainbow Must Include Zombies

V. Joseph

Racanelli

A Tongue Lashing

Peter

Rodgers

Cavities

Christina

Sanders

Dover

Shannon

Savvas

Collector Girl

Adrian

Scanlan

Remedy

Peter

Schireson

Sage

Julian

Stanford

THE “LED” PIPE

Mickie

Winkler

 

 


 

Long-list:

(alphabetical order)

There are 184 flash stories in the long-list. The total entry was 962.

Title

First Name

Last Name

24 Weeks

Jonathon

Ackroyd

Night on the Town

Hanif

Ali

Beige

Gail

Anderson

Michael at the Bar

Gail

Anderson

Esmeralda

Stephen

Bergstrom

Sunday

Mary

Bevan

Hummingbird

J.T.

Blackie

The lost Samurai

andrew

blackwood

Doppelganger

Tim

Booth

The Silence of Snow

Stephen

Bourke

The Life of Skeletons

Philippa

Bowe

Divinity

Mark

Boyden

Thankfully

Mark

Boyden

The Silver Casino Player

Yvonne

Boyle

God is a left-handed Japanese man

Mark

Brom

When your number’s up

Mark

Brom

Listing to port

dan

brotzel

dear Missus greeves

Claire

Brown

A Simple Solution

Paul

Budd

Dumb Bitch

Rose

Bunch

The Last Post

Letty

BUTLER

A Drunk and a Thief

Philip

Chiemelu

THE BIRTHDAY PARTY

Clare

Chu

New Woman

Jason

Coit

In the Beginning

Paul

Coleman

sparks

chris

connolly

Not a Pilot

Kathleen

Connor

Flight

Ally

Cook

Unloading

Denise

Coville

A Revealing Case

Tim

Craig

The Writer

Martin

Cusack

In Plain Sight

Mark

Dalligan

The Pledge

Maggie

Davies

The Tiny Patch of Red-Tile Roof

Annie

De Benedictis

Misfiring Neurons

Ashling

Dennehy

The Visitor

stewart

devitt

Cracks

Elaine

Dillon

Impact

Elaine

Dillon

Welcome Home

Rick

Donahoe

Proper Coffee

bryony

doran

Oh

Johanna

Ellersdorfer

The Glory of God

Suzanne

Frankham

Sleepless Nights

Lisa

Fransson

Vinegar and brown paper

Jane

Fraser

Gotcha

Adele

Gannon

Dismissal

AMINA

GAUTIER

The Catch

Matthew

Gibson

The Last Limner of Peterborough Town

Guinevere

Glasfurd

My Birthday by Eimear Brady

Izabella

Grace

The Weight of Jewels and Promises

Lucy

Grace

Running

Izabella

Grace

Curable

Robert

Granader

Morgasm

Robin

Griffiths

Tomorrow

Samuel

Guo

Steam

gillian

Haigh

Always wear a helmet

Paul

Hale

Afternoon

Jennifer

Hanna

I Am Vaughn

Lynda

Harris

Gutted

Ceinwen

Haydon

No Smoking

Kevlin

Henney

On the Science and Complexities

of Having Sex in the Family Caravan

While One’s Parents Are There

Kevlin

Henney

A Bigger Stone

John

Herbert

Nice and clean, Freddie.

Percy

Herbert

On The Back Stairs of a Dublin Hospital

Eleanor

Hooker

Shoveling

Colin

Houghton

West of These Hills

Colin

Houghton

River

michele

houlihan

A real celebration

Isobel

Hourigan

Returning

Susan

Howe

Frozen Fish

Mandy

Huggins

Docksons

Merick

Humbert

Out of Control

Linda

Hutchinson

English 101

Amy

J. Kirkwood

Late August

Gideon

Jacobs

A Gut Feeling

Jayne

Jenner

Broken Hearts

Dakotah

Jennifer

ECHOLOCATION

Sandra

Jensen

The Whitest of Lies

Roger

Jones

Mrs. Rose Edwards

Rhea

Jorgensen

The Poachers

eileen

keane

Special Powers

Jane

Keeley

When No One is Watching

Wilma

Kenny

IN A NOMAD’S LAND

Craig

Kenworthy

The Storm

Sam

Knight

Risk

Andrew

Lafleche

The Hungry Librarian

Yama

Lake

Strange Frames

Luke

Larkin

Plastic Arm

Rebekah

Lattin-Rawstrone

The bottomless pit

Anita

Lehmann

Know Thyself

Andre

Lepine

MONKEY

Julia

Lobo Salles

If It Wasn’t For ET

Adam

Lock

The Red Dress

Lisa

Lodico

Brothers

Charlene

Logan Burnett

Wheat Country Weddings

Susan

Lowell

First Love

Ruth

Mac Neely

Distraction

William

MacFarlane

Consanguinity

Fiona J

Mackintosh

The Chemistry of Living Things

Fiona J

Mackintosh

Walrus Brings the Dominoes

Laura

Mahal

Whatever it was he did

Ursula

Mallows

A Hope In Hell

Louise

Mangos

Freedom

ANDREA

marcusa

The Sleepover

Shey

Marque

New Pajamas

Andrea

Martin

After Sunset

Sean

McConville

Doing an Auntie Nellie

Anne

McDonald

Children of the Moon

Paul

McGranaghan

The Mission Of Wool

Dee

McInnes

Bad Boys

Wayne

Mconie

I’ll Be Back, But I Leave You This

Jose

Medina

He Blanked Me

Donatella

Montrone

Her Troubled Mind’s Reflection

Darren

Moorhouse

Parking cars and pumping gas

John

Mulligan

The girl in apartment 24

John

Mulligan

Blue

Tiarnan

Murphy

Gym Bunny

Cally

Murphy

Sewing

Carla

Myers

My Left Thumb

Carla

Myers

The Department

Carla

Myers

LOSING RADMILA

Peter

Newall

The Bite

Stephanie

Norgate

Worth a Thousand Words

Stephanie

Norgate

The Past

Stephanie

Norgate

Midnight at the Services

Stephanie

Norgate

Little Lamb

Alice

Nuttall

Scarlet Ribbons

Róisín

Ó Gribín

The Paris Opera

Sean

O’Connor

What I Saw

Laurence

O’Dwyer

Chaos

Mary

Omnes

The School Run

Zoe

Owens

Tedium

Gabriela

Paloa

Hooch

Jane

Paterson

Tree on the Shore

Carlos

Perona Calvete

Lucky Day

Ralph

Pooler

The Rainbow Must Include Zombies

V. Joseph

Racanelli

Off-Season

ALEX

REECE

Slivered

Caitlin

Richards

Puppy

Caitlin

Richards

Teething

Rachel

Richardson

Boy from Belfast

Laura

Rimando

Two Sides of a São Paulo Knife

Jane

Roberts

A Tongue Lashing

Peter

Rodgers

Beast

Vanessa

Rogers

THE MERMAID’S WAVE.

