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Fish Editor, Mary-Jane Holmes, Wins Myslexia Flash Prize

July 19th, 2019 | Uncategorized | Comments Off on Fish Editor, Mary-Jane Holmes, Wins Myslexia Flash Prize

Mary-Jane Holmes, ‘Mathematics for girlsMary-Jane-Holmes

‘Winning the Mslexia Flash Fiction Competition was such a boost. Flash is my first love – I teach it, I edit it, I tell everyone I know to read it, but having spent two years working on a poetry collection, I wasn’t sure I could return to it. Moving from one genre to another is strange and yes we can debate the prose poem vis-a-vis flash fiction until the café or bar closes but most writers I think, know of two strong experiences that affect their confidence when it comes to getting something down on paper – you look at what you have written in the past and think “how did I do that?” and then “how will I ever do that again?” The impulse is not to even try but when you do, when you take a risk, it is surprising what can happen.  I wasn’t even going to try but the competition made me think – I have nothing to lose but I have a deadline to keep to. And surprising things do happen.’

MARY-JANE HOLMES is Chief Editor of Fish Publishing Ireland and the Creative Director of Casa Ana Retreats, work which – alongside teaching workshops and preparing for a PhD – means she is always learning about her craft, whilst struggling to find time for it. She won first place in the Bridport Poetry Prize (2017), has been featured twice in Best Small Fictions (Braddock Avenue Books), and her début poetry collection is Heliotrope with Matches and Magnifying Glass (Pindrop Press, 2018).

 

What did the judge say?

‘”Mathematics for girls” was the story that I simply couldn’t remove from my consciousness. It bursts with tragic urgency and struck to my heart. The writer built her young character from the inside out, rib by rib, with rich emotional observation. We’re shown the consciousness of a child the moment before and the moment after a betrayal occurs, and we realise that her unique way of understanding the world has been profoundly altered. The author accomplishes this with a mastery that left me breathless.’

MEG POKRASS is the author of one award-winning book of prose poetry and five flash fiction collections, including Alligators At Night, which came out last year, and Cellulose Pajamas, which won the Blue Light Book Award in 2016. Her stories and poems have appeared in over 320 literary magazines and many international anthologies, including two Norton anthologies: New Micro (2018) and Flash Fiction International (2015). She is the Editor of New Flash Fiction Review and Co-Editor for the anthology series Best Microfiction, and serves as Festival Curator for the new Flash Fiction Festival UK.

 

And congratulations to the finalists!

  • Sandra Arnold, ‘The road to nowhere
  • Tara Knudsen, ‘I know death
  • Jennifer Riddalls, ‘Taken

Poetry Prize 2019: Results, Short & Long-lists.

July 18th, 2019 | Uncategorized | Comments Off on Poetry Prize 2019: Results, Short & Long-lists.

 

 

Winners

Short-list

Long-list

 


 

Winners

Here are the 10 winning poems, as chosen by judge Billy Collins, to be published in the Fish Anthology 2019

The Fish Anthology 2019 will be launched as part of the West Cork Literary Festival  (July 2019).
All of the writers published in the Anthology are invited to read at the launch.

Top 10 stories will be published in the FISH ANTHOLOGY 2019
1st prize: €1,000
2nd: a week in residence at Anam Cara Writer’s and Artist’s Retreat.
3rd:€200

Billy Collins

Billy Collins

Comments on the top 3 winning poems are from Billy Collins (below), who we sincerely thank for lending his time and experience to judge the prize.

Congratulations to the nine winning poets (one of the poets, Alex Grant, has two poems selected) and also to the poets whose poems made the short-list of 56, and to the poets who made the long-list of 183. Total entry was 1,641. 

The overall winning poem Not My Michael Furey, by A.M. Cousins (link).
More about the nine winning poets (link)

 

 

 

The Ten Winners:

 

Selected by poet, Billy Collins, to be published in the Fish Anthology 2019

FIRST

 

 

Anne Cousins

Not My Michael Furey

SECOND

 

 

Stephen de Búrca

 

The Morning I Read Yesterday’s
‘Daily Mirror’

THIRD

 

 

Colette Tennant

Rehearsals

 

 

 

HONORARY MENTIONS

 

 

Judith Janoo

Sugar Kelp

Kerry Rawlinson

Kindling

Soma Mei
Sheng Frazier

No Results for that Place

Alex Grant

Raiding my Dead Mother-in-Law’s Pharmaceuticals

Alex Grant

That One Time I Decided To Be All About Eschewing Obfuscation

 

Leah C Stetson

Capes and Daggers

John Michael
Ruskovich

Tequila Sunrise?

 

 

BILLY COLLIN’S COMMENTS ON THE TOP THREE:

 

Not My Michael Furey by Anne Cousins

‘After immediately contextualizing itself with its reference to Joyce’s “The Dead,” this poem uses a deceptively simple diction to invite the reader into the mind and heart of its charmingly girlish narrator.  Not a word is wasted in the clean, spare lines of this beguiling, bittersweet poem.’ – Billy Collins

 

The Morning I Read Yesterday’s ‘Daily Mirror’ by Stephen de Búrca

‘A clever take-off on Frank O’Hara’s startlingly everyday elegy for Billie Holiday, this poem even looks like the original.  It’s most like O’Hara’s in that the elegy becomes the moment of the news (both in newspapers) of death, rather than a later meditation on the significance of the loss.  The poem’s finest accomplishment is the delicate balance it maintains between the levity of satire and the gravity of the loss of an irreplaceable person.’ – Billy Collins

 

Rehearsals by Colette Tennant

‘Two stanzas are just the right form for this poem which moves from regrets about one’s mother to the more venial sins of childhood before circling back to the hypnotized mother’s vision of her own dying. Remorse may run wild, but the fresh images (“snot-angry bull,” “gaudy apple”) stabilize this unsettling and nicely unresolved poem.’ – Billy Collins

 

 

WINNING POEM:

Not my Michael Furey

by Anne Cousins

After James Joyce.

 

While the girls watched the boys kick a ball

 on a scuffed patch of earth behind the school,

 I hid in the pre-fab hut that served

 as library and refuge to the bashful.

 There was shelter among chipboard shelves

 where books offered solace to a child

 weary of feigning interest in the chatter

 of fashion and elusive boyfriends.

 

Here were English girls learning life-lessons

in progressive boarding-schools; young women

in the Chalet novels bravely dodged Nazis;

and Miss Heyer’s Regency heroines –

all sprig muslin and beribboned bonnets –

were tastefully romanced by young bucks,

with chequered pasts and endless supplies

of starched cravats, who drove fast phaetons

and could tame a giddy young filly

with one smouldering, masterful glance.

 

Sometimes I saw a boy near the Crime shelf –

barely thirteen, fingers and teeth nicotined

as a man’s. Once we talked and he held out

his yellow hands to show their tremor –

he suffered with the nerves – he liked a thriller,

a mystery to solve, Poirot was the best.

I preferred Miss Marple’s investigations

among the murdering genteel classes.

 

If I ever thought of him after that

I would have imagined him on his tractor,

the cab filled with smoke as he turned the sod

in neat lines on his father’s beet-field.

 

Some years later, my mother wrote me –

the priest had called his name at mass,

requested prayers for his soul’s repose;

she heard the talk at the chapel-gate –

he was found in the barn, no mystery

how his life of hardship came to an end.

 

He was not my Michael Furey, never

my tender young love but I think of him

often – in a makeshift library long ago,

wits pitted against a fictional detective

and a small, shy girl for company.

 

 

MORE ABOUT THE WINNERS:

ANNE COUSINS was born in 1958 and has lived most of her life in Wexford Town. The arrival of her first grandchild in 2013 brought the realization that she was not getting any younger and she decided to run away and join the MA (Creative Writing) class in UCD.  Her plan to write a perfect short story was scuppered by her conversion to poetry. She is working on her first collection and her work can be found in various literary magazines including Poetry Ireland Review, The Stinging Fly, and on the website Poethead.

STEPHEN DE BÚRCA is working towards an MFA in poetry at the University of Florida under the guidance of Ange Mlinko. From Galway City, Stephen has worked at art-residencies in Iceland and the Netherlands. His poetry has previously appeared in publications such as Crannóg and Skylight47.

COLETTE TENNANT, along with being an English Professor, plays keyboard in a garage band with a twenty-two-year-old drummer and a millionaire on the sax. At her university, she leads a group of student poets called Stinky Bagels. She lives in Oregon, one hour from the Cascade Mountains to the east, one hour from the Pacific Ocean to the west. Her most recent book, Religion in The Handmaid’s Tale: a Brief Guide will be published in September, 2019. On a recent DNA test, she found out she’s 80% Irish.

JUDITH JANOO lives in Vermont, US, near the Canadian border where the smoke plume from her chimney goes straight up on cold days. She grew up by the sea rowing a dinghy before she rode a bike.  Teaching yoga nidra, she sometimes puts others to sleep,  which is not her intention in poetry. She sings to warblers and chickadees in the voice she hears, and thinks that they are singing back. 

Decades ago, autodidact & bloody-minded optimist KERRY RAWLINSON gravitated from sunny Zambian skies to solid Canadian soil, nurturing family and a career in Architectural Design. Fast-forward: she follows Literature & Art’s Muses around the glorious Okanagan, still barefoot, her patient husband ensuring she’s fed. Her photo-artwork, poetry & flash fiction have won contests, and feature in international literary publications. Kerry has become addicted to Canadian snowscapes; but she still pines for Zambian avacados.  http://kerryrawlinson.tumblr.com/; @kerryrawli

SOMA MEI SHENG FRAZIER, like the speaker in No Results for that Place, is between homes—relocating from California, where she’s served as a San Francisco Library Laureate, to New York, for a professorship at SUNY Oswego. Frazier’s sweet tooth demands sugar in everything but poetry and prose. Her work has earned nods from authors and entities ranging from Nikki Giovanni to Daniel Handler; HBO and Zoetrope: All-Story to Glimmer Train and the Mississippi Review.

ALEX GRANT has been a shepherd, a dental technician, a rope-maker, an electro-plater, an optical technician, a software applications developer and a Business Solutions Architect. He has released five poetry collections and has received The Pavel Srut Poetry Fellowship, The Kakalak Poetry Prize, The Randall Jarrell Chapbook Prize and The Oscar Arnold Young Award. He was included in Best New Poets 2007. A native Scot, he lives in North Carolina with his wife, his dangling participles and his Celtic fondness for excess.

LEAH C STETSON writes poetry at Nixie’s Vale beside a black-ash seep and a vortex. Eco-heroine and spiritual mermaid, Leah’s love of writing spawned at the mouth of the Sheepscot River in Maine. She holds a master’s degree in human ecology. Her writing has appeared in Arsenic Lobster, Off the Coast, Sea Stories: the Littoral Issue. Leah is a Research Fellow in the Interdisciplinary PhD program at University of Maine in a tenacious pursuit of deep, Romantic ecology.

JOHN MICHAEL RUSKOVICH “Mike” Ruskovich taught high school English in northern Idaho for 36 years, and now he lives with his wife on the Camas Prairie near Grangeville, ID. His poetry has appeared in The Classical Poets Society journal, and his song lyrics appear throughout the novel Idaho, written by his daughter and published by Random House in 2017. Her essay about his poetry, titled “The Weight of My Father’s Poems,” can be found on LitHub. 

 

 


 

Short-list:

(alphabetical order)

There are 56 poems in the short-list. The total entry was 1,641.

 

TITLE

FIRST NAME

LAST NAME

Kintsukuroi

Gail

Anderson

Observation

Valerie

Bence

Nancy saw you dancing

Jackie

Bennett

No natural law

Jackie

Bennett

Out There In The Rain

Carole

Berkson

Ode to Sex with You

Michelle

Bitting

Pinball

Dean

Browne

Requiem

patricia

cantwell

Not my Michael Furey

A.M.