Sean

Ross

Gooseberry

Joanna

Rubery

Cavities

Christina

Sanders

Running Out

Shannon

Savvas

Welcome to Oz

Shannon

Savvas

Dover

Shannon

Savvas

Collector Girl

Adrian

Scanlan

Not Countin the Times

Glenn

Schiffman

At First Blush

Peter

Schireson

Remedy

Peter

Schireson

Lemons

Anita

Schmaltz

My Dearest Friend

Jacqui

Scholes-Rhodes

Zero Options

Enda

Scott

Swastika

Jacquelyn

Shreeves-Lee

Attic

Jacquelyn

Shreeves-Lee

The End

Chin

Siew Teng

Mortality

Elizabeth

Simpson

Valley Valentine ’98

Michael

Simpson

Revenge

peter

slater

Kathleen

Marilyn

Smith

Sage

Julian

Stanford

Heartfelt Eulogy

Martin

Sturrock

Sister Blue

Mark

Sutz

Starboards

Mark

Sutz

The Disappeared Mouse

Mark

Sutz

Ice Hole

Kate

Tregaskis

Curse of the Lucky Bamboo

Shubha

Venugopal

A Clash of Symbols

Dennis

Walder

Teaching Rounds

Richard

Weiner

Ever after

Ellen

West

Birth Control

Catherine

Westwell

Higher

Clare

Weze

The Smile

Terri J

Williams

Bluebell Perfection

Judith

Wilson

Windigo

Aji

Wings

THE “LED” PIPE

mickie

winkler

On the Wrong Side

Adam

Wohnoutka

This Our Daily Bread

Sharon

Wong

Effective Communication

Fliss

Zakaszewska

Let’s Dance

Jane

Zingale

Short Memoir Prize 2018: Results, Short & Long-lists

April 1st, 2018 | Uncategorized | Comments Off on Short Memoir Prize 2018: Results, Short & Long-lists

 

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

Marti Leimbach

Marti Leimbach, Short Memoir Judge 2018

Selected by judge Marti Leimbach 
to be published in the Fish Anthology 2018

The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (16th July 2018).
All of the writers published in the Anthology are invited to read at the launch.

First prize is €1,000.
Second prize is a week at Casa Ana Writers’ Retreat
in Andalusia, Spain, and €300 travel expenses.

 

The comments on the memoirs are from Marti Leimbach.

FIRST

What Was Once A City
by Marion Molteno (S. Africa/London, UK)

“The terrific energy of the writing conveys the chaos of the Mogadishu, and the writer is willing to not only show us the realities of the city’s war time demise, but her own naïve notions, her frank ignorance, her earnestness and budding bravery in the face of it all. The heroes in such circumstances are never the outsiders, as the author points out, but those who take measures to help others within the small circle of their own reach. An honest glimpse into the efforts of someone who wishes to help in a situation too great for anyone to fully succeed. Wonderful transformation and insights in this short, impressive piece.”   M.L.

 

SECOND

Where the Track Forks Left and Where the Track Forks Right
by Jane Fraser (Wales)

“A quiet, beautiful piece that charts the unclear path of a woman in love with a man, not her husband. The balance of desire and regret, the tremendous price of mid-life love, the understandable need to escape from a loveless marriage even at the expense of her own children, are all captured in a few thousand words. And every page oozes with a sense of place and time. The author achieves all this while making it appear effortless. What a lovely read.”   M.L.

 

THIRD

Glue by Ruth O’Shea (Aran Islands, Ireland)

“I particularly like the first few sections of this inventive piece. There is a kind of urgency right away as the family crosses a border with a richness of language and detail make it feel incredibly real. Wonderful portrayal of a particular domestic life, brought alive in a set of small scenes that make it feel as though the reader is flipping through an album of memories.”   M.L.

 

HONORARY MENTIONS

 

Banbridge Lass by Wendy Breckon (Devon, UK)

“This is an atmospheric piece with a lot of immediacy to it. In the early pages, the author often divides up her sentences, creating phrases that are punctuated as though they are sentences. While I recognized this was a stylistic choice, I found it distracting and kept wanting to reorganize the words so that they conformed to a more conventional grammar. As the narrative continues, the spliced up sentences seem less frequent and the flow is far better. The characters are well developed in only a short space and the writing is full of wonderful details that give the work lots of authority. I love the haircut and its aftermath, Aunt May, the slightly creepy uncle and the very stern, rather awful, father. We only get a small smattering of his character early on. I think the author might have him utter something disapproving of Wendy earlier on so that when he is even worse later we see a deepening of that character development.”   M.L.

 

Midwife’s Daughter by Saffron Marchant (Hong Kong)

SONY DSC

“An engaging piece that combines grisly facts with a sense of humour and the day-to-day realities of motherhood. I was somewhat confused by the colostomy bag attached to her mother after James’s birth as I thought they were as a result of fistulas and not bladders that had been perforated by a surgeon during a caesarean, but I am not an expert on these things. The piece gets stronger when specific scenes are presented and acted out, rather than the more generally related. Consistent tone, a strong narrator and the midwife, herself (the writer’s mother) is especially well-drawn.”   M.L.

 

Documented by Pauline Cronin (San Francisco, USA)

“I love the misguided application of love from the father, the dutiful daughter who does her best to please him and to hold onto her own sense of self at the same time. The details about the need for money and better shoes through the winter are great. Lovely ending that opens out onto more questions.”   M.L.

 

Shell by Deborah Martin (Glasgow, Scotland)

“The familiar office politics and the narrator’s sense of marginalisation deepen through out the narrative. Anyone with experience of depression will recognize the truth of this writing and the manner in which all of us imagine the lives of others’ differently to their real lives. It was ambitious to try to span so much time in so few pages and the sense of scene is a little thin at time. However, it was a pleasure to read such a thoughtful piece about a difficult subject.”   M.L.

 

The Logic Of Blue Pyjamas by Fiona Montgomery (Glasgow, Scotland)

“The memoir is usually a genre in which the author recalls and dramatizes past events, but what if the specifics of those events eludes its author? This is the dilemma of the author of The Logic of Blue Pyjamas, whose memory of what is sometimes called “historic sex abuse” is patchy or absent. This lack of conscious memory makes it a unique kind of memoir, one fashioned on external information from experts on the subject, yet it manages to also be personal. The reader can’t help but want more details and shares the narrators yearning for distinct, vivid recollection.”   M.L.

 

Without Breaking The Air by Christina Sanders (Somerset, England)

“The author has given a nice structure to this piece, which is a reflection on a relationship with a father with alcoholism. The father’s character is particularly well drawn with some great dialogue that is used very well to deepen characterization. A particularly lovely opening as well as a stunning last paragraph.” M.L.

 

 Wilderness by Paul McGranachan (Strabane, Ireland) 

“This eery, gruesome little piece carries a lot of authority due to it’s author’s matter-of-fact tone. There is no doubt about it, the piece makes for difficult reading, especially as the suffering and death of the animals is, by the writer’s own admission, entirely pointless. I longed for the writer to take a position against the established practices of the lab, but that never arrived. I appreciated the way in which details were given, as well as the deftness of language that permeates the whole of the piece. The paragraph that begins, “It contains six miniature jam jars…” is a great example of what I mean. I love the corridors being described as having an “aquarian gloom” and I particularly like the character of the professor, who almost seems fictional in his sadistic behaviour toward the student he has singled out for bullying. While there are so many direct addresses that, at times, the piece seems not to be consistently first-person nor second person, I quite like it.”    M.L.

 

 


 

Short-list:

(alphabetical order)

There are 52 memoirs in the short-list. The total entry was 780.

 

Title

First Name

Last Name

Banbridge Lass

Wendy

Breckon

Steel Toe Capped

David

Brennan

Miracle

Catherine

Brophy

To Whom It May Concern

Carolyn

Butcher

Halcyon Days

Susanna

Clayson

In the Winter of ’47

Martin

Cromie

Documented

Eanlai

Cronin

Pain Scale

Deborah

Darling

Life

Jack

Durack

The Time of Runcorn

Charles

Evans

The Spy Who Might have been

Charles

Evans

Where the Track Forks Left and Where the Track Forks Right

Jane

Fraser

Roadkill: An American Memoir

Soma Mei Sheng

Frazier

Offer It Up

Jason

Gillikin

The Small Brown Suitcase

Jonathan

Haylett

The crack in the wall

Niall

Herriott

March Madness, 1974

Richard

Holeton

Pee in here

shelagh

klein

Swimming in The World Turned Upside Down

la

Jennings

The Scream

Kathleen

Langstroth

SINGING ALONG

George

Mackay

Midwife’s Daughter

Saffron

Marchant

Shell

Deborah

Martin

The Arsenic Year

Anna

McGrail

The Gods of West Ham

Paul

McGranaghan

Wilderness

Paul

McGranaghan

Tall Table

Kendra

McSweeney

Ashes of Dad

Kyung

Meill

What was once a city

Marion

Molteno

The Logic of Blue Pyjamas – Reading into my life

Fiona

Montgomery

When The Birds Were Swooping

Stephanie

Mowry

ZJ 699

Breandan

O’Broin

Glue

Ruth

O’Shea

War is not suitable for Children

Judith

OConnor

The Very Word

lara

palmer

Excerpts From A Wedding Journal

Lynne

Pearl

125

Elizabeth

Rakow

Taint

David

Ralph

Mowsley

Ellie

Rees

Once Yugoslavia

Jane

Richardson

Without Breaking the Air

Christina

Sanders

Good Christian Soldier

morgan

schulz

On Getting Vivian

Sarah

Sleeper

The Junior Cadet

ian

tew

Smile

Boris

Thomas

The Routine Operation

Christopher

Thompson

On Hearing the Voice of God in the Desert

J.W.

Vass

Wall

John C.

Weir

Raw Space

Bradley

Wester

Heading Out

M.F.

Whitney

Night Terror

Megan

Williams

Back with Daisy

Neil

Wilson

 

 

 


 

Long-list:

(alphabetical order)

There are 179 memoirs in the long-list. The total entry was 780.

 

Title

First Name

Last Name

     

A Good Day at the Gym

Steven

Ashley

The Minister’s Daughter

Lizzie

Bailie

Beloved Bodies

Judith

Barrington

A Woman Alone

Sue

Bevan

The Flames

Mary

Black

When We Were Very Young

Oliver

Black

Beaver Celtic and the Genative Case

Martin

Blayney

Ms. Gaijin Learns Something

Elizabeth

Bodien

Banbridge Lass

Wendy

Breckon

Ghosts of Bone and Flesh

David

Brennan

Steel Toe Capped

David

Brennan

Miracle

Catherine

Brophy

Myself as a puff of dust: a ghost story.

Jane

Bryce

Gunpowder, Treason and Plot

Stephanie

Buckle

Cloud Forest Diaries

Miles

Burrows

To Whom It May Concern

Carolyn

Butcher

Clay Faces

Kerry

Campion

History of Love and Drugs: A Midterm

Laura

Carey

Wee Scottish Memoir

Sheila

Chambers

Eunice Aphroditois

Anna

Chilvers

Halcyon Days

Susanna

Clayson

Driving lessons

Jo

Colley

In the Winter of ’47

Martin

Cromie

Documented

Eanlai

Cronin

My Two Uncle Pats.