Cousins

A Poet’s Guide to Photography: The Bokeh

Johnna

Crawford

The Morning I Read Yesterday’s ‘Daily Mirror’

Stephen

de Búrca

Seasalted

Elaine

Desmond

MAN POEM WITH A KNIFE

Judy

Durrant

Blackout

Diane

Fahey

Climate Change

Mary

Fitzpatrick

No Results for That Place

Soma Mei Sheng

Frazier

octopus in the room

Dean

Gessie

Raiding My Dead Mother-in-Law’s Pharmaceuticals

Alex

Grant

That One Time I Decided To Be
All About Eschewing Obfuscation

Alex

Grant

Minutiae

Rosalind

Hudis

Room 764

Peter

Hudson

Ringing the Changes

Steven

Jackson

Sugar Kelp

Judith

Janoo

Man of Ice

PETER UALRIG

KENNEDY

CLOSER

Stacey

Lawrence

Doctor

Zachary

Loewenstein

Her Father

Niamh

MacCabe

Stark’s Ink

Niamh

MacCabe

How We Remember Our Bones

John

MacDonald

Upon The Hill

Lindsey

McLeod

Late Hydrangea

Lorraine

McLeod

writing bloomsbury 1924

Norm

Neill

At Loughborough Junction…

Christopher

North

She’s Wonderful

Michael

O’Connor

Readers’ Night at the
London Review Bookshop

Judy

O’Kane

Closing Time

Matthew

Oliver

Annie

Patricia

Osborne

kindling

Kerry

Rawlinson

Metamorphosis

Lee

Romer Kaplan

Listening for your return

Elizabeth

Rose

Tequila Sunrise?

John Michael

Ruskovich

The Dark Gatherer

Kim

Schroeder

Capes and Daggers

Leah

Stetson

Robert Hugh

Anne

Taylor

Rehearsals

Colette

Tennant

The Bends

Roger

Vickery

Tandem

Dana

Walrath

Rumination

Angela

Washington

Halter

Grace

Wilentz

The Ring

Sarah

Wimbush

Luger, 1948

Guinotte

Wise

Asleep Before The Fire Dies

Aram

Wool

Roundabouts

Dorothy

Yamamoto

The House of Fiction

James

Bowden

Walking on Edinburgh Hill

Lynda

McDonald

     
     

 

 

 


 

Long-list:

(alphabetical order)

There are 183 poems in the long-list. The total entry was 1,641.

 

 

TITLE

FIRST NAME

LAST NAME

Well Lived

Lynda

Allen

Death of an Anchorman

Savkar

Altinel

Kintsukuroi

Gail

Anderson

When I was young and
buildings were already old

Karen

Ashe

God must be a polyglot

Karen

Ashe

Decompression

Debbie

Bayne

Green Hall

John

Beaton

bedtime reading

Taylor

Bell

Observation

Valerie

Bence

Nancy saw you dancing

Jackie

Bennett

No natural law

Jackie

Bennett

Out There In The Rain

Carole

Berkson

Ode to Sex with You

Michelle

Bitting

Portmanteau

Sharon

Black

Hearing Joni

Denise

Blake

Upon Hearing Amy Winehouse
at St. James Church in Dingle

Partridge

Boswell

Prayer

Partridge

Boswell

Pinball

Partridge

Boswell

Singing School

Partridge

Boswell

The Optimist Files

Partridge

Boswell

The House of Fiction

James

Bowden

Auld Lang Syne

Susan

Browne

Pinball

Dean

Browne

In Tarry Flynn’s Shoes

Mary

Campbell

Requiem

Patricia

Cantwell

A kiss and a girl

Veronica

Casey

Magnolia Wall

Veronica

Casey

Road Kill

Helen

Chinitz

Autism

Leo

Cole Snider

The Lighthouse

Colette

Colfer

Special Red

Briony

Collins

Moth

Briony

Collins

The Poem That Was Never Meant To Be

Daniel Roy

Connelly

Too Big For This World

Alexandra

Corrin-Tachibana

A Sighting

Christine

Cote

WAKE, Midwinter 1980

A.M.

Cousins

Not my Michael Furey

A.M.

Cousins

Angels and Witches

Ann

Craig

A Poet’s Guide to Photography: The Bokeh

Johnna

Crawford

Beautiful Lofty Things

C

DALLAT

If Dogs Had Hands

Claudia

Daventry

Crépuscule

Claudia

Daventry

The Morning I Read Yesterday’s ‘Daily Mirror’

Stephen

de Búrca

Seasalted

Elaine

Desmond

Breastfeed

Koraly

Dimitriadis

Requiem

Marylou

DiPietro

Gravediggers’ Strike, New York, 1970

Susan

DuMond

MAN POEM WITH A KNIFE

Judy

Durrant

After Learning that Derek Killed Himself,
I Remember

Teresa

Dzieglewicz

in the shadows of the past

Jo

Ellis

Blackout

Diane

Fahey

Choices

Laila

Farnes

The Superintendent’s Report

Frank

Farrelly

Goreme (and elsewhere)

Michael

Farren

How to

Stephanie

Feeney

Epiphany

Peter J

Filkins

TURN AROUND

Steven

Finley

between the silences

James

Finnegan

Climate Change

Mary

Fitzpatrick

Will You Please

Lili

Flanders

a small poem

Danielle

Fontaine

No Results for That Place

Soma Mei Sheng

Frazier

Leviathan

Maureen

Gallagher

octopus in the room

Dean

Gessie

The Metaphysics of Flight

Carmine

Giordano

Hazel the Color (An Irish Song)

Ellen

Girardeau

Cosmic Joke

Alex

Grant

Raiding My Dead Mother-in-Law’s
Pharmaceuticals

Alex

Grant

That One Time I Decided To Be
All About Eschewing Obfuscation

Alex

Grant

Late-Night Gardening

Jonathan

Greenhause

How We’re Methodically Picked Off

Jonathan

Greenhause

Proposal in Alappuzha

Shay

Griffin

Identity

Arlene

Grubbs

And your text said

Stuart

Handysides

Three Questions for the Buddha

David

Hargreaves

Gull-Woman

David

Hargreaves

That Feeling When…California is on Fire

Matt

Hohner

Minutiae

Rosalind

Hudis

Room 764

Peter

Hudson

Your Feet (A Lament)

Isabel

Huggan

The Names of Seaweed and
Collective Nouns for Birds

Mandy

Huggins

Dressing Room

Penelope

Hughes

Eurydice

Garrett

Igoe

Ringing the Changes

Steven

Jackson

Sugar Kelp

Judith

Janoo

The Missing

Des

Kavanagh

The Venus Effect

John D.

Kelly

Dance of the Machete

Sarah

Kelly

Man of Ice

PETER UALRIG

KENNEDY

In Traction

Jay

Kidd

Vermont Moment

Mel

Konner

The Politics of Seeing

Judith

Krause

The London Ladies Pond in February

Judith

Krause

Last Days

Francesca

La Nave

Hiding from Daddy

Ashley

Lancaster

SPARED

Stacey

Lawrence

CLOSER

Stacey

Lawrence

Forgotten Things

Sarah

Levine

The Butcher’s Thumbs

Deborah

Livingstone

Doctor

Zachary

Loewenstein

Opossum Nights

sandra

longley

Her Father

Niamh

MacCabe

Stark’s Ink

Niamh

MacCabe

How We Remember Our Bones

John

MacDonald

Astronautical

Anna

Mae

Diving

Jessica

Malcom

Mornings At Carrowniskey

Kilcoyne

Marian

FINDING JOYCE

JOHN

MCCABE

Half-Mass

Kevin

McCarthy

Five Seven Five

Lynda

McDonald

Tokens

Lynda

McDonald

Cartier-Bresson takes Sunday Communion

Lynda

McDonald

Walking on Edinburgh Hill

Lynda

McDonald

Prairie 1861

Christine

McDonough

Wonder

Lorraine

McLeod

Upon The Hill

Lindsey

McLeod

Late Hydrangea

Lorraine

McLeod

Indigo

Bruce

Meyer

Ants

Bruce

Meyer

The Best Time to Grow a Beard

Bruce

Meyer

The Bell Ringer of Iturbide

Bruce

Meyer

Encounter

sally

michaelson

Ledes

Philip

Miller

i was home when it arrived

Paul

Mullen

Almost

Carla

Myers

writing bloomsbury 1924

Norm

Neill

Small Craft Advisories

Bo

Niles

At Loughborough Junction…

Christopher

North

Winter: Two Mornings

Bridget

O’Bernstein

She’s Wonderful

Michael

O’Connor

Compass / Witch

Laurence

O’Dwyer

Right of Way

Judy

O’Kane

Garryvoe

Judy

O’Kane

Readers’ Night at the
London Review Bookshop

Judy

O’Kane

Closing Time

Matthew

Oliver

Postcard from Galway

Colette

Olney

Evening at Kuerners

Patricia

Osborne

Annie

Patricia

Osborne

Dior

Romola

Parish

Alone in the Kitchen

Anthony

Powers

The One Word I Can’t Seem to Say

Grace

Qualls

Formica

Maggie

Rainey-Smith

Quarryman

Olivia

Rana

kindling

Kerry

Rawlinson

Opposites

Howard

Robertson

Metamorphosis

Lee

Romer Kaplan

Listening for your return

Elizabeth

Rose

At the US Immigration Desk, New York City

Julie-ann

Rowell

Tequila Sunrise?

John Michael

Ruskovich

The Dark Gatherer

Kim

Schroeder

Au Moulin de la Galette

Derek

Sellen

On the Birth of Hades

Dean

Shaban

Middle School

Derek

Sheffield

Her Present

Derek

Sheffield

Geometry Angels

Stuart

Smith

Dear Love

Lisa

St John

The Breach

Larry

Stapleton

Clothesemane

vincent

steed

Capes and Daggers

Leah

Stetson

Wind in a Box

Andrea

Stock

robert hugh

Anne

Taylor

MOURNING SONG

Avery

Taylor Moore

Thankful I Find Her Anyway

Colette

Tennant

Rehearsals

Colette

Tennant

The Poet

Ann

Thompson

Through flame

Samuel

Ugbechie

Once again

Samuel

Ugbechie

The Bends

Roger

Vickery

Seascape

rob

wallis

Tandem

Dana

Walrath

To See

Andrea

Ward

Rumination

Angela

Washington

The Plain in Flames

Christopher

Watson

Ghost of a Flea

Dominic

Weston

The Irish Hunger Memorial, Battery Park

Grace

Wilentz

Coral Castle

Grace

Wilentz

Halter

Grace

Wilentz

The Ring

Sarah

Wimbush

Marram

Elisabeth

Winkler

As If There Were More Than One

William

Winston

Do Not Touch

Sandra Ann

Winters

Anthurium

Sandra Ann

Winters

Luger, 1948

Guinotte

Wise

Asleep Before The Fire Dies

Aram

Wool

Alhambra

Raphael

Woolf

Imagining the Lares

Steve

Xerri

Roundabouts

Dorothy

Yamamoto

 

 

Flash Fiction Prize 2019: Results, Short & Long-lists

April 9th, 2019 | Uncategorized | Comments Off on Flash Fiction Prize 2019: Results, Short & Long-lists

Winners

Short-list

Long-list

 


 

Winners

Here are the 10 winning Flash Fiction Stories, as chosen by judge Pamela Painter, to be published in the Fish Anthology 2019

The Fish Anthology 2019 will be launched as part of the West Cork Literary Festival  (July 2019).
All of the writers published in the Anthology are invited to read at the launch.

Top 10 stories will be published in the FISH ANTHOLOGY 2019
1st prize: €1,000
2nd: €300
3rd: Online Writing Course with Fish

Pamela Painter. Writer.

Pamela Painter

Comments on the winning flash stories are from Pamela Painter, who we sincerely thank for her time, expertise and enthusiasm in judging the prize. (Two extra flash stories, that were closest to making the final ten, have also been listed below.)