Deirdre

Crowley

Pain Scale

Deborah

Darling

Non Panicatus

Janet

Denny

Internally Displaced

Heather

Derr-Smith

Leaving

Beth

Ditson

The Chain Gang Suitcase

Ryan

Dunne

Life

Jack

Durack

Never Say Die

Sharon

Eckman

Seapro Summer, 1979

Julian

Edelman

Casting the Ballot

Julian

Edelman

Learning to Speak about Death

Simon Peter

Eggertsen

Jean, Jeanie

Helene

Elysee

The Girl Who Eloped

Genevieve

Essa

The Time of Runcorn

Charles

Evans

The Spy Who Might have been

Charles

Evans

Les Beatniks – August 1969

Andrew

Fear

The Endorphin Solution

Yvonne

Fein

What Follows

Frances

Fischer

A good black coat

Mary

Fox

Under the Singer

TOM

FOX

The Day the Generals Take Over

Jane

Fraser

Where the Track Forks Left and Where the Track Forks Right

Jane

Fraser

Roadkill: An American Memoir

Soma Mei Sheng

Frazier

The Gift

Peter

Freckleton

At Times Helpless, never Hopeless: Our Journey with IBD

JENNIFER

FREEDMAN

Lunniagh

Maureen

Gallagher

Verona

David

Gehring

The Trainspotter’s Guide to Virginity

David

George

Offer It Up

Jason

Gillikin

THE DEFAULT PSYCHIATRIST

R.C.

Goodwin

What’s in a Name?

Ian

Gouge

The Girl from New Jersey

Morgan

Griffin

The Rain and the Fog; the Ghost and the Spider

Linda LeGarde

Grover

Racing the Wind

Jolene

Gutierrez

This is a Love Story

Jane

Hacking

The Visits

Jane

Harrington

The Upper Saloon

John

Harris

From A Memoir of an Anthropologist: The Road to Byumba

Kirstan

Hawkins

The Small Brown Suitcase

Jonathan

Haylett

Learning

Maura

Hehir

My Name is Rocky Heller. I am Champion of the World

Ruth

Heller

The crack in the wall

Niall

Herriott

Two Weeks

Euwan

Hodgson

The Little Things

fergus

hogan

March Madness, 1974

Richard

Holeton

PASSING CLOUDS

Brian

Holland

Our Gang and Other Warfare

Richard

Hoskin

Monuments

Teresa

Hudson

Banjo Heaven

Cynthia

Hughes

Authorised Personnel Only

Margaret

Innes

Someone Else’s Money

Liz

Jones

Shift Change

Linda

Jorgenson

Father Mac

Lucienne

Joy

A Father’s Flowers

Pat

Keane

The System

Bella

Kemble

Only Me

James Allan

Kennedy

Pee in here

shelagh

klein

Swimming in The World Turned Upside Down

Dawn

Kozoboli

My Brief Career in an Irish Asylum

Christine

Lacey

The Scream

Kathleen

Langstroth

Written Twixt My Sheets

Aida

Lennon

Duck pâté and the First Law of Thermodynamics.

Roger

Lightfoot

City of Many Ironies

Robin

Lloyd-Jones

Storybook Wedding

Nancy

Ludmerer

Elymus Repens

Niamh

MacCabe

SINGING ALONG

George

Mackay

Countdown

Gordon

Mackenzie

Farewell Hurricane

Helen

Madden

It’s Only a Day

Kirsty

Malesev

Midwife’s Daughter

Saffron

Marchant

Shell

Deborah

Martin

January in Harlem

Margaret

McCaffrey

Corn Souffle

Maureen

McCoy

Dungeons, Church and Beach: Memories of Past Summers

Veronica

McGivney

Tyburn Street

Anna

McGrail

The Arsenic Year

Anna

McGrail

The Gods of West Ham

Paul

McGranaghan

Wilderness

Paul

McGranaghan

Grandma’s Eyes

Wayne

Mconie

Tall Table

Kendra

McSweeney

Ashes of Dad

Kyung

Meill

The Bastard Species

Laura

Merritt

Tears In Rain

Erinna

Mettler

My Father, The Man in the Moon

Tamara

Miles

What was once a city

Marion

Molteno

The Logic of Blue Pyjamas – Reading into my life

Fiona

Montgomery

Goodbye Robert

Caron

Moran

When The Birds Were Swooping

Stephanie

Mowry

My father walking

Janette

Munneke

Last chance

Jane

Murrell

Found: In Pieces

Melissa

Neff

‘Crow, crow’

Kerri

ní Dochartaigh

ZJ 699

Breandan

O’Broin

My First Confession

Anthony

O’Farrell

The Pig

Alice

O’Keeffe

The First Durex Machine in Cork

Eamon

O’Leary

St Bernard Spoiled the Party

Eamon

O’Leary

Glue

Ruth

O’Shea

The Family Flaw

Alexandra

O’Sullivan

War is not suitable for Children

Judith

O’Connor

Lost: a Memoir of My Sister Pamela

Paula Spurlin

Paige

The Very Word

lara

palmer

Coming In Off The Ledge

Elizabeth

Palombo

Special

Sarah

Passingham

Excerpts From A Wedding Journal

Lynne

Pearl

Farmboy Goes To War

Doug

Pender

I, Blind Alien

Petra

Perkins

Gnocchi

Amalia

Pistilli

THE YOUNG ARCHAEOLOGIST

catryn

power

White Girl in a Strange Land

Candida

Pugh

I’ve Never Been to Spain

Janice Nabors

Raiteri

125

Elizabeth

Rakow

Taint

David

Ralph

THIS IS HOW WE SAY GOODBYE

ALEX

REECE

Mowsley

Ellie

Rees

Once Yugoslavia

Jane

Richardson

Sacred Landing

Silvia

Rose

Without Breaking the Air

Christina

Sanders

A hundred tides

Jacqui

Scholes-Rhodes

Good Christian Soldier

morgan

schulz

Little Dog of my Youth

Dorothy

Schwarz

Changing Places

Elizabeth

Simpson

On Getting Vivian

Sarah

Sleeper

Plight

Clorinda

Smith

Lost and Found in La Triana

Tasha

Smith

Biscuits and Squash

Kerriann

speers

Who Knows

Neill

Speers

Write What You Know

Kathleen

Spivack

Safe in the Arms of Jesus

sally

st clair

One Does Not Simply Love

Tonya

Streeter

Muddy Path. Incidents in a childhood, 1954 – 1965

Myna

T

The Junior Cadet

ian

tew

At Least We Tried

George

Thomas

Smile

Boris

Thomas

More Than This

Mary

Thompson

The Routine Operation

Christopher

Thompson

Running on Empty

Fran

Tomlin

Making it Fit

Jenny

Toune

Failed Disney Love Story

Jennifer

Twomey

On Hearing the Voice of God in the Desert

J.W.

Vass

Gritty is the Nature of the Sun

Matthew

Villarreal

The House by The River

Catherine

Watkins

Wall

John C.