 

 

FIRST PLACE

Teavarran by Louise Swingler (Yorkshire, UK)
“The landscape of Scotland is a powerful and delicious element in this story. The narrator is on the verge of leaving behind a man who will never accept or fit into this world. He is perfectly captured in his two complaints, and she in her keen observations of the land of her childhood home. The perfect two-word ending delivers a moving and delicate story.” – Pamela Painter

 

SECOND PLACE

Micromanagement by Jim Fay (London, UK)
“I loved the arc of this story that spools forward to a surprise with so few words. We trust the child’s observations of her parents’ stunted lives—her mum sitting silently in her little chair, her father leaning his bent and bowed back against the wall, in their house with “no fancy tie-backs of curtains.” And then with just a few “adjustments,” she lovingly improves their lives.” – Pamela Painter

 

THIRD PLACE

Seeing Stars, 1933 by Gail Anderson (USA)
“A great unfolding of a story. The details deftly tell two narratives as the tale moves forward—the past in which his father ‘taught him the night sky,’ and the present moment when he is directionless with the puzzling memory of ‘the rope behind his knees.’ The narratives intertwine until finally they converge when Jack reenters the ring, which was there all along, with ‘his father’s star in his eyes.’” – Pamela Painter

 

SEVEN HONORABLE MENTIONS (In no particular order)

Metamorphoses   by Deborah Appleton (USA)
Great imagination, humor– and compassion.” – Pamela Painter

 

 

Vigil by Berta W Money (Ireland)
“The next to last paragraph about the father is wrenching. ‘(He) …. knew when to give in….’” – Pamela Painter

 

Down Mexico Way by David Horn (Fermanagh, N. Ireland)
“Loved the two boys and their hiding place. And what a moving end as Frankie thanked Alex for the job he’d done. The paragraph with Old Seabourne could have been slightly clearer. So it was the ‘board rubber’ that split Frankie’s head—and done on purpose?“ – Pamela Painter

 

Bashful Becomes an Outlaw and Laments the Marriage of a Close Friend by Debra Bokur (Colorado, USA)
“Great line about the prince: ‘You could tell by the way he sat his horse.’ And poor Bashful, who once ‘stood upon a bench’ and really deserved Snow White.” – Pamela Painter

 

Mr. Splendiferous and the Shadows in the Alley by Debra Bokur (Colorado, USA)
 “A surprise move from the ‘short man in the satin cape’ to the girl in the red coat clutching her books to the boy ‘whose hand fills with a pony’s mane.’ And then the dark turn at the end as the boy imagines that the next time he might produce a wolf. A superb setting established in just the first line.” – Pamela Painter

 

Zodiac by David Rhymes (Navarra, Spain)
“Cheryl is a doozy of stand-in for the mother who left her kids ‘for Jack-shit.’ And of course she is going to help the father ‘navigate the divorce’ just like her car’s playlist takes the kids to school in a sweet swell of Motown schmaltz.” – Pamela Painter

 

Toby by K J Howard
“This story aptly captures a stoned father’s puzzled moments of grief over his child’s death.” – Pamela Painter

 

TWO THAT ALMOST MADE IT INTO THE ANTHOLOGY

 Blue Angel by Michelle Bitting
“The ‘suicidal’ dives of furry baby birds in the first line, ‘not knowing how to fly,’ effectively foreshadow the story’s end. Nice bird imagery.” – Pamela Painter

 

Becoming by Ferdia Lennon
“Stories should not begin with characters waking up. (Unless you are Kafka.). This story would have been more appealing if it had begun with the second paragraph.   Fascinating twist at the end.” – Pamela Painter

 

MORE ABOUT THE WINNERS:

Louise Swingler writes fiction and poetry, makes colourful things from yarn and thread, and works in a local library. She was born in Manchester and is also a Londoner, having lived there for many years. She loves going to art galleries and bookshops – especially their cafes – and eats far too many scones. She has an MA in Creative Writing from Manchester Metropolitan University. She is married to Tim and has one daughter, Amie.

Jim Fay grew up in Gateshead and now lives in London, with stints in Glasgow, Berkeley, and New York along the way. He loves both reading and writing hard-to-love characters with no self-awareness, and often looks to reality TV for inspiration. Jim worked in marketing and publishing and is now doing bits and pieces here and there while working on finishing a novel. Micromanagement is his first published work.

Gail Anderson is overjoyed to be included in two consecutive Fish Anthologies – 2018 and 2019! Having drifted through numerous careers (stop-motion animator, librarian, musical instrument repair technician, graphic designer) in the US, Scotland and South Africa, she currently resides in England and does communications for Oxford University. Recent creative work appears in Strix, The Southampton Review, and the Aesthetica Creative Writing Annual. Her future plans include a sailboat. Say hello: @smallgreenberd

Deborah Appleton spends most of her time travelling on low budget airlines around Europe. She is always writing. She has lived in many different countries on different continents. Her novel Alphabet Women, currently in search of a publisher, concerns stories of women who also travel the world in search of themselves, hmm, imagine that! 

Berta Money grew up in Santa Barbara, California. In 1973 she moved to Ireland and worked as a teacher of students with special needs. She is a prose writer and an Affiliate of Amherst Writers and Artists (Massachusetts) and a Founding Member of Amherst Writers  Ireland. She leads creative writing workshops, where she  lives in Co. Sligo, on the west coast of Ireland. She is also a grandmother and a passionate gardener.

K J Howard is a twenty-four old woman living here and there. This is her second publication. 

David Horn was born and raised behind the twitchy net curtains of suburban England. Giving up on office cubicles and turning instead to the wilds of Fermanagh, he has taken to writing. Short stories and the inevitable novel in progress, fall within his purview for now. He has a strong dislike of peanut butter and wet cardboard, but finds comfort in all the usual places.”

Debra Bokur is frequently accused of drinking too much tea and getting lost deliberately. She is the award-winning author of The Fire Thief, a mystery forthcoming from Kensington Books in 2020. A contributing author to Spreading the Word: Editors on Poetry (The Bench Press, 2001), she’s the former poetry editor at Many Mountains Moving literary journal and has been an editor at publications including Global Traveler Magazine. She divides her time between Colorado and coastal Maine. 

David Rhymes is a Nottingham-born writer living near Pamplona. His Novella-in-Flash “Kremlin Quixote” was shortlisted for the 2019 Bath Flash Fiction Award. He previously placed third in the June 2017 Bath Flash Fiction Award, and was shortlisted in February 2018. His story “A German Fable” appears in the Desperate Literature 2018 prize anthology, “Eleven Stories” and three more stories will be published in the forthcoming 2019 Reflex Fiction anthology.

 

 


 

Short-list:

(alphabetical order)

There are 46 flash stories in the short-list. The total entry was 970.

 

Title

First Name

Last Name

Seeing Stars, 1933

Gail

Anderson

Metamorphoses

Deborah

Appleton

Blue Angel

Michelle

Bitting

Mr. Splendiferous and the
Shadows in the Alley

Debra

Bokur

Bashful Becomes an Outlaw and Laments the Marriage of a Close Friend

Debra

Bokur

Hower ya

Deb

Carey

She Walks Through Mud

Dreena

Collins

Case File No.1

Geraldine

Creed

Bound

Mark

Dalligan

Cold Wet Flesh

Travis

Dorsey

Micromanagement

Jim

Fay

Toe tap

Maureen

Flynn

Four Four Time

Jane

Fraser

Winter Blues

Gretchen

Friel

An Exercise In Style

Fergal

Greene

SURVEILLANCE

Marc

Harshman

Bitter Herbs

Leontine

Hartzell

The Grandmother

Tania

Hershman

The Wish Thief

Tova

Hope-Liel

Toby

K J

Howard

Down Mexico Way

David

Horn

So Pretty

Mandy

Huggins

The Day Kennedy Died

Samantha

Keller

Becoming

Ferdia

Lennon

Charon’s Obol

Adam

Lock

Personal Trainer

Elizabeth

Mazzola

On it goes

Rachel

McDonnell

One day, one life, one chance

Paul

McKeogh

Warts

Bruce

Meyer

Vigil

Berta W.

Money

The Never Ones

Michelle

Morouse

Was I your first?

John

Mulligan

Seven Deadly Sins

Martine

O’Donovan

The Movement of Heavy Furniture

Alyson

Porter

How to be a Good Mother

Charlotte

Pregnolato

Zodiac

David

Rhymes

Virginia?

Allie

Rogers

The Kindling

Alison

Raine

Split

Alicia

Ruskin

Rabbit

Kirsty

Seymour-Ure

Sunday

Susan

Tepper

Ticket

Sherri

Turner

Observant

Rachel

Twyford

Fall Catalog

Lavanya

Vasudevan

In other times they
have their customs

Alice

Walsh

19 Crimes

Mick

Wilson

There There

Anne

Worthington

 

 


 

Long-list:

(alphabetical order)

There are 151 flash stories in the long-list. The total entry was 970.

 

Title

First Name

Last Name

     

Descent

Gail

Anderson

Reformation

Gail

Anderson

Seeing Stars, 1933

Gail

Anderson

Metamorphoses

Deborah

Appleton

Grateful

Jessica

Argyle

The Ring

Susie

Banta

Blue Angel

Michelle

Bitting

Bashful Becomes an Outlaw and
Laments the Marriage of a Close Friend

Debra

Bokur

Mr. Splendiferous and the
Shadows in the Alley

Debra

Bokur

Aftertaste

Molly Moylan

Brown

Gene Therapy

Judith

Bruce

Road Safety

Judith

Bruce

The Perfect Poem

Judith

Bruce

Pickle Puss

Lisa K.

Buchanan

This is Your Horoscope Talking

Heather

Cameron

Hower ya

Deb

Carey

Excelsior

Robyn

Carter

The Rage of a Fool

Harley

Carter

What I learned about zombies
from my heroine

Sandra

Castico

She Walks Through Mud

Dreena

Collins

Growing Up Fast

Tim

Craig

The Silence of the Movies

Tim

Craig

Case File No.1

Geraldine

Creed

Broken Eulogy

Michael

Crook

Bound

Mark

Dalligan

Housework

Elizabeth

Desmond

A Writer’s Inspiration

Issa

Dioume

Cold Wet Flesh

Travis

Dorsey

I Can Make It Work

Rory

Duffy

Old Naughton

Rory

Duffy

Shall We Exit

Angelina

Dunbar

Feelin’ Good

Alan

Egan

The book that used to
be my favorite

Elizabeth

Endara

The Accident

Laura

Fanning

Micromanagement

Jim

Fay

The Same Train

Conor

Ferguson

Toe tap

Maureen

Flynn

The Bridge

Donna

Foxcroft

Four Four Time

Jane

Fraser

Winter Blues

Gretchen

Friel

Don’t Live Forever

Frances

Gapper

Collapsing Under Her own Weight.

Ruth

Geldard

The Return

Ryan

Gelshenen

Echoes

M

Gethins

Flight 800

Gordon

Gilbert

Playground

Aber Ozram

Grand

The bang of the gun

Jennifer

Gray

An Exercise In Style

Fergal

Greene

Reading Oedipus

Hardy

Griffin

Aftershock

Kim

Hare

The Last Migration

Neil

Harrison

SURVEILLANCE

Marc

Harshman

Bitter Herbs

Leontine

Hartzell

Trail of Loss

Phil

Hawtin

The Grandmother

Tania

Hershman

Mickey Mouse

Anne-Marie

Hoeve

A Route Plan From Dad to Dad

Marissa

Hoffmann

Ships on their Tongues

Brian

Holland

Teething, or grieving

Patrick

Holloway

The Big Sleep

Jo

Holmwood

The Wish Thief

Tova

Hope-Liel

Toby

K J

Howard

Down Mexico Way

David

Horn

The Simplest Creature to
Experience Loss

Conor

Houghton

So Pretty

Mandy

Huggins

Chain Reaction

Maggie

Jackson

The Day Kennedy Died

Samantha

Keller

The Woman In Paris Who
Walked Her Cat

Joe

Kilgore

M1

Anne

Kilminster

Dublin Bus Moments

Melinda

Kugyelka

Least Bad Wine

Keith

Law

Help Me

Barbara

Leahy

white shiny shoe box

Frank

Lee

Becoming

Ferdia

Lennon

“LOVE SPEED”

Scott

Lipanovich

Charon’s Obol

Adam

Lock

Blue

Amy

Lord

Different Perspectives

William

Lyne

The Execution of Emperor Maximilian, Edouard Manet. Kunsthalle, Mannheim. 1868-1869.

Thomas

Malloch

Master and dog

Ken

Mangroelal

Stone Skin

Una

Mannion

Honey

Jenni

Mazaraki

Personal Trainer

Elizabeth

Mazzola

On it goes

Rachel

McDonnell

Forty Years in the Writing

Dermot

McGillicuddy

One day, one life, one chance

Paul

McKeogh

It’s a Girl!

Bruce

Meyer

Warts

Bruce

Meyer

Elephant

Ines

Meza-Mitcher

Augury Under the Arch

Hailey

Millhollen

The Night Nurse

Hailey

Millhollen

The Devil To Pay

Cullen

Moloy

Vigil

Berta W.

Money

Beyond the Horizon

Joseph

Moore

From Diego Rivera’s Detroit Industry
to his lost Man at the Crossroads

Michelle

Morouse

The Never Ones

Michelle

Morouse

Was I your first?

John

Mulligan

The Grief Vampires

Rachael

Murphy

Swamp time

Aongus

Murtagh

Cover

Etan

Nechin

Banana Cake

Lindsay

Nicholson

Allstar

Anne

O’Carroll

Seven Deadly Sins

Martine

O’Donovan

Hush, Dear.

Nora

O’Dwyer

Every Thing We Own

Amy

O’Neil

Tedium

Gabriela

Paloa

Caught in the Act

Jane

Paterson

The Movement of Heavy Furniture

Alyson

Porter

How to be a Good Mother

Charlotte

Pregnolato

The Kindling

Alison

Raine

A Thirst for Life

Russell

Reader

Zodiac

David

Rhymes

Fallen Fruit

Johanna

Robinson

Your call cannot be connected

Peter

Rodgers

Tove

Allie

Rogers

Virginia?

Allie

Rogers

Beyond the Rattling Gate

Dettra

Rose

Split

Alicia

Ruskin

TQ249095

Christina

Sanders

A Slight Encounter

Enda

Scott

HOW OLD DO YOU THINK I AM?

Kevin

Scully

16/2/19

Max

Segal

Rabbit

Kirsty

Seymour-Ure

Running with Scissors

Kirsty

Seymour-Ure

Foregone Dawn

Aviad

Shely

Paths Not Taken

Isabelle

Shifrin

Sue

Karen

Smyte

Instant Oatmeal

Phillip

Sterling

She finds herself in the place

Phillip

Sterling

Lady Pan Gets Heated

Mashal

Sultani

A brand new day

Karl

Sweeney

Teavarran

Louise

Swingler

Sunday

Susan

Tepper

Ticket

Sherri

Turner

Observant

Rachel

Twyford

Mother’s Song

BE

Van de Veire

Fall Catalog

Lavanya

Vasudevan

Matchless

Lavanya

Vasudevan

Suddenly, She Is Woke

Lavanya

Vasudevan

The Finish

Wester

Wagenaar

The Loughlin Place

Julian

Wakeling

In other times they have their customs

Alice

Walsh

One For The Road

Darren

Walsh

The Lump

Patrick

Walsh

Young Love

Henry

Ward

19 Crimes

Mick

Wilson

Donny

Mick

Wilson

Glasgow, Sunday Morning

Christine

Wilson

Milk

Elisabeth

Winkler

There There

Anne

Worthington

Memoir Prize 2019: Results, Short & Long-lists

March 31st, 2019 | Uncategorized | Comments Off on Memoir Prize 2019: Results, Short & Long-lists

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

Here are the 10 winners as chosen by judge Chrissie Gittins, to be published in the Fish Anthology 2018

Chrissie Gittins

Chrissie Gittins, judge for the Short Memoir Prize 2019

 

The Fish Anthology 2018 will be launched as part of the West Cork Literary Festival  (July 2019).
All of the writers published in the Anthology are invited to read at the launch.

First prize is €1,000.
Second prize is a week at Casa Ana Writers’ Retreat
in Andalusia, Spain, and €300 travel expenses.

 

Here are the ten winners of the 2019 Fish Short Memoir Prize. We have also listed the two memoirs that were closest to making the final ten.

The comments on the memoirs are from Chrissie Gittins, who we thank sincerely for her time and wisdom in judging the prize.

 

 

FIRST

Fejira*// *to cross   by Bairbre Flood (Co. Cork, Ireland)

“This powerful piece gives sharp insights into the lives of refugees living in the Jungle camp near Calais who want to cross the English Channel. In this ‘shadow world at the heart of Europe’ lives are a series of survivals. Survival of failed attempts to cross, survival of torture, survival of health, survival of hearing each other’s stories, survival of boredom and waiting, and finally survival of a terrifying catastrophe within the camp. The writer, a ‘tourist’ in the camp, describes the compelling details of daily life alongside the perpetual despair. A vivid, clear-eyed account which witnesses the facts of these precarious ‘blow-apart lives struggling to start again’ and makes them plain to see.” – Chrissie Gittins

SECOND

In This House by Nicola Keller (Bristol, UK)

“Told from a sister’s point of view this taut piece is cleverly structured around the rooms in a house where the writer and her brother grew up. They must begin ‘cancelling traces’ of their parents’ lives and make impossible decisions about which of their possessions to keep, and how to sell their house. Memories ‘pour through every doorway’ and as she penetrates deeper into her parents’ lives we learn the terrible reasons for her father’s vulnerability and his consequent dependence on his wife’s strength. A careful accounting of lives which continue to reverberate, told unflinching in the face of loss and grief.” – Chrissie Gittins

THIRD

Nebraska by Ceilidh Michelle (Montreal, Canada)

“I liked the voice and the rhythms of the language in this buoyant piece; child-like, the writer races through her sentences intent on conveying as much as possible about her neighbour’s lives, building to an act of violence which chills with its thudding repetition and graphic description. The characters are conjured with wonderful details – a neighbour’s mother has skin ‘grey and lumpy like porridge, boiled egg bags under her eyes as if she was too tired for sleep to fix her’; and the language is full of striking imagery, especially during a long drive to Canada. It ends with an exuberant image as a final flourish.” – Chrissie Gittins

 

COMMENDED: HONORARY MENTIONS

Magnum, Jeroboam, Reoboam, Methuselah by Jupiter Jones (Wales, UK)

“A photograph of the writer’s grandfather comes alive as she meanders back through her memories of him. Her expressed intention is to preserve these memories, which she does by recording with fine details the vicissitudes of his character, his history, and their time together. A rich texture of vivid impressions and stories.” – Chrissie Gittins

The Publican’s Daughter by Wendy Breckon (Devon, UK)

“I enjoyed this lively account of a family getting to grips with taking on a pub, told from the point of view of the teenage daughter. The vibrant details and crackling imagery bring the scenes alive and make it easy to identify with the daughter as she navigates the changes in her and her parents’ lives. Often funny and beautifully observed.” – Chrissie Gittins

Trespass by Gail Anderson (USA)

“The writer carefully sets the scene in this well-paced piece with evocative details and marvellous descriptions of the flora in her Los Angeles neighbourhood. The care shown to a new neighbour by this community is at odds with the tragedy which then takes place. The writer finds hard won acceptance, and continues to express her thoughts and feelings through the powerful motif of the language of flowers. Both moving and chilling.” – Chrissie Gittins

Ginger by Virginia Mortenson (Iowa, USA)

“This piece captures the exuberant minute by minute commentary of a young girl attending her first day at a new school. It’s a treat to read her wide-eyed reactions and responses to her new surroundings and teachers, and to see how she negotiates new friendships. Engaging, full of verve, and brought to life with rich imagery and tripping dialogue.” – Chrissie Gittins

Hot and Cold Tar by Aidan Hynes (Dublin, Ireland)

“The writing in this piece drew me in from the start; a mother charts her young son’s painful skin condition and the lengths they travel to find a cure. Graphic and geographic imagery heightens this journey through a series of likely and less likely solutions. Effective details and dialogue.” – Chrissie Gittins

Between Joy and Sorrow: A Journey of the Hands by David Francis (Victoria, Australia)

“This an ingenious approach which uses the writer’s hands to document his life. They radiate rich veins of memory from playing with a cat and knotting sutures to holding the hand of his first girlfriend. I found the language a little formal but it’s lifted by precise sensory details and descriptions, and fascinating insights into the diverse and vital life of a transplant surgeon.” – Chrissie Gittins

Remembrance of Old Certainties by Michael Casey (Dublin, Ireland)

“I liked the descriptions of religious rituals in this account of an altar boy helping to serve the first mass of the day. The mass doesn’t progress as it should and the responsibility of an excruciating decision falls to him. Jeopardy and suspense propel this piece which ends in a momentous event and a change of heart. Comical to the point of slapstick in places I found it a very enjoyable read.” – Chrissie Gittins

 

ALSO COMMENDED

Learning to Operate by Rowena Warwick

“After a rather hesitant start the narrator takes us through her first days in her first job as a doctor. Her confidence grows as she goes through the routines of her chosen profession and her doubts about her choice are dispelled. The details and description are particularly good as she discovers the beauty inside the human body.”- Chrissie Gittins

Memory Stones by Mary Madec

“A poignant piece in which a sister, whose twin brother was born without words, delves into the history and mystery of their relationship. The accumulation of vivid and sometimes painful memories bears witness to their utter devotion and love for each other.” – Chrissie Gittins

 

 

 


 

Short-list:

(alphabetical order)

There are 56 memoirs in the short-list. The total entry was 735.

 

TITLE

FIRST NAME

LAST NAME

     

Cleanliness is Next to Godliness

Nuala

Allen

Trespass

Gail

Anderson

Born Hungry

Ruby D.

Jones

The Ginger

C.E.

Ayr

Down in the River

Anneke

Bender

The Publican’s Daughter

Wendy

Breckon

The Binding of Isaac

Iulia

Calota

BEYOND CATEGORY

Linda

Cammarata

The Molly in Me

Gabrielle

Carey

Remembrance of Old Certainties

Michael

Casey

Carrier Testing

Karlyn

Coleman

Mother’s Pride

Susan

Davis

Ripper

Bryony

Doran

The Significance of Blood

Bryony

Doran

Number Thirteen

Alan

Falkingham

Skin Hunger

Beth

Filson

Fejira * // *to cross

Bairbre

Flood

Clamato and Coffee Cake

Rowan

Fookes

Beyond Joy and Sorrow, 
A Journey of the Hands

David

Francis

If…

Ann

Godridge

Wounded

Geoffrey

Graves

Party Bags

Sheila

Gray

This Magnificent Storm of Flight

Alyson

Hallett

THE RED SPIDER

Des

Harris

Why Did The GEM Cry?

Marion

Hoenig

Home Time

Kathy

Hoyle

The Kitty

Andes

Hruby

Hot and Cold Tar

Aidan

Hynes

Growing up in North East Scotland

Christina

Jaffe

Magnum, Jeroboam, Rehoboam, Methuselah

Jupiter

Jones

The Underground Railroad Redux

Eugene

Jones Baldwin

Conceptions

Mimi

Kawahara

In This House

Nicola

Keller

White Dress Black Lie

Melanie

Kerr

Paris 1983

Siobhán

Lennon

Snow and Sister Eugene Marie

Liz

McGlinchey King

The Troubles

Paul

McGranaghan

Fallen Tree, Open Body

Beth

McNamara

Leaving Home

Frankie

Meehan

Nebraska

Ceilidh

Michelle

Sally

Paul

Minty

Ginger

Virginia

Mortenson

The Lean Years

Aefa

Mulholland

The Tissue Seller

Nanette

Naude

A Short History of Swimming

N.

Nye

Priest Island

Katie

Parry

The Wildness

Jasmin

Sandelson

Another Life

Mazz

Scannell

FROM HERE TO ETERNITY, RETURN PLEASE

Daniel

Shaw

New Elizabethans

Peter

Sheal

The Queen and I

Peter

Stewart

The Tight Red Rope

Emily

Tempest

Catching the Drift

Jennie

Walmsley

A Margritte Sky

Donna

Ward

Miss Brodie’s Girls

Lynnda

Wardle

He Got His Fangs

Alexis

Wolfe

The Burn Unit

Brahna

Yassky

 

 

 


 

Long-list:

(alphabetical order)

There are 123 memoirs in the long-list. The total entry was 735.

 

TITLE

FIRST NAME

LAST NAME

     

Cleanliness is Next to Godliness

Nuala

Allen

Trespass

Gail

Anderson

Born Hungry

Hannah

Austin

The Ginger

C.E.

Ayr

Clint

Ann

Baker

HER HAT ON SIDEWAYS

Ivy

Bannister

Down in the River

Anneke

Bender

The Fulcrum: a Fragment of Memoir

Elizabeth

Birchall

Paradise Lost/ Paradise Regained

Martin

Black

The Publican’s Daughter

Wendy

Breckon

Tsurukawa Airi and the Neutron Star

David

Brennan

Christmas Eve

David

Brennan

Searching for Meaning Between The Cushions of my Couch

MADDY

BRODERICK

The binding of Isaac

Iulia

Calota

BEYOND CATEGORY

Linda

Cammarata

The Molly in Me

Gabrielle

Carey

Memories Dreams or Imaginings

Philomena

Carrick

A Ladder of Nails

Mike

Carson

Rembrance of Old Certainties

Michael

Casey

Carrier Testing

Karlyn

Coleman

The Gold Cheongsam

Monica

Connell

learning the Spin

PH

Court

You Didn’t Get It!