Weir

Raw Space

Bradley

Wester

Look Straight Ahead

Clare

Weze

Heading Out

M.F.

Whitney

Gilt, Guilt and Acorns

Barbara

Whittle

Magical Guilt 2

elizabeth

Wilde McCormick

Magical Guilt

Elizabeth

Wilde McCormick

Achha

Carl

Williams

Night Terror

Megan

Williams

Seasons in the Sun

Anne

Wilson

Back with Daisy

Neil

Wilson

She of the Sea

Morna

Young

 

Short Story Prize 2017/18: Results, Short & Long-lists

March 17th, 2018 | Uncategorized | Comments Off on Short Story Prize 2017/18: Results, Short & Long-lists

Billy O'Callaghan

Billy O’Callaghan, judge for the 2017/18 Short Story Prize

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

Selected by judge Billy O’Callaghan
to be published in the Fish Anthology 2018

 

First: Clippings by Helen Chambers (England)

Is awarded €3,000, one thousand of which is for travel to the launch of the Fish Anthology 2018, and a short story workshop at the West Cork Literary Festival in July 2018.

 

Second: Herr Seigfried Ottmar by Thiva Narayanan (Malaysia)

Is awarded a week in residence at Anam Cara Writers’ Retreat and €300.

 

Third: Beatitudes by Janet Smith Moore (USA)

Is awarded €300

 

Honorary Mentions:

 

He Writes by Travis Elsum (Australia)

 

 

Yana by Georgina Eddison (Ireland)

Hope is a Thing With Feathers by Georgina Eddison (Ireland)

 

Ginger Snaps by Linda Edwards

 

Psittacus Erithacus by Percy Herbert (England)

 

 

Cranberry Sauce by Emma Seaman (England)

 

 

Drive All Night by Alan S. Falkingham (USA)

 

 

 

From all of us at Fish we congratulate the writers of the ten stories selected by Billy for publication in the Fish Anthology 2018. There were 1,170 entries and the competition was very tough. Thank to Billy O’Callaghan for his careful attention. We appreciate his interest and support of Fish’s endeavour to publish new and aspiring writers. We are delighted that these ten stories will make for an anthology of excellent work. We look forward to meeting the writers and hearing them read at the launch at the West Cork Literary Festival in July.

– Clem Cairns – 

 

Billy O’Callaghan’s comments on the stories: 

Reading these stories, also those that fell short of the final cut, was a real pleasure but also quite a challenge. The standard of this work is high, and even the ones that didn’t make the anthology had so much about them worth admiring, not just in terms of the stories being told but also in the polish of the sentences, the development of the characters and, especially, the emotional impact these writers managed to wring from just a few pages. Aware of just how much was at stake, I struggled in particular to separate the top five stories, and loved them all for different reasons, and it was only after several readings that I settled on my final order. On another day, and with another judge, the results could very well be different.

 

Clippings – Just exceptional. I was a bit sceptical at first of the structure, but the story unfurls wonderfully. Incredibly emotional, truthful and heartfelt. Beautifully drawn characters. I read this several times over the past two weeks and as I sit here now, I want to read it again. It’s a story that has left a deep impression on me.

Herr Sigfried Ottmar – This one was so beautifully done. Measured and accomplished storytelling, with a strong sense of authenticity and the characters vividly rendered. The ending was perhaps inevitable, yet unavoidable, and no less affecting for that.

Beatitudes – Very well written, and clearly the work of an extremely talented writer. Fine dialogue, beautiful pacing. Deeply moving story, too. Real characters, and such a great sense of authenticity. I read it several times, and it seemed to get better with each pass.

He Writes – The pacing of this story is so impressive. The language is utterly clean and objective, and yet somehow full of emotion and humanity. The story itself seems slight and yet, in its way, immense. This one came very close for me.

Yana – Another really excellent story. Sad and moving, and beautifully told. At times the sense of tragedy is almost unbearable, and yet there is such a gleam of humanity that makes it so compelling. A beautiful depiction of a small life and the vagaries of fate.

Ginger Snaps – This one displayed a wonderfully light touch. The narrative was suitably flighty and yet, at the same time, cleverly plotted. I was very impressed. And the twist at the end is just terrific.

Hope is a Thing With Feathers – Again, a very accomplished piece of writing, with nothing at all about it to dislike. When stories are of such a standard, it is simply a matter of favouring those that resonate in some personal way. This one was excellent, vividly told and deeply resonant. A worthy inclusion to the anthology.

Cranberry Sauce – Well written and well constructed. A real-world problem, nice build-up of tension, and narrative handled with sensitive vulnerability. Best of all, though, there is just a lovely lightness of touch.

Drive All Night – Reading this, I had, once again, the sense of very accomplished storytelling. Good build-up of tension, decent dialogue, though a tad melodramatic and overblown. Some really lovely details elevated this one.

Psittacus Erithacus – A good, straightforward story. Gentle, nicely written.

 

 

 


 

Short-list:

(alphabetical order)

There are 54 stories in the short-list. The total entry was 1,170.

Hope is the Thing With Feathers

Georgina

Eddison

Sin

Georgina

Eddison

Yana

Georgina

Eddison

Plenty of Time, Joan

Jane

Fraser

LAYBY LULLABY

Katayoun

Medhat

TRESPASS

Katayoun

Medhat

The Natural

Paul

Mitchell

Beatitudes

Janet

Moore

Loveoid

J. L.

Morin

The Fish

Helen E.

Mundler

The Return of Waldo Jeffers

Gavin

Murphy

Herr Siegfried Ottmar

Thiva

Narayanan

living the dream

Martin

Nathan

Plunging into Peru

Helen

Newdick

Clean

Giles

Newington

THE LAST HURRAH

Cláir

Ní Aonghusa

Sunglasses

Stephanie

Norgate

Light Rising from Below

Sophie

Nussle

Elizabeth’s Kitchen

Eileen

O’Donoghue

Magma

Mary

O’Shea

SNAP SNAP BABY

Kate

Oriol

the pin

G. L.

Osborne

Mutton Curry

Richard

Philip

Home

Ian

Priestley

Take Her Fishing

John

Pringle

The Public Record

David

Rea

THE EULOGISTS

ALEX

REECE

Mrs Browning’s legacy

Peter

Rodgers

Whisht up a while will you!

John

Rodgers

Breaking News

Gregory

Rosenstock

War from the Words

David

Rubenstein

Gutless Living

Natalie

Rule

A Light in the Green Woods

RAYMOND

SHEEHAN

Papillon

Jo

Sinclair

What You Don’t Know

Tracey

Slaughter

Storybook

Emma

Smith-Stevens

An Ounce of Truth

Penn

Spell

Ambush

Jo

Spencely

A Blue Silk Scarf

Meri

Spencer

Independence Day

Jenny

Steel

Last Sortie

P J

Stephenson

MilkEyed Mender

Kerry

Swash

A Fair Bargain

Robert

Temple

Crosshouse

Eleanor

Thom

Kissing a Goldfish

Eve

Turner

Fractions

Gabriel

Valjan

Becky and the Devil in an Act of Creative Destruction

Cady

Vishniac

JUST GIVING

Jennie

Walmsley

The Thrill of the Chase

Rick

Williams

Fair and Square

Alison

Withey

There is a Spectre

Christopher

Young

 

 


 

Long-list:

(alphabetical order)

There are 180 stories in the long-list. The total entry was 1,170.

Title

First Name

Last Name

Gabe

Pernille

AEgidius

The Arrow

Angela

Antle

FAMILY LOVE, BUT NOT THE NORMAL KIND

James

Arnold

NO ORDINARY LOVE

James

Arnold

The Sixpence Quilt

Karen

Ashe

Still Clinging…

Cait

Atherton

Two Cents

S

Baldwin

Adjectives

Xanthi

Barker

Gay Blade

Michael

Barnes

Attempted Closure

Andreas

Bergsten

A motionless stuffed bear

Judy

Birkbeck

Gold

Judy

Birkbeck

549

Evelyn

Blackwell

Left-handed jumpers

Peter

Blair

Ice Cold in London

Martin

Blayney

Deliveries

Kevin

Bohnert

Reservoir

Alice

Bowen

Her Green Mohair Jumper

Edwina

Bowen

FINISTERRA

Rosalind

Brackenbury

Muriel

David

Bray

The Caravan

dan

brotzel

Owl Eyes

Mary

Brown

Little Sky

Ursula

Brunetti

Mr Hatch’s Crime

Justine

BUDENZ

Global Relations

Kathryn

Burke

The Deciding Factor(y)

John

C Mundow

Lifeline

Lauren

Carroll

Landbound lullabies

Selma

Carvalho

Clippings

Helen

Chambers

Jewel Thief

Cliff

Chen

Nonlocality

Cliff

Chen

Caitlin’s two sheets of A4

Alasdair

Chisholm

Lennie’s ode to normality

Alasdair

Chisholm

The Pond

Veronica

Ciastko

John-John

pauline

clooney

Impact Report

Matthew

Coburn

The Second Arrival

Jonathan

Colvson

We Can All Have as Many Words as We Like

Chrs

Connolly

Don’t Kiss Trees

jacqui

corcoran

Dry Food

jacqui

corcoran

The Call

Hugh

Costello

Trip Switch

Maureen

Cullen

Undeclared

Michael

Cumiskey

The Sins of the Fatherland

Katherine

Davey

Fragile

Helen

de Búrca

Hovitch and Boskovsky

Barrie

de Lara

Sleeping Dogs

Beth

Ditson

Power of Attorney

Freda

Donoghue

Eagle Soaring

Natalie

Dovkants

An Atheist’s Prayer

Ryan

Dunne

Sin

Gina

Eddison

Some Days Even the Goldfish

Gina

Eddison

One. Two, Three, Four, Five . . .

Gina

Eddison

Time

Gina

Eddison

The Fall

Gina

Eddison

Siren

Gina

Eddison

Ginger Snaps

Linda

Edwards

The Road to Aragon and Triolet

Michael

Elias

The Third Stroke

KM

Elkes

He writes

Travis

Elsum

Two Lost Souls

tracey

emerson

Drive All Night

Alan

Falkingham

Mottled Light

Juliana

Feaver

Roses Smell Like Fear

Olivia

Fitzsimons

Caravaggio

Stephen

Flanagan

Suir River Bridge

aingeala

flannery

Dolores

Mary

Fox

Gilgamesh ward

Mary

Fox

Plenty of Time, Joan

Jane

Fraser

The Empress Strikes Back

Peter

Freckleton

Love in the Age of Porn

Jon

Fried

Kebab and Fried Aubergine

Dean

Gessie

Brew

Pia

Ghosh Roy

Cocktail

Mark

Godfrey

Guilt

Robert

Golding

The Interrogator

Robert

Golding

People Like Us

Pippa

Griffin

Kicking Like Billy-Oh

ledlowe

guthrie

The Intruder

Christopher

HALL

The Forgiveness of Sand

Robert

Hamilton

Cereal and Fire

Holli

Harms

You Scratch My Back

Wayne

Herbert

Psittacus Erithacus

Percy

Herbert

Blood on the Cross

Euwan

Hodgson

42C

Patrick

Holloway

Gingerbread

Anthony

Howcroft

Milfoil

Charleen

Hurtubise

The Funeral

Gavin

Jackson

As Yet Untitled

Ingrid

Jendrzejewski

Eva Sturm

Martin

Keating

Amor Fati

Rose

Keating

Your Dream Life Come True

Kevin

Keely

Waiting for the Russians

Stella

Klein

Freight

Jen

Knox

The Plagiarist

David

Krasner

What Happened Tomorrow

James

Lawless

Pero’s Promise

Tamara

Lazaroff

True Colours

karen

lethlean

Typecasting

Morag

Lewis

A Silvery Fish

Julie

Liston

On the way to Frida Kahlo’s House

Helen

Macrae

The Apple of His Eye

Deirdre

Manning

After The Bomb

Vincent

Marmion

The Henry Effect

Tracy

Maylath

The Sea Beyond

Kevin

Mc Dermott

Michael L Straight from Hell

Maisie

McAdoo

Bloo Red

Peter

McClelland

Lizaveta Lives a Little

Ruth

McConnell

THE FLOWER AND THE SERPENT

Lisa

McDonald

Beachcomber

Connor

McElwee

Sticks and Stones

Judith

McGinn

The boat from Dun Laoghaire

Mark

McGlynn

The Devil’s Kiss

Rachel

McHale

The Gospel Truth

Barbara

McKeon

One-legged Seagulls

Wayne

Mconie

TRESPASS

Katayoun

Medhat

LAYBY LULLABY

Katayoun

Medhat

The Natural

Paul

Mitchell

Beatitudes

Janet

Moore

Loveoid

J

Morin

Ruby Mine

Virginia

Mortenson

The Fish

Helen E.