Jenny

Cozens

Shrouded in Words

Martin

Cromie

Seeking my Father in the Ordinary

Siobhán

Davies

Mother’s Pride

Susan

Davis

Ripper

Bryony

Doran

The Significance of Blood

Bryony

Doran

The Shape of a Man

Ryan

Dunne

A Bog Of Sweat

Alan

Egan

Number Thirteen

Alan

Falkingham

’tis better to

Yvonne

Fein

Oh Calcutta

Fiona

Fieldhouse

Skin Hunger

Beth

Filson

Never Mind Maid Marion

Tom

Finnegan

ON A RAINY AFTERNOON

Niall

Finneran

Fejira

Bairbre

Flood

Clamato and Coffee Cake

Rowan

Fookes

Between Joy and Sorrow: A Journey of the Hands

David

Francis

If…

Ann

Godridge

Wounded

Geoffrey

Graves

Party Bags

Sheila

Gray

This Magnificent Storm of Flight

Alyson

Hallett

Chasing The Journey

Anne

Hamilton

In The Dark

Diane

Harding

To Beatrice

Holli

Harms

THE RED SPIDER

Des

Harris

Bombs, Bosoms and Baked Beans

Mike

Herringshaw

Salvaging Sweetness

Esther

Hoad

Why Did The GEM Cry?

Marion

Hoenig

Blood Sugar – A Memoir

Natalie

Holborow

Vicious Cycle

Eleanor

Holmes

Home Time

Kathy

Hoyle

The Kitty

Andes

Hruby

The Burn

Deborah

Hunter

Hot and Cold Tar

Aidan

Hynes

Growing up in North East Scotland

Christina

Jaffe

Becoming a Memoir

Calvin

Jolley

An Age of Innocence

Roger

Jones

Magnum, Jeroboam, Rehoboam, Methuselah

Jupiter

Jones

The Underground Railroad Redux

Eugene

Jones Baldwin

I was alone in the light

Alexander

Joseph

Da and the Druid

Phelim

Kavanagh

Conceptions

Mimi

Kawahara

In This House

Nicola

Keller

White Dress Black Lie

Melanie

Kerr

The end is just a beginning

Kate

King

LIFE DRAWING

Jenny

Knight

Paris 1983

Siobhán

Lennon

Bearings

Alex

Lockwood

The Yellow Scarf

GAY

LYNCH

In a Bedouin Dress

Janis

Mackay

Memory Stones

Mary

Madec

Two Evenings

Lyndon

Mallet

Soft-Bodied Animals

Teegan

Mannion

This Time, Not Paradise

Lance

Mason

Under Siege

Lance

Mason

Roses

Ira

Mathur

Lodger

Virginia

Matthews

The Heckler at the Funeral

Tracy

Maylath

Snow and Sister Eugene Marie

Liz

McGlinchey King

The Troubles

Paul

McGranaghan

The Green Door

Carole

Mckerracher

Fallen Tree, Open Body

Beth

McNamara

Leaving Home

Frankie

Meehan

Nebraska

Ceilidh

Michelle

Sally

Paul

Minty

Bicycling Home

Tamara

Moan

Ginger

Virginia

Mortenson

The Lean Years

Aefa

Mulholland

Highway to Hell

J.

Mulligan

The Tissue Seller

Nanette

Naude

It’s Now or Never

Josephine

Nolan

A Short History of Swimming

N.

Nye

In Search of Sherman D.

Gabriela

Paloa

Priest Island

Katie

Parry

Gait of a Barrow Boy

Cassandra

Passarelli

Geology

Elizabeth

Peterson

The Green Hill

Sophie

Pierce

Blue Hours

Francesca

Reece

Spin Cycle

Alexis

Riccio

Carspotting

Silvia

Rucchin

Shining Star

Flor

Salcedo

The Wildness

Jasmin

Sandelson

Another Life

Mazz

Scannell

Fruit Tramp

Carl

Schiffman

The Bad Year

Kara

Seeger

A Game of Cards

Emily

Seftel

Don’t Try This at Home

Jonathan

Segol

The Place Where I’m From

Mai

Serhan

Colonial mirage in Morocco

Edouard

Servy

FROM HERE TO ETERNITY, RETURN PLEASE

Daniel

Shaw

New Elizabethans

Peter

Sheal

Almost Broken

Carly

Sheehan

Pulling back the curtain

Helen

Sterne

The Queen and I

Peter

Stewart

The Tight Red Rope

Emily

Tempest

The Shape of Life 1974-1979

Juliet

Tese

Badger Baby

Poppy

Toland

Catching the Drift

Jennie

Walmsley

A Margritte Sky

Donna

Ward

Miss Brodie’s Girls

Lynnda

Wardle

Learning to Operate

Rowena

Warwick

Night Terror

Megan

Williams

Finding Frances

Megan

Williams

He Got His Fangs

Alexis

Wolfe

The Decision

CC

Xander

The Burn Unit

Brahna

Yassky

 

Short Story Prize 2018/19: Results, Short & Long-lists

March 17th, 2019 | Uncategorized | Comments Off on Short Story Prize 2018/19: Results, Short & Long-lists

Mia Gallagher

Mia Gallagher – Judge

 

Winners

Short-list

Long-list

 


 

The Ten Winners:

Selected by judge Mia Gallagher 
to be published in the Fish Anthology 2019

 

FIRST: 

Wakkanai Station

by Richard Lambert (UK)

Is awarded €3,000, one thousand of which is for travel to the launch of the Fish Anthology 2018, and a short story workshop at the West Cork Literary Festival in July 2019.

 

SECOND:

Owl Eyes 

by Mary Brown (Ireland)

Is awarded a week in residence at Anam Cara Writers’ Retreat and €300.

 

THIRD:

No Alternative 

by Camilla Macpherson (UK)

Is awarded €300

 

 

HONORARY MENTIONS: (in no particular order)

Awarded €200 each

 

 

In Memoriam              by Joshua Davis (UK)

 

Lukey                           by Peter W. Bishop (Australia)

 

Yvonne, Yvonne           by Linda Fennelly (Ireland)

 

You Were One Of Us   by Mary Brown (Ireland)

 

The Woodpusher          by Martin Keating (Ireland)

 

Three Bodies                  by Peter-Adrian Altini (S. Africa)

 

L is for Laura                by Tom Billings (USA)

 

 

From all of us at Fish we congratulate the writers of the ten stories selected by Mia for publication in the Fish Anthology 2019. There were 1,260 entries and the competition was of a very high standard. Thank to Mia Gallagher for her time and wisdom. We appreciate her interest and support of Fish’s endeavour to publish new and aspiring writers, (of which Mia was one many years ago!) We are delighted that these ten stories will make for an anthology of excellent work. We look forward to meeting the writers and hearing them read at the launch at the West Cork Literary Festival in July.

– Clem Cairns – 

 

Here are Mia’s thoughts on each of the winning stories.

  1. Wakkanai Station: A gorgeously still and lucid meditation that masterfully nudges you along its deceptively simple narrative arc with great precision as it traces the twined lives of a damaged poet and a resigned schoolteacher who – somehow – finds moments in the deadest time of the year to express his singular blue-toned vision. The story evokes time, place and people in economic yet unforgettable detail; in its clean, beautifully handled prose it somehow allows you to reflect not just on memory, art, love and longing – but also on politics, nature and the biggest question of all:- what can, and should, we do in that waiting time between birth and death we call life? Culminates in a perfect, breathtaking moment.

 

  1. Owl Eyes: This story will pull you into its heart. With great intelligence it weaves a layered tale about difference, isolation and that most problematic of human dynamics – love. Beautiful and original nature observations are matched by acute insights into its deeply memorable cast of small, flawed beings, both human and animal. Exquisitely managing time-strands while drawing subtle parallels between all sorts of outsiders. Assured and generous, it will land you in its bittersweet centre and – dreadfully – leave you there – moved, uncomfortable, not knowing whether to forgive or not. No-Aye is still with me, breaking my heart.

 

  1. No Alternative: A subtle tale which appears to start simply enough, bleakness suffusing every line of its spare, unshowy prose in  the opening section. Everything seems straightforward. Okay, you’ll think, I’ve got it, I know where this is going. But then a single line – a man’s heart unpredictably skipping – snares you, and you’re hooked, following the chilly, relentless inevitability of Paul’s journey as he, you and the story sink deeper into a profound Mephistophelian darkness. This subject matter, if handled with less integrity, could result in something horribly schlocky. In this writer’s hands it is perfect. Faust for the FundMe generation.

 

Seven Honorary Mentions:

 

In Memoriam: Cool, beautifully paced, clever storytelling, terrifically adroit in balancing theme, story and form. It’s the rhythm of this dangerous little piece that’s most remarkable: single paragraphs that reveal, bit by bit, the nature of our apparently straightforward narrator. Each paragraph a prose poem, carefully mosaiced with its neighbour fragments, each pulling you in deeper to his world, his crux, his unspeakable job, his ultimate destination. 

 

Lukey: One of the most perfect short stories I’ve ever read; luminous descriptions of the natural world, a fierce depiction of time and place, populated by a deeply engaging cast of characters in a sweltering Aussie frontiersworld. It’s page-turningly gripping. I dare you to read it and not fall in love with Lukey, his dog Jazz, his horse Tom, his clever hands, and the women who ‘knowingly’ can’t share their knowledge of him.

 

Yvonne, Yvonne: Oh, my. A staccato, energised showstopper of interior monologue – full of gorgeous turns of phrase, twists of story, sudden, sardonic barks of laughter. A wee rollercoaster that had me from the first line and kept me on, miraculously, all the way to the end. Eponymous Yvonne is a true original. I’ll be looking out for her in every small town I drive through.

 

You Were One Of Us:  There is a savage lyrical integrity to this wondrous story from the first line; a searing compassion that is absolutely on the right side of melodrama and a hungry, lonely yearning that endures after the sublime last line. To nail this type of content – infanticide in the seabound North-west of Ireland – with this type of voice – lush, folky, choral – is in itself a major achievement. Synge, if he were alive, might just eat his heart out.

 

The Woodpusher: If Beatrice and Benedict suddenly found themselves in middle-Ireland swapping chess moves for wordplay, this is how Shakespeare would write them. Two obnoxious protagonists spar, move by move, over an elegant and weirdly compelling arc. With each move, they change, and – goodness! – so do we, and suddenly there’s a lot to lose, and dammit, you’ll find you care. Liberatingly uplifting under the surface fun.

 

Three Bodies: Nothing else like this in the shortlist. Dark and moody, it’s an examination of mortality and failing outsiderdom; the need to connect in the face of loss. Set in Paris, it wears its existentialist heritage with pride. Nothing showy in the prose; instead, some startling images and a sad, pulsing honesty at the core of this piece that will linger.

 

L is for Laura: Sharp, clear, unsullied prose, a story bristling with charm and integrity. Structurally deft, it’s told through a series of relentless short episodes; sketched with the perfect amount of detail, as it watches the unfolding downwards spiral of Laura’s life, alongside that of the narrator, Nicholas. They’re somehow connected, somehow not. Just when he thinks she’s gone, she’s back. Not an ounce of sentimentality; devastatingly note perfect.

 

 


 

Short-list:

(alphabetical order)

There are 80 stories in the short-list. The total entry was 1260.

 

TITLE

First Name

Last Name

The Ghoul of St. Clare

Debbie

Adshade

Corvids

Noel

Alexander

Three Bodies

Peter-Adrian

Altini

Overdue

Gail

Anderson

Fabulous Frankie’s Cricket Diary

David

Atkinson

L Is For Laura

Tom

Billings

Lukey

Peter

Bishop

Cake of the Year

Judith

Bridge

Eat and Run

Judith

Bridge

You were one of us

Mary

Brown

Owl Eyes

Mary

Brown

BE A MAN

Colin

Burns

Kozlov’s Girl

Mike

Carson

Model Village

Julia

Clayton

Viking

Julia

Clayton

Cafe Herakles

Julia

Clayton

In Her Gimlet Eye, The Answer

Joshua

Davis

In Memoriam

Joshua

Davis

26 ways to write a love letter

Helen

de Búrca

Amma

Elaine

Desmond

All That’s Left Behind

Joanne

Done

Maestro

Bryony

Doran

The Gravedigger’s Apprentice

Garret

Dwyer Joyce

The Homecoming

Linda

Edwards

Noises in the night

Eoghan

Egan

The Digital Revolution Will Not Be Televised

Travis

Elsum

Yvonne, Yvonne

Linda

Fennelly

Fade

Amy

Ferguson

My Irish Christmas Carol

Frances

Fischer

Brave

Gloria

Froese

A Minute Away

Kristi

Gedeon

Ebb and Flow

Kristi

Gedeon

The Malevolent Stray

Nicola

Gifford Cowan

Love in an abattoir

Brendan

Gill

The Birds of Spain

Rebecca

Graham

Wait Till Your Father Gets Home

Fergal

Greene

The Rival

Rhian

Holvey

Whales of the City

Harrison

Horan

Scratched Enamel Heart

Mandy

Huggins

Raspberry Madeleines

Rebecca F

John

Whatever You Say, Say Nothing

Forest

Jones

Al-watan

Alissa

Jones Nelson

Lucky

Maria

Kaplun

Five Nights at Bonuru

Maria

Kaplun

The Woodpusher

Martin

Keating

As he drowned in his own blood

Bridgett

Kendall

Weasel, Popped

Bonnie

Kidd

Something Else

Sophie

Kirkwood

Wakkanai Station

Richard

Lambert

A Wedding

Richard

Lambert

Holly and the Visitant

John

Langan

Liquid Gold

Jane

Lavelle

The Fish and Martin

Nick

Le Mesurier

As Light as Air

Carolyn

Lewis

What Love Survives

Duncan

MacInnes

Labyrinth

Lauren

Mackenzie

No Alternative

Camilla

Macpherson

A Vacuum Filled with Suspended Love

Taro

Madden

Every Employee’s Dream

Stephen

Maitland-Lewis

A Sex Manual for the Over-sixties

Thomas

Malloch

Temper

ANDREA

marcusa

Winter Apples

Marina

Marinopoulos

The House We Lived In

Denise

McSheehy

School Run

PJ

Moore

The After Life

Grainne

Murphy

Wailing Wall

Etan

Nechin

The Tarot Reader

Mary

O’Donnell

Hot Scary Summer

Adam

O’Keeffe

First Blush

Owen

O’Reilly

Need a Body Cry?