Mundler

The Return of Waldo Jeffers

Gavin

Murphy

Machine Gun Mickey

Gavin

Murphy

Herr Siegfried Ottmar

Thiva

Narayanan

living the dream

Martin

Nathan

Plunging into Peru

Helen

Newdick

Clean

Giles

Newington

Clean

Giles

Newington

THE LAST HURRAH

Cláir

Ní Aonghusa

Sunglasses

Stephanie

Norgate

Light Rising from Below

Sophie

Nussle

Art For Local People

Francis

O’Connor

Elizabeth’s Kitchen

Eileen

O’Donoghue

Magma

Mary

O’Shea

SNAP SNAP BABY

Kate

Oriol

the pin

G. L.

Osborne

Mutton Curry

Richard

Philip

Owl Jacket

Antonia

Phinnemore

Stroke

Laura

Post

Home

Ian

Priestley

Take Her Fishing

John

Pringle

Snow Bound

Clarrie

Pringle

LUNCH BREAK

Anne

Rabbitt

The Public Record

David

Rea

THE EULOGISTS

ALEX

REECE

Someone Steps In

Suzanne

Rivecca

ONE MORE CHANCE TO DANCE

Jean

Roarty

Whisht up a while will you!

John

Rodgers

Mrs Browning’s legacy

Peter

Rodgers

Whisht up a while will you!

John

Rodgers

Breaking News

Gregory

Rosenstock

War from the Words

David

Rubenstein

Gutless Living

Natalie

Rule

Cranberry Sauce

EC

Seaman

The Triumph of Renee Sorenson

Andrew

Shakespeare

A Watch For Christmas, Not For Life

Andrew

Shakespeare

A Light in the Green Woods

RAYMOND

SHEEHAN

Tracing the World

RAYMOND

SHEEHAN

Papillon

Jo

Sinclair

What You Don’t Know

Tracey

Slaughter

Storybook

Emma

Smith-Stevens

An Ounce of Truth

Penn

Spell

Ambush

Jo

Spencely

A Blue Silk Scarf

Meri

Spencer

U-156

Kate

Spitzmiller

Empty Nest

Malaika Rose

Stanley

Independence Day

Jenny

Steel

Last Sortie

PJ

Stephenson

MilkEyed Mender

Kerry

Swash

A Fair Bargain

Robert

Temple

Little Holocausts

Susan

Tepper

Crosshouse

Eleanor

Thom

Kissing a Goldfish

Eve

Turner

Fractions

Gabriel

Valjan

Becky and the Devil in an Act of Creative Destruction

Cady

Vishniac

JUST GIVING

Jennie

Walmsley

The Old graveyard

S D

West

Gabardine

david

wilkes

The Thrill of the Chase

Rick

Williams

Fair and Square

Alison

Withey

There is a spectre

Christopher

Young

 

 

 

 

 

Sunrise Sunset by Tina Pisco- REVIEW

March 16th, 2018 | Uncategorized | Comments Off on Sunrise Sunset by Tina Pisco- REVIEW

 

Let’s get the declaration of interest out of the way: I first encountered Tina Pisco at the 2008 West Cork Literary Festival where I heard her read a flash piece. It was knife-sharp; darkly incantatory. Some years later I recommended Pisco to Spolia – an online literary journal in the US. The story Spolia published (‘Erase And Rewind’) features in Sunrise Sunset. While guest-editing the ‘Fear & Fantasy’ issue of this journal, I read another story from the collection (‘The Strip’). I’m declaring this because I am name-checked in Sunrise Sunset’s acknowledgments – for which, thanks. But really, I had nothing to do with the making of these stories. They are all Pisco’s own.

And what a good thing that is.

Like Nuala O’Connor’s recent collection Joyride to Jupiter, one of the pleasures of Sunrise Sunset lies in its variety of both form and content. There are thirteen pieces here, including flash fiction, a graphic story, and a short novella which transposes ‘A Christmas Carol’ to contemporary urban America. The tone shifts too – from unapologetic fantastic-realism (‘Spell Work 101’) through gritty observation (the sublime ‘Declan’s Sister’) to witty borderline-polemic (‘A Carol’s Christmas’). There are stories which grapple with global realpolitik: forced migration, rape, fundamentalist warfare. There are creepy tales of the unexpected. There are coming-of-age narratives set in suburban and not-so-suburban homes. Yet for all its kaleidoscopery, the overall impression is one of coherence: this witch’s broth has been brewed by a singular, intelligent vision.

Coming away from Sunrise Sunset, I was left thinking about cycles: circadian, seasonal, menstrual, life, familial, economic, global – the rise and fall (and rise again) of worlds, inner and outer. This tidal swing and sway is reinforced by Pisco’s recurring motifs: seals, handsome men, lions, cats, birds, heat, the sea, blood, cars, sunrises, sunsets, even names – John and Carol/e. The swirling semantic rhythm reminded me of the great art of the Neolithic: its spirals carved on burial chamber walls, its ceramic figurines of women nursing baby lions. There is an underlying philosophy at work here: almost Buddhist, except it refuses to be named. And perhaps this is Pisco’s greatest strength as a writer – her ability to leave the important things unsaid.

Yet Pisco is never obscure. She understands story: not just the dynamics of each tale, but the art-fo

rm itself. Her narratives are full of hints that are seeded, followed-through and brought to satisfying dénouements. She is generous and upfront in referencing her sources: folklore, Dickens, Neil Gaiman (the black cat in Coraline, anyone?).There are oblique nods too to Angela Carter and Daphne du Maurier, particularly in the title story, and the building creepiness of ‘Erase And Rewind’ and the marvellous ‘The Strip’. This means, particularly in the more fantastical pieces, that we catch on very early to what Pisco is at and where the story is going.

This presents a risk, especially with the novella, where the transposition at first feels quite slight – okay, we get the joke, we know what’s coming, so why should we care? But Pisco understands that good transposition needs, sooner or later, to deviate from its source. The writer has to find a story and moral logic that both honours the original and carries the correct weight for the new context. As we delve into ‘A Carol’s Christmas’, we encounter tiny deviations from Dickens and it’s these that make the story most satisfying. We realise that Carol is both Scrooge and the over-extended, bullied Bob Cratchett; this blurring, like print off-set, puts both the original and the new into sharper focus. Pisco also grapples successfully with the time-bomb Dickens left for any adapter – sentimentality. She doesn’t shy away from pulling heartstrings: I, like Carol, had a tear in my eye at her vision of Christmas Future. But Pisco’s Ghost is too sardonic, too wise, too knowing – too modern – to let anyone’s tears flow for long.

Similarly in ‘The Strip’, though we can guess where narrator Ellen is heading, the reveal is written in language so distilled it almost takes the breath away: ‘Ellen knows everything: what the Universe is made of, how time can run backwards, where all the dead souls go, why some choose to stay.’ The pay-off is no

t epistemophilic, the rush of disclosure. It is poetic; to fully get what Ellen sees in that moment, we have to exercise sympathetic magic – put ourselves in her place and imagine.

Pisco’s prose is assured throughout: never showy yet full of startling images. A woman sits on a bayside deck, illuminated not by moonlight but the glow of her tablet. A ghost prowls through an edit suite, smartphones cables leaking from her rotting corporate suit. The voices of the many narrators are distinct and embodied: smooth, seductive, misleading, self-recriminatory. Every great sentence – and there are many – has the simple, casual, muscular grace of a lioness flicking out her paw to bat at prey.

The range is exhilarating. It’s refreshing to read magical realism that doesn’t make apologies for itself, a mature female voice that’s not pretending to be anything else. At times, the collection feels almost like a guide for living as woman in this complex, compromised world. ‘My body! My choice!’ screams teenage Ruby alone in the woods, terrified by the prospect of how her vegetarian feminist lesbian mother will respond to her first period. What a clever choice, to put a marching slogan into this most personal of places.

Some pieces, however, did leave me wanting. While ‘Four Flashes from the Frontlines’ is taut and convincing, deft in its handling of contrasts, ‘Moon Angel’, which tackles related subject matter, feels less sure – particularly in the chosen point of view and the level of detail around the narrator. Is this a story that could be taken further, I wondered; or was I meant to read it as an exercise in disconnect? ‘Declan’s Sister’ – though a beautiful piece in its own right, redolent of Colin Barrett in its depiction of small-town anomie – made me long for Pisco to write a full-on novel about the young, set in a grotty, post-rece

Because, for all the delights of the fantastical pieces, it is when Pisco turns her attention to the ordinary that this collection slices most profoundly. Her innately magical sensibility blends with realism to create moments that linger, meanings that percolate through the mind once the reading is over. Ruby tying her top around her waist to hide her new blood. Carol/Scrooge hauling wet sheets out of a washing-machine. Rob describing Declan’s desperate Sister as an ‘angel’, in a town where sink estates have ‘mushroomed like fairy rings’. The Strip’s sad raver, Buddha-Boy, smiling to himself as he listens to music only he can hear. And, compellingly, the powerless narrator in ‘Imagine This/Imagine That’, who, in her tiny last line, creates that most magical of storytelling illusions: trifurcating her identity so she is simultaneously herself, the reader, and the author. Leaving us with a reproach which is also a wish, an impossibility which is also a call to arms. That’s a spiral worth engraving on the walls of any burial chamber.


Fish launched this collection of short stories, flash and comic-strip fiction from West Cork author Tina Pisco at the West Cork Literary Festival in July 2016 

Surreal, sad, zany, funny, Tina Pisco’s stories are drawn from gritty realism as much as the swirling clouds of the imagination. An astute, empathetic and sometimes savage observer, she brings her characters to life as they dance from the pages into your mind where they linger long after the book is put down.

Sunrise Sunset is an Aladdin’s Cave of gems that offers the perfect blend of magic surrealism and gritty realism. –                                                                                                                             Conal Creedon

I loved ‘Ruby and the Red Tent.’ Long live all the denizens of the red tent, and those on the outside too.                                                                                                                                                David Mitchell

Buy now

The launch was in Ma Murphy’s pub in Bantry. Tina read to a packed house and Mary Morrissey launched the book. Afterwards it descended into a full-blown session of music and song, with musicians, both local and blown-in, from Jack Lukeman’s Songwriting Workshop at the Festival. Jack led the singing and it all went superbly until we were kicked out well beyond closing time.

Chief Editor at Fish Wins Bridport Poetry Prize

November 23rd, 2017 | Uncategorized | Comments Off on Chief Editor at Fish Wins Bridport Poetry Prize

Mary-Jane Holmes Wins Bridport Poetry Prize

Mary-Jane Holmes, chief editor at Fish has added the prestigious Bridport Prize for Poetry to her gathering tally of prizes. Read more. Competition Judge Lemn Sissy wrote – 

“The winning poem is ‘Siren Call’.  I am drawn to a bleak coastal town. I am drawn by sound. It is like a short film.  Unsentimental.  Brutal even.  The writer draws us to sound from the outset.   I am lured into listening. Through aural sensation the picture unfolds.   It has all the detail of La Cite Des Enfants Perdus.  Listen as the writer instructs “no not the familiar sounds”.  The writer shakes the reader from complacency and into a Sirens Call.  There’s a confidence of line. I am hypnotized  by The Siren Call.” 

Mary-Jane teaches the Fish Short Story Writing Course online, and works as an editor for poetry, the novel, memoir, and flash fiction along with short story. She will be teaching a week-long poetry workshop in July 2018 at Casa Ana in Spain, where she is joint director of the Casa Ana Writing Programme.

Fish Anthology 2017 – LAUNCH

July 8th, 2017 | Uncategorized | Comments Off on Fish Anthology 2017 – LAUNCH

Fish Anthology 2017The West Cork Literary Festival celebrates its 20th anniversary this year. Clem Cairns of Fish Publishing started and grew the festival into one of Ireland’s biggest literary events.

The Fish Anthology launch has been a major event at the Festival since its inception in 1997. This year, Mia Gallagher, author and Fish winner (2005) will be launching the anthology.

Twenty-one of the forty authors will be attending the event and reading from their work. 

 

All are welcome 

17th July @ 6.00pm

The Maritime Hotel, Bantry, Co Cork

 

Fish Publishing, Durrus, Bantry, Co. Cork, Ireland

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