Michael

Popper

The Life of Marguerita Terral

Martin

Ryall

Robin’s Fatal Flaw

Paul

Sedgley

Still We Survive

kristine

simelda

Tristan and The Glass Sea

Alison

Thompson

Unicorns along the Mohawk

Lynn

Trudeau

JOURNEY Eleanor Mayu Yakamoto, 1959

Megan

Vorm

Ménage à Quatre

Ross

Weldon

Distinguishing Features

Clare

Weze

The ship I’m on

Stuart

Williams

Vestiges Of A Dream

Stephen

Young

 

 

 


 

Long-list:

(alphabetical order)

There are 231 stories in the long-list. The total entry was 1260.

TITLE

First Name

Last Name

The Ghoul of St. Clare

Debbie

Adshade

Bone Dry

Suzanne

Ahern

Corvids

Noel

Alexander

Three Bodies

Peter-Adrian

Altini

Overdue

Gail

Anderson

The Art of Leaving

Deborah

Appleton

Levels

Deborah

Appleton

Fabulous Frankie’s Cricket Diary

David

Atkinson

Rotterdam

Tony

Axelrad

In Your Own Image

Thomas

Balloch

Sweet Sixteen

Mina

Bancheva

The Last Lighthouse Keeper

Chris

Barnham

The Flame-Haired Vixen

Elizabeth

Bazalgette

L Is For Laura

Tom

Billings

Lukey

Peter

Bishop

Subterranean

Mary

Black

The Stars are Out

Paul

Blewitt

The Comfort Station

Mary

Bonner

The Porous Texture of Snow

Alan

Bray

The Baker

Judith

Bridge

The Perfect Nobody

Judith

Bridge

Cake of the Year

Judith

Bridge

Eat and Run

Judith

Bridge

You were one of us

Mary

Brown

Owl Eyes

Mary

Brown

Purple Water

Marti

Buckley

The Object of Indifference

David

Burke

BE A MAN

Colin

Burns

Judgments

Paul

Byall

Sunlift

Jack

Callil

THAT OUR FEET MAY LEAVE

Alys

Cambray

Waiting

Christina

Campbell

Maximum

Andy

Carroll

Odyssey

Robert

Carroll

Buried Evidence

Sally

Carroll

Kozlov’s Girl

Mike

Carson

BURGER BOY

Nilesha

Chauvet

Open Evening

Julia

Clayton

Model Village

Julia

Clayton

Viking

Julia

Clayton

Cafe Herakles

Julia

Clayton

The Spaces In-between

Paula

Conway

Not That Sort Of Person

Tamsin

Cottis

Just Like Stephen King

Charles

Covello

Blue Skies

Maureen

Cullen

Either Shoot Me in the Head or Shut Your Freaking Mouth

Sohom

Das

In a Farce, but Unaware

Sohom

Das

In Her Gimlet Eye, The Answer

Joshua

Davis

In Memoriam

Joshua

Davis

Acts of Nature, Acts of God

Annie

Dawid

26 ways to write a love letter

Helen

de Búrca

The Lady in Black

Charlotte

Derrick

Amma

Elaine

Desmond

All That’s Left Behind

Joanne

Done

Leaving Cath

Ross

Donlon

Maestro

Bryony

Doran

The Bee Keeper

Doreen

Duffy

The Gravedigger’s Apprentice

Garret

Dwyer Joyce

The Homecoming

Linda

Edwards

Noises in the night

Eoghan

Egan

The Digital Revolution Will Not Be Televised

Travis

Elsum

The Ella-May Memorial Club

Lucey

Emma

Yvonne, Yvonne

Linda

Fennelly

Fade

Amy

Ferguson

My Irish Christmas Carol

Frances

Fischer

Visiting Hours

Aingeala

Flannery

Ode to Travel

Susan

Francis

Meadowlands

David

Frankel

Advent

Jane

Fraser

The View From Here

Barbara

Fried

Deconstructing Desdemona–Under Cuban Skirts

Paula

Friedman

Brave

Gloria

Froese

Night on the Lagoon

Jo

Gardiner

Home Shopping

Kristi

Gedeon

A Minute Away

Kristi

Gedeon

Ebb and Flow

Kristi

Gedeon

Bind

Ruth

Geldard

The Malevolent Stray

Nicola

Gifford Cowan

Love in an abattoir

Brendan

Gill

The Threshold of Forever

Wayne

Gooderham

The Birds of Spain

Rebecca

Graham

“THAT BOY IN SEAT 2A”

Geoffrey

Graves

It Will Rain Itself Out

Fergal

Greene

Wait Till Your Father Gets Home

Fergal

Greene

The Farewell Cabin

Alastair

Hagger

The Murder

Jane Eaton

Hamilton

Poisen

Helen

Harjak

Lucky

Sophie

Harrington

This Empty Room

America

Hart

Nowhere Place

Regina

Hathout

The Boys From The Ousbah

Craig

Hawes

The bottle of Whisky

Nic

Herriot

The Wedding

Anne

Heyburn

Blood on the Cross

Euwan

Hodgson

The Rival

Rhian

Holvey

Whales of the City

Harrison

Horan

Scratched Enamel Heart

Mandy

Huggins

Another Girl

Emma

Hutton

Humans

Emma

Hutton

Footfall

Steven

Irwin

A Curious Tale

Paul

Jeffcutt

Raspberry Madeleines

Rebecca F

John

I Lift my Lids

Jessica

Jones

Whatever You Say, Say Nothing

Forest

Jones

Al-watan

Alissa

Jones Nelson

Lucky

Maria

Kaplun

Five Nights at Bonuru

Maria

Kaplun

Slow Time

Vikram

Kapur

The Woodpusher

Martin

Keating

As he drowned in his own blood

Bridgett

Kendall

Down Memory Lane

Alan

Kennedy

Purser

Liz

Kerr

Weasel, Popped

Bonnie

Kidd

Lantern Moon

Thomas

Kiernan

Something Else

Sophie

Kirkwood

JUNOON

Sanjay

Kumar V.

The Lemon Tree

Shibani

Lal

Wakkanai Station

Richard

Lambert

A Wedding

Richard

Lambert

Cornelius and the Angel

John

Langan

Holly and the Visitant

John

Langan

Liquid Gold

Jane

Lavelle

The Fish and Martin

Nick

Le Mesurier

Baby Blues

Siobhan

Lennon

Tomorrow Morning

Colin

Leonard

Rushes

Alison Jean

Lester

As Light as Air

Carolyn

Lewis

The Man from Andalusia

Annie

Lindberg

A Life Examined

Gary

Lines

Have a Break, Have a KitKat

Gary

Lines

Interstate

Kate

Lister Campbell

The Resurrectionist

Robin

Lloyd-Jones

STOCK AND STACK

Erini

Loucaides

What Love Survives

Duncan

MacInnes

A Motion Away

Deborah

Mack

Labyrinth

Lauren

Mackenzie

No Alternative

Camilla

Macpherson

A Vacuum Filled with Suspended Love

Taro

Madden

Bee on the Wall

Paul

Mahon

Every Employee’s Dream

Stephen

Maitland-Lewis

A Sex Manual for the Over-sixties

Thomas

Malloch

Temper

ANDREA

marcusa

Winter Apples

Marina

Marinopoulos

Safety Matches

Kathryn

Marshall

Table Tennis

PS

Matthews

The Stranger at the Funeral

Kevin

Mc Dermott

An Encounter on Copley Square

Patrick

McCusker

If this were a milonga

Marie

McGinley

Sandscript

Petra

McNulty

Mind Games

Róisín

McPhilemy

The House We Lived In

Denise

McSheehy

The North East

Linda

McVeigh

Welcome Home, Huckleberry Bro’

Katayoun

Medhat

Pigs Can Fly

Bruce

Meyer

Pigs Can Fly

Bruce

Meyer

Liberation

Bruce

Meyer

FIRSTBORN

Michelle

Michau-Crawford

The May Fires

Virginia

Miranda

LAST DAY

GUY

MITCHELL

Empty Sky

Tracey

Mitchell

Santimanitay

Celeste

Mohammed

School Run

PJ

Moore

Polack is warming now

Michael

Morrissey

Break a sweat

Joshua

mpanju

Just Like Pocahontas

Eamon

Murphy

The After Life

Grainne

Murphy

The Case of Mr. Withers

Aengus

Murray

What Poets Do

Alan

Murrin

Wailing Wall

Etan

Nechin

The Pendulum

James

Northern

Lunch Money

Janna

Northrup

The Church

Grainne

O Brien

The Afters

Grainne

O Brien

The Bonnie Isles of Caledonia

Mary

O’Donnell

The Tarot Reader

Mary

O’Donnell

Hot Scary Summer

Adam

O’Keeffe

First Blush

Owen

O’Reilly

Leap Of Faith

Alistair

Palmer

For Those Who Trespass

Simon

Parker

Boxing In The Shadows

Doug

Pender

A Storm in Shelter

Nicholas

Petty

Need a Body Cry?

Michael

Popper

Stephen Hawking’s Dog

Kevin Noel

Power

In a Different Light

Barsa

Ray

That time I thought OCPD told the truth

Clare

Reid

River of January

Jonathan

Reilly

Differentiation

Lynne

Richards

Ensnarement

Lisa

Robbins

The River of Secrets

Yvonne

Roche-Harth

How Sweet the Fruit – How Bitter the Harvest

Michael

Roe

Heartbreak Comes In Waves

Simon

Rumney

The Life of Marguerita Terral

Martin

Ryall

If the Line breaks, No Worries

Shannon

Savvas

Smolder

Terri

Scullen

Robin’s Fatal Flaw

Paul

Sedgley

Lady with blazing Sapphire

Patrick

Sexton

Together

Catriona

Shine

Still We Survive

Kristine

Simelda

The Last Witch

Fiona

Skepper

The Caledonia

Sarah

Smith

A Good Catholic Upbringing

Taina

Smith

Gauguin Takes a Cruise

Adam

Soto

The Recipe

Karmen

Spiljak

The House of Special Purpose

Kate

Spitzmiller

Nowhere. Nothing. Nobody.

Gareth

Strachan

How Fast it Goes

Leah

Swann

The Relief of 7 Harrington Avenue

Stuart

Tallack

Tristan and The Glass Sea

Alison

Thompson

The Bloodhounds

Caroline

Timlin

Homo Ex

Rhys

Timson

New Pajamas

Deanna

Todd-Godson

Unicorns along the Mohawk

Lynn

Trudeau

Sleigh Parade

Judith

Turner-Yamamoto

One Thousand and One

Gabriel

Valjan

Pac-Man

Kelly

Van Nelson

Hettie

Claire

Varden

JOURNEY Eleanor Mayu Yakamoto, 1959

Megan

Vorm

The Bridge

Angus

Walker

Fugue

Diana

Wallace

FYLDE

Jennie

Walmsley

The Long Silence

Catherine

Watkins

Grave

John C.

Weir

Ménage à Quatre

Ross

Weldon

Distinguishing Features

Clare

Weze

Insistent Voices

Sue

Whytock

The ship I’m on

Stuart

Williams

Ave Maria

Colette

Willis

The Snow Station

Pat

Winslow

And Yet

Michele

Wong

Descent into Limbo

James

Woolf

Vestiges Of A Dream

Stephen

Young

 

New Play by Adam Wyeth – Fish Editor & Poet

February 5th, 2019 | Uncategorized | Comments Off on New Play by Adam Wyeth – Fish Editor & Poet

THIS IS WHAT HAPPENED 

A new play by Adam Wyeth

Did your dad ever give you lollipops for good behavior?
Would you like me to give you a lollipop now?
Would you give me a lollipop now?

Adam Wyeth’s new Play

A trippy triptych of verbal warfare, media spin, and shocking talk-show showdowns. Disarming and alarming ‘This Is What Happened’ is an unflinching interrogation of objectification.

Presented by the highly acclaimed Civic Theatre Company Theatre in Residence, The Corps Ensemble in collaboration with one of The Civic’s Associate Artists for 2019: award-winning poet and one of Ireland’s most provocative emerging playwrights, Adam Wyeth.

Directed by Andy Crook and Hillary Dziminski

Cast:

Jed Murray

Carolyn Bracken

Deborah Wiseman

Siobhán Callaghan

Edwin Mullane

Andy Crook

Lighting Design by Alan Mooney. 

THE NEW THEATRE Dublin

12-16 February // 7:30pm (Matinee 1:00pm on Sat 16)

Tickets: €17 (€14 conc.)

CIVIC THEATRE Dublin

19-23 February // 8.15pm

Studio Theatre  TICKETS: €16 & €14 concession

DEALS: EARLY BIRD Tickets €12: Book By Fri. 8 Feb.

Harry Bauld, Fish Alumni, Publishes Poetry Collection

February 2nd, 2019 | Uncategorized | Comments Off on Harry Bauld, Fish Alumni, Publishes Poetry Collection

The Uncorrected Eye

by Harry Bauld

Published by Passager Books

 

A collection of poetry
Jo Sarzotti praises for its “roving imagination.” 
Read a sample on Passager’s website.

 

Upcoming Event:

Reading at Columbia University
November 14, 6 pm

Order online

 

Harry Bauld’s poem, Forty Winters, was published in the Fish Anthology 2017.  Read it below.

 

Forty Winters

 

I passed them so long ago my eyebrows

cannot remember brown, like a corn field

of stumps gone pale in autumn’s here-and-now,

though I can’t and shouldn’t complain; I held

my own against the bone’s goodbye, the lies

of gods and golden girls that made the days

slink by in winks of sideways eyes–

this rain itself, gray as ash, is enough praise

for its own falling percussion, something we use

to tamp down afternoons into gift, to mine

the veins so deep these lusts, though trapped, excuse

the longing here for one more chafe of thigh–a sign

it doesn’t matter that parts of us get old,

no freezer burn in this combusted cold.

 

Harry Bauld

 

Last Year’s Poetry Winner

February 1st, 2019 | Uncategorized | Comments Off on Last Year’s Poetry Winner

Janet Murray won the Fish Poetry Prize 2018 with her poem, Vernacular Green, which is published in the Fish Anthology 2018 along with nine others selected by last year’s judge, Ellen Bass.

 

Vernacular Green

 by Janet Murray

(i.m. Howard Hodgkin 1932-2017)

 

Hodgkin sees common green

in privet, grass, chestnut husks

blown horsetail, chickweed

crushed under baby’s toe

scum on ponds―pond weed.

 

Not silver olive, willow spinning

green or white, imported

rhododendron, clunking monkey

puzzle tree. Exempt montbretia’s

erect leaves, circling

 

fiery tiger flowers, but if he glimpses

luminous green on the wing-tip

of an escaped parakeet, exposed

by pallid vernacular green, which

hides fairy wings sometimes,

 

in this moment he speaks

Indian green where a greener green

can be unleashed, somewhere between

emerald and jade, a brush dipped

in feathers round a teal duck’s eye.

Last Year’s Flash Fiction Winner

January 20th, 2019 | Uncategorized | Comments Off on Last Year’s Flash Fiction Winner

The Chemistry of Living Things 

(winner of the 2018 Fish Flash Fiction Prize)

 

by

Fiona J Mackintosh 

The blue ones make me dream of thistles, make me loop-de-loopy, shaking bubbles from my wrists. The big yellow ones are slow-witted and tip me into drenching sleep at unexpected hours. The white diamonds have a certain easy charm, but it’s the tiny silver ones I like the best. In my cupped palm they roll like mercury balls, but in my head they fizz and dazzle, splintering into gaudy reds and greens. They’re the reason I can glide above the broken glass, put a soft hand on my husband’s shoulder as he tells our guests another story and nods to me to bring the coffee and dessert. Smoke coils beneath the lamp, softening the light. The faces round the table seem familiar, but I don’t know who they are, the men with bristled hair, the women oiled and shiny with cat’s-eye glasses and wet teeth. Mouths open, voices bourbon-loud with the looseness of late evening. The noise pulls close around my head like curtains as I rinse the dirty plates and spear a perfect sprig of mint in every peach sorbet. Against the backsplash, the pill bottles gleam, and I promise-touch each one for later. You and you and you. Through the window, just beyond the house-thrown light, a young deer stares at me with deep, black eyes. I see its dappled hide, a white stripe on its haunch that may or may not be a scar. I know at once it’s come to lure me out into the dark and unfamiliar, onto bleak, untrodden ground. I press my hands five-fingered on the window, and, when I wipe away the cloud my breath has made, the deer has gone like it was never there at all.

 

Fish Editor Tina Pisco Teaches English in Refugee Camp

November 1st, 2018 | Uncategorized | Comments Off on Fish Editor Tina Pisco Teaches English in Refugee Camp

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Here are the first three posts on my blog from Nea Kavala Refugee Camp in Greece –

Nea Kavala Update #1

Tina Pisco

It’s Sunday and I have been volunteering in Nea Kavala refugee camp in Northern Greece for one week. I am working in the Women’s Space with Hope, a young woman from London who has just graduated from Oxford. We are part of a group of ten volunteers from all over the world, working with WE ARE HERE, an NGO which runs education and recreation in the camp. Every morning we teach English in the Women’s Space. The afternoons we have activities like sewing, computers, or hair and beauty. Most afternoons the women and teenagers just come to chat and hang out. Sunday is music and dancing.

The Women’s Space is a wooden shed with chipboard tables and benches. A few benches have been turned into makeshift sofas adorned with blankets from the UNHCR (UN Refugee Agency). The walls are decorated with children’s artwork and inspirational quotes in many different languages. One panel is covered in Welcomes. I make a note to myself to paint Cead Mille Failte before I leave. The money I am raising with my Go Fund Me page is being spent on improving the Women’s Space. We have already built new smooth table tops (the old ones were made of chip board and difficult to write/draw on). Next week we will fix the floor, which is old and wonky, and buy rugs for the winter to brighten up the place.

I’m teaching Level 1 English, which is a challenge because not only do most of my students have no English whatsoever, they also have no knowledge of our alphabet or numbers, so learning the ABCs, pronunciation, and numeracy are essential before we can really start learning the language. I’ve had an average of 9 women in my class. They come from Iraq, Afghanistan, Syria, Turkey and Kuwait. Most, but not all, are Muslim, speak Arabic and wear headscarves. None are veiled. Some are Christian. Some have had secondary, or third level education. Others had their education curtailed by conflict and war. F from Afghanistan speaks only Farsi and has never been to school. She covers her face with her scarf and mimes for me that the Taliban will not let girls go to school. She is so brave and diligent as every lesson is twice as hard for her. All the adult women are married and have several children, and we have bonded easily in the way of women and mothers everywhere.

Hope and I push back the tables and benches to make room for the dancing. We have lugged a portable speaker from the metal container which houses all the WE ARE HERE stuff. There is a new, huge padlock on the Women’s Space door as it had recently been broken into. The padlock looks more secure than the door (or the walls of the shed for that matter).

The camp feels subdued today and we are not sure how many women will show up. A series of robberies by a gang of “Ali Babas” was causing a lot of problems. The Women’s Space sewing machines were all stolen along with other equipment from the NGOs in the camp. After an investigation, the thieves were arrested by the Greek police, which has relived some, but has also caused tensions in the camp. There was also a bit of argy-bargy last night at the Saturday music and dancing in the big communal tent. One man had an issue and tried to pick a fight. Others grabbed him and tried to throw him out, but he kept coming back. Everyone packed up early. I never felt in any danger as it was clear that it just one drunk guy, and all the others were trying to subdue him. In fact, it was quite amusing as the German volunteers were a bit anxious while the Scots and Irish were unimpressed. As one UK volunteer commented: “I’ve seen a lot worse on a Saturday night back home!” (The next day he will come up to one of the volunteers and apologise for his behavior)

The first women arrive. Three adults, two teens, and four little girls. They are from Iraq, Syria and Kuwait. As I sit with them and wait for one of the teens to sort out the music, I am overwhelmed with a wave of anger. I remember a night back in 1991, when I stayed up following the start of Desert Storm- the US led coalition against Iraq in Kuwait. The mothers sitting with me on this rickety bench had only just been born. I want to find the men who thought Desert Storm was such a great idea and give them a few slaps. I want to point at these women and children and scream: “You did this. Look at them! Look at what you did! Is this what you wanted?” I know without asking that this is not what these women wanted. They want to be back home, enjoying a Sunday with their families, getting ready for the week ahead, going shopping for curtains, or visiting family. I swallow my anger. It’s time to dance.

The music booms, a mix of hip hop and Arabic rhythms. A tiny woman from Kuwait jumps off the bench and removes her headscarf. Underneath her hair is in a bun pinned with a red flower. She shimmies and sways, and I get a round of applause when I join in. After the first song she lets her long hair down and whips it around as she dances. More women and girls arrive, from Pakistan, Syria and Turkey. Some are dressed in Western clothes and wear small crosses around their necks. Some are dressed in long traditional robes with elaborate headscarves. Z, our resident teenage DJ, mixes a playlist of JayLo, Shakira,Arabic, Kurdish, and Turkish music, and hip hop. Despacito is a big hit. She is too cool in her trendy tracksuit, gleaming trainers, and matching headscarf. Her smile lights up the bare room. We dance for two hours. I teach them how to cha cha cha. They teach me Kurdish line dancing and some Zumba moves.

It is time to go. The wind is picking up outside. It’s been sunny and warm during the day, but can get quite cold at night- especially for those living in the two big communal tents. When the wind blows, the tents flap all night. There are 800 people here. Most live in metal containers that are arranged in a long alley on the abandoned air strip that is Nea Kavala refugee camp. It takes ten minutes to walk its entire length.

We wave the women goodbye. Before she leaves, N from Iraq takes my hand “You come to visit me. Container C4. I will make you tea.”

To contribute to the Women’s Space in Nea Kavala go to:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

FOLLOW MY BLOG

Nea Kavala Update 2

I wake up in the middle of night to a fierce wind that rushes down from the North. The sound is loud, but it is the feel of it that wakes me- like an enormous ball of air rolling in from Macedonia. The change in air pressure is palpable.

I get up and go to the outside loo, grateful for the moon that lights my way in the dark.

WE ARE HERE (the NGO where I am volunteering) rents an old ramshackle house in a quiet side street off the main boulevard of Polykastro. It is older than most buildings, with a main house that has a kitchen, living room and office. Six bedrooms are arranged around an overgrown garden. There are pomegranate, fig and quince trees, straggly rose bushes and hedges. The terrace is covered with an ancient, gnarled grape vine. A sunny, unkempt corner must have once been a vegetable patch.  I fantasize about coming back and making the garden beautiful again. My bedroom is very basic: a concrete floor covered with a rug, a mattress on a plywood base, an old desk and shelves. The windows are sealed in protective plastic, and covered in blankets hung on nails that serve as curtains. All over the house, expanding foam has been used to fill the many gaps and cracks. A hole in the living room ceiling has been patched up with a Lidl bag and duct tape. The outside shower is a concrete room with old pipes and a drain in the floor. It looks pretty awful, but is a surprisingly great shower with loads of hot water. Ten to twelve volunteers live here. Any overflow can sleep in a two-bedroom apartment nearby. It may sound dire, but it is rather charming, though I’m sure that its charm quickly fades when the winter cold and rain sets in. So far, the weather has been warm and sunny most days.

The volunteers are from England, Scotland, Germany, the US, Portugal and Australia. Most are young graduates. I am by far the oldest, but Scott from NYC and Carmen from Portugal are both in their thirties and taking a career break. Like me, most volunteers come for one to two months, but some stay longer. It is clear that we would all like to extend our stay if we could. Money, families, jobs and other commitments seem far away and somewhat inconsequential. Working with WE ARE HERE in Nea Kavala is intense, but I am really happy. Truth, be told I am happier than I have been since my mother died over two years ago.

WE ARE HERE ( http://weareherecentre.org/) was started by a woman called Eliza Winnert in 2016. She is coming back next week, and I look forward to meeting her. In her absence our little group is in the very competent hands of Chrissie from Scotland, who has been here for two years. Decisions are made at the Saturday afternoon meeting, which can run for three to four hours as Chrissie guides us through the next week’s projects: from DIY to training, and from cleaning to shopping. Our days are very busy with teams teaching English, organizing kids’ activities for those too young for kindergarten, sports and music in the afternoon, English conversation in the evening, and two movie nights a week (one for adults, one for children), along with the Saturday night music and dancing in the big tent. Each volunteer has one afternoon off a week, and we all have a full day’s rest on Fridays.

We eat lunch and dinner together on the terrace, weather permitting, and take turns cooking. Menus are vegetarian and vegan, but have so far been delicious. If I crave meat or fish, I can go out to one of the many restaurants in Polykastro, which are very cheap. Our favorite is Giorgo’s around the corner. Giorgo and his wife Sofia are very kind to the volunteers and are always giving us free food, desserts, and Ouzo.

In late 2015 Macedonia closed its border with Greece. Almost overnight 10,000 people who were traveling to other pasts of Europe found themselves stuck in the tiny village of Idomeni. An unofficial camp sprung up. Conditions were terrible and the surrounding small towns and villages were unable to cope with such a large humanitarian crisis. One often hears complaints that the Greek authorities are not doing enough, but Greece is still clearly struggling from the 2008 crash. On the bus ride from Thessaloniki abandoned factories and half-built buildings line the roads. The empty loading bays and carparks of the businesses that are still open reflect more prosperous times. As I sat and waited in the bus station in Thessaloniki when I arrived, six people came up begging for money; and there are many rough sleepers on the streets.

The refugees in Idomeni were eventually relocated around Greece, including in our camp in Nea Kavala, which is on an old airstrip, just outside of town. It takes about ten minutes to drive and one hour to walk to Polykastro.

I was shocked to discover that the camp has no really cohesive organizational structure. The authorities on the ground are the military and police, overseen by the Greek ministry; but there is little communication or planning with the three NGOs who volunteer here: DROP IN THE OCEAN (who provide food, clothes, and a bike scheme); the Danish Refugee Council (who offer medical and legal advice, and keep largely to themselves); and  WE ARE HERE. EU and UN provide specific aid but are not directly involved in running the camp, which appears to largely run itself with help from the NGOs.

Yesterday Chrissie returned from a meeting in Thessaloniki with updates from the refugee crisis in Greece. Nea Kavala, with its 600 residents is doing quite well compared to other places. There are people squatting, or living on the streets in Thessaloniki. Serres camp is overflowing with 100 people in makeshift tents outside the perimeter fence. Lesvos is a disaster. Tensions are rising everywhere due to overcrowding and a lack of coordination, and many camps have had outbreaks of violence and arson.

In March 2016 the EU decided that people arriving in Greece and Turkey must be processed there before moving on, creating a backlog that was hard to absorb locally.  There are an estimated 60,000 people seeking asylum in Greece. So far this year 26,000 have arrived in Greece by sea, with a further 13,000 by land. The UNHCR has a current capacity for 25,000, which it hopes to raise to 27,000. The Greek government has announced a plan to house 5000 refugees in hotels that are closed for the winter.

WE ARE HERE’s mission of education and community can seem hopeless in the face of such figures. Building football goalposts and having movie nights pales in the glare of those numbers. Does the Women’s Space where I teach English and run Beauty and Make-up, computers, and social afternoons make any sense? I can tell you that it does. It matters; whether we provide music classes, accept an invitation to tea, or just go out for an evening with the young men from the camp. What makes a difference is being here, meeting people, getting to know them and having them get to know us. We bring a sense of normality to a surreal situation. Most of all we bring the fact that they are not forgotten. That people around the world care.

I make my way carefully to my room, and go back to bed. The wind stops as suddenly as it began and I fall sleep. Later the big wind rolls in again and wakes me with its weight. The windows are rattling and I hear stuff flying around in the garden. It’s cold.  I rummage around in my suitcase for a thermal T shirt I bought in Dunnes before I left, and wrap a UNHRC blanket around me. It is heavy wool and I am grateful for its comfort. I snuggle into my warm nest, feeling safe and cosy. I try not to think of F, trying to sleep in one of the big communal tents in the camp with her four sons. I hope they too find comfort in the grey, heavy UNHRC blankets. I imagine the noise of the tent flapping, the wind howling, babies crying, men yelling for the mothers to hush them. I have to turn that image off like a tap and force myself to fall asleep. The women will be tired in the morning. If they make the effort of coming to class I need to be rested and positive if I’m going to help them to learn English.

In the morning it is bright and warm in the sunshine. I grab a coffee and find a sheltered, sunny spot in the garden where I can pretend that it is still summer while I prepare the day’s lesson.

If you would like to help, please share my posts and donate to my GO FUND ME here:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

Nea Kavala Update #3

I’m driving out to camp to visit A who has invited me over for coffee and cake. The local radio is blaring a Prince song I used to dance to nearly thirty years ago, which only adds to the surreal quality of the drive down the dusty highway to Nea Kavala refugee camp in Northern Greece. On the way I pass many men, women and children, who are walking or biking in to town, or to the Lidl that is halfway between Polykastro and the camp. It takes about an hour to walk into town.

The landscape is flat. Mountains dominate the horizon. Cotton seems to be the main crop in this part of Greece and all the roads are lined with white fluff, as if a giant container had dumped a load of cotton balls over the land. The dust, the ribbons of cotton balls, the stray dogs, the refugees pushing shopping trolleys past boarded up businesses give the journey a bleak, dystopic feel. Today the sky is low and grey, and threatening rain.

I park the car at the gate and start the long walk through the camp. A’s container is at the very end of the alley that was once a runway. It starts to rain as I make my way through the hundreds of metal containers that house the refugees lucky enough to get one. Some have to live in the two giant tents on the edge of camp. Rumour has it that they will all be relocated before the winter sets in. Inshallah they will be able to move soon.

Many containers are painted with murals: peace doves, colourful landscapes, happy images to brighten up the clinical white metal. Others are covered in graffiti. One poet has written his verses on the walls.

Some of the refugees have started little businesses to make some extra money. There are a number of barber shops, a bakery, a falafel stand. Most containers have makeshift extensions built with bits of scrap metal, palettes and plywood. One family has started a little garden patch. Portacabins with men and women’s toilets, along with showers are set up throughout the camp. There are also outside double sinks where people can wash dishes or handwash clothes. I pass a portacabin that has a series of washing machines.

The alley is buzzing with traffic. Children push smaller children around in shopping trolleys. People pass by on bicycles. (The bike scheme is very popular, though most women had to learn how to ride one!). Everywhere are small children and cats. I stop to admire three kittens in a shopping cart that two tiny children are minding. The walk should take about ten minutes, but it takes me double that as I am hailed by both those I know and those I don’t know with a “Hello Teacher! How are you?”

An African woman is slowly making her way down the alley softly singing to herself. She is impeccably dressed in a tailored dress and matching shoes. Her braids are long and sway as she walks. I stop and speak to her in French. She is from the Congo and tells me that there are Africans from the Congo, Senegal, Zimbabwe, Sierra Leone and Cameroon. I have hardly seen them, except on the football field. They are less in numbers, and they do not mix much with the people from the Middle East.

This is not my first time making the long walk up the alley. A few days ago, SH invited me and Hope (the other volunteer in Women’s Space) to eat dinner with his wife ZH. They live in one container with their six children, aged 15 to 3 years old. SH proudly showed us the small porch that he built to keep the rain off the shoes that are lined up outside the doorway. In Nea Kavala everyone removes their shoes before going into a home. He also built a wall in the container to create a small room, making their living space even smaller but allowing for some storage and privacy for those who are not sleeping.

The main room was crammed with 4 bunk beds, a small fridge, and a tiny folding picnic table with a two-ring electric hob. The place was impeccably clean, but K, the eldest daughter made us wait while she went in and gave the floor a quick wipe. Hope and I sat on a thin mattress on the floor, and SH made a big deal about offering me a cushion, while ZH busied herself at the hob. The dinner smelled delicious. Two daughters and their adorable little son Y joined us, as well as a neighbour. The family, like many in the camp are Khurds. ZH and SH are from Syria as is the neighbor who has joined us. When the dinner was ready, SH rolled out a rug, and ZH arranged two steaming metal pots of fragrant rice, stuffed vine leaves, eggplant, courgettes, tomatoes and onions, and a plate of sliced lemons on the floor. She put out metal plates and plastic glasses filled with water, and handed us packets of airplane cutlery and serviettes. The food was amazing, and I marveled at ZH’s skill in her limited kitchen. We ate and laughed, and showed each other pictures of family and friends: Pictures of our fathers and mothers, sisters, brothers. children. Y, their three-year-old son (whom I thought was a girl because of his long hair) is clearly the family’s darling. He loved the pictures of my dogs and cats back home, and of the agricultural show in Clonakilty last summer, especially the cows. Hope and I stuffed ourselves with the delicious food, wiping up the sauce with ZH homemade flatbread.

ZH and I bonded when she came to our computer afternoon in the Women’s Space. She sat watching music videos and singing softly to herself. Suddenly she started crying, hiding her face in her headscarf. I had a moment of panic as her tears turned to heavy, heaving sobs. ZH speaks no English. I speak no Arabic, nor Khurdish. I felt helpless to deal with her deep sadness. Then it was obvious: just do what I would do with anyone who is crying. I took some tissues and handed them to her. She took them and wiped her eyes. I got a glass of water and she drank it. Still crying, she thanked me. I sat next to her and patted her arm as she blew her nose. When she calmed down, she explained through gestures and simple words that she had been watching a video of her mother’s home town of Mosul. It was a song that her mother had loved. Her mother had passed away several years ago, before the war. I told her that my mother had died two years before and that songs she loved also make me cry. We shared the moment, together in our grief and she handed me a tissue. Since that moment we greet each other with hugs.

I finally make it to the end of the alley and A’s container. The runway continues out in front of me, and I think of how ironic it must be to live here, trapped in a tiny space with a runway at your doorstep and its teasing promise of freedom.

A is not there. Inside is a man sitting on the floor eating beans and flatbread. He seems too old and grizzled to be A’s husband. She is in her late forties, but still beautiful with light almond eyes that sparkle when she smiles, which is often; though sometimes, like many women here, her gaze will drift and her face take on a sad, haunted look. He tells me that A is his “wifey” and has gone to get me some coca cola and the cake that she baked for me (I mentioned in class that I like coca cola, but don’t like Pepsi). While we wait for her, he shows me dozens of pictures of them in Turkey, of his sons who are in Germany, of the Christian church he attends in Polykastro. I am shocked to see a much younger man than the one sitting with me on the mattress. His legs are swollen and he needs a cane.  He talks a mile a minute in simple English: He is waiting to go to Germany for medical treatment, and to be reunited with his sons. He tells me that they come from Northern Syria, but that the war has destroyed their town, that they went to Turkey, but that it is not a good place for Khurds, that he has papers to leave, but A- who arrived after him – does not, and that she does not want to stay in camp alone. A arrives with the cake and her 24 year old daughter who speaks English well. She is painfully thin. She was studying in Syria before the war and is here with her husband. Neither she nor A wear headscarves, and both are dressed in Western clothes. ZH joins us for coffee and cake, along with IB, a young man from Syria who has brought along a Swiss woman who is volunteering with DROP IN THE OCEAN.

Time flies as we eat cake and chat, and it is soon time for me to open up the Women’s Space, so we gather up our things and all head off back down the alley. We are joined by ZH’s two daughters with little Y. The rain has stopped and the setting sun is lighting the mountains with a fiery display: all reds and orange. Our little group walks together down the alley, waving at friends and stopping to chat with people lounging outside their homes, and I wish I could wave a magic wand and erase the containers, and the puddles, the portacabins and toilets; and transport us to the beautiful boulevards and parks I saw in their family pictures. To anywhere were we could just be what we are: a group of mothers and children out for a stroll on a fine Autumn evening.

If you would like to help, please donate to my Go Fund Me page:

https://www.gofundme.com/woman039s-space-nea-kavala-camp

 
 

